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After ‘The Canyons,’ Strange Tale of ‘The Jesuit’

After 'The Canyons,' Strange Tale of 'The Jesuit'

Five years ago I wrote an original script titled “The Jesuit” which I was set to direct starring Oscar Isaac when the financing entity, Maya, collapsed. It was meant to be a return to my action exploitation roots, i.e., “Rolling Thunder.” I also wanted to make a Latin film. 

After a second film fell through, a Bret Easton Ellis original titled “Bait,” Bret and I embarked on a fascinating DIY adventure which resulted in “The Canyons.” While doing this I learned that the “Jesuit” producer Santiago Garcia Galvan had regained the script rights and wanted to go forward immediately. 

I told Santiago that I didn’t think I could abandon “Canyons.” I said that since I meant “The Jesuit” to be a Latin film, and I was the only Anglo involved, he should get a Mexican director. Santiago replied that he’d already given the script to Alfonso Pineda Ulloa, who wanted to do it. 

So that was that. They wanted me to rewrite the ending for budget reasons but I thought their new ending was wrong. Alfonso wanted to meet with me but I refused. Santiago wanted me to come to the set but I refused. Shrug it off, move on. 

Well, I saw an unfinished cut of the film two nights ago. I LOVED IT! It’s better than it would have been if I’d directed it. It’s a badass exploitation film with a black soul and shoot-from-the-hip style. I never really was an exploitation or action director. I appreciate the genre but I would not have been a good fit to direct them. 

If I’d directed “The Jesuit,” it would have been too tasteful, too restrained, too mature. Alfonso did a great job. Jose Maria Yazpik, aka The Jesuit, is a totally cool, mean son-of-a-bitch and a movie star to boot. Even though there were elements that didn’t make sense and things I would not have approved of, I was caught up in the film’s exploitation gusto. I even watched it a second time. And enjoyed it just as much. Sometimes life surprises you.

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