The top stories of the week from TOH!
2014 Oscar Nominations Led by “American Hustle” and “Gravity” (LIVE STREAM)
Crafts Roundup: Assessing the Craft Nominations and the “Gravity” Factor
Golden Globes Offer the Expected and Unexpected: Who Gets a Boost Heading for Oscars?
What Did We Learn from the Critics’ Choice Awards 2014?
2013 Box Office Scorecard: Hits, Flops and Studio Summaries (CHARTS)
Anatomy of a Release: Roadside Attractions Redford Starrer “All Is Lost”
Box Office Prospects for the Foreign Language Oscar Contenders
‘Ride Along’ Huge as Audiences Move On from Oscars
Features:
Stream These: 10 Classic Best Picture Losers That Deserved Better
CINE-LIST’s Ten Most Anticipated Films at Sundance 2014
Miles Teller Gets Bloody for Sundance Hit “Whiplash,” Turns Nasty in “Divergent” (EXCLUSIVE VIDEO)
Oscars and Sundance Collide, from Redford’s Diss to ‘Whiplash’ Oscar Buzz (PRESS CONFERENCE VIDEO)
Sundance Review: ‘Dinosaur 13’ Moves and Provokes, Sells to Lionsgate and CNN
“Whiplash” Lands at Sony Pictures Classics: Sundance Breaking News
Interviews:
“American Hustle” Oscar Nominee Christian Bale Holds His Roles to a High Standard
Cinematographer Le Sourd Talks Anatomy of “The Grandmaster” Train Fight
Famed Cinematographer Roger Deakins Talks Coens, Storytelling, “Prisoners”
Kenneth Branagh on Why Chris Pine Was the Guy to Reboot Jack Ryan
Oscar Nominated Papamichael Talks Making “Nebraska” in Black-and-White (VIDEO)
News:
Was Jennifer Lawrence Too Young to Play Rosalyn in “American Hustle”?
Hirokazu Kore-eda’s “Like Father, Like Son” Is a Thing of Quiet Beauty
This Weekend, Jack Ryan Returns, See Indies “G.B.F.” and “Like Father, Like Son”
Showtime Splashes Down at TV Critics Panel with Climate Change Doc; Star-Studded New Shows Unveiled
TV IS THE NEW CINEMA: Skip “Helix,” Watch “Sherlock,” “Girls” Nudity Debate & More “True Detective”
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