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NYFF Review: At Berkeley

NYFF Review: At Berkeley

The legendary social documentarian, Frederick Wiseman, who made the 1968 fly on the wall documentary about interactions with teachers and their students at
Northeast High School, simply entitled, High School, and other
similar works entitled, Hospital, about NYC’s Metropolitan
Hospital’s ED, Domestic Violence,Public Housing,The Cool World, about life in a youth gang in Harlem, and Titicut Follies, about the inner workings of a mental institution in
Massachusetts. He is probably the reason there are HIPAA privacy laws now in place, however, his films are riveting.

At Berkeley

is a 4 hour documentary, as you may guess, goes inside the classrooms, administrative faculty staff meetings, and on campus arts and entertainment
performances demonstrating the inner workings of one of the nations top universities. Wiseman quietly and non obtrusively places the camera on the subjects
allowing people to be themselves and conduct business as usual without asking any questions. The viewer feels as if they are in the same room with the

Not surprisingly, many of the vignettes discuss the economics of what it’s like to attend the higher learning institution and the challenges faced to
financially run the facility. Other discussions include, the minority viewpoint, how to fight inequality and how to make a difference, former graduates of
the university discussing the differences from then and now, the new Facebook generation, a computer programmer who gets a robot to pick up a towel, a
professor teaching his class about the concept of time and the laws of physics, e-legs, the lightweight battery powered exoskeleton, which gives
paraplegics new legs, and gets them out of the wheelchair and walking onto their feet.The exoskeleton consists of a robotic frame controlled through crutches. The crutches contain sensors; putting forward the right crutch moves the left leg,
and vice versa.

The eLEGS battery can enable a user to walk for one day before it needs to be recharged, according to the product’s developer Berkeley
Bionics, how ordinary people are responsible for social change, however, do not get the credit they deserve, what drives leaders to make
those changes? A class discussing Henry David Thoreau, a janitor cleaning up, people just walking along naturally in the hallways and courtyards, a student
crying because she feels guilty that her parents have to work so hard for her to attend the school, priorities of people who spend $30,000 for a new car as
opposed to higher learning, the lawnmower on campus, tenure, cancer research, the Free Speech Movement Cafe, television news crews interviewing a student
discussing the California budget, and egalitarianism, tai chi, lunges, a tight rope walker. The classroom of Richard Reich, the American political
economist, professor, author, and political commentator, who served in the administrations of Presidents Gerald Ford and Jimmy Carter and was Secretary of
Labor under President Bill Clinton from 1993 to 1997, and star of Inequality for All, discusses the organizations missions, and rewarding

Other discussions from a researcher on the Hep C virus, the Executive Vice President, layoffs, increase in tuition, salary cuts for faculty, their
competitors Yale and Princeton, study groups and racial discrimination, dancing in the courtyard, their sports arena and marching band, military training,
police activity, the BART system, protestors, faces of students on a wall mural, a march held on Oct 7 with students who feel education should be free, the
chancellor speaking to the media, the library, supernovas, the international admissions process, and reaching the brightest star, Sirius.

After watching four hours of footage, you feel as if you know your way around the campus without even needing a map, and as if you have received a degree
from the University, without having paid the tuition.


The New York Film Festival (Sept.
27-Oct.13) is going on now. Los Angeles’ own Rose Kuo (formerly
director of the AFI FIlm Festival) has notched it up this year as our
newspaper L.A. Times has
pointed out to
us in perhaps a somewhat condescending way. NYFF was never a “quaint
afterthought”, but it was not what the Lincoln Center Film Society
offered the trade
with new offerings of films you can see in its spring festival New
Directors/ New Directions. But this year, it is on the trade’s map of
top fall film
festivals for the first time since 1984 when Blood Simple of the Coen Brothers made the trade realize its great value.

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