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The Past

The Past

For writer-director Asghar Farhadi, devising a film to follow
the great success of his Oscar-winning A
couldn’t have been easy…and if The Past doesn’t quite match that searing drama, it’s still pretty powerful. Set in France and produced in the French language, the story
deals with an Iranian man (Ali Mosaffa) who comes to Paris at the request of his
ex-wife (Bérénice Bejo) to complete their divorce settlement, after four years
apart. When he arrives, he finds himself in the midst of emotional turmoil, mostly
having to do with his ex’s new boyfriend (Tahar Rahim, from A Prophet) and her teenage daughter, who
resents Mosaffa bitterly.

Farhadi dramatizes the way that people can believe something
to be true and respond to it, leading to a chain-reaction of misunderstandings,
bitterness, and recrimination. It’s a very compassionate film and his male
protagonist is a warm and empathetic character. We know nothing about his
existence in Iran; there is a brief, passing reference to the old country, but
this story could take place anywhere. Its emotional honesty is relatable and

The director works so well with his actors that everything
seems genuine and naturalistic, even the scenes involving young children, which
are quite remarkable. Bérénice Bejo registers strongly as a woman who finds
herself caught between her ex-husband and her possible future spouse, between
her emotionally volatile teenage daughter and her new boyfriend. In fact, there
are no weak links in this excellent film for adult audiences. 

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