Last year, Melissa Silverstein, a co-founder of the Athena Film Festival and editor of the Women and Hollywood blog (which lives at Indiewire), wrote about a report from the Center for the Study of Women in Television and Film, which found that women accounted for 33% of the characters, but only 11% of the leading characters in the top 100 films of 2011.
Inspired by The Black List, which recognizes Hollywood’s best unproduced screenplays, Silverstein decided to do something to help draw attention to screenplays which feature female characters. Silverstein and the organizers of the Athena Film Festival have created The Athena List, which will highlight 3-5 screenplays featuring strong female protagonists. The inaugural honorees will be recognized at the upcoming Athena Film Festival, which runs from February 6-9 in New York City.
“If you follow Hollywood, you know the Black List and you know how it
has become important in itself, being on this list,” Silverstein told Time.com, which first announced the screenplays that made the inaugural Athena List. “There seems to be a need out there to have a
conversation about this lack. Hopefully it will spur people to think
that you can make a movie about a woman running for office as easily as
you can about a man running for office. You can make a movie about a
woman musician as well as you can make a movie about a man musician. A
lot of the time, people get stuck in what they’re comfortable with. Our
objective with the Athena List is to make people pay attention for a
The screenplays recognized by The Athena List are:
On the Basis of Sex, by Daniel Stiepleman: The story of
Ruth Bader Ginsburg’s early years.
The Good Years, by Rachel Feldman and Adam Price: The
story of Lilly Ledbetter’s life before she became famous for the
equal-pay act that bears her name.
The Sky’s the Limit: The Story of the Mercury 13, by Maria Burton, Gabrielle Burton, Ursula Burton and Jennifer Burton: A
script, by four sisters, about the female astronauts who were prepared
to go into space in NASA’s early days but then kept earthbound due to
Audrey’s Run, by Emily Abt: The script tells the fictional tale of a contemporary African-American woman running for mayor of Boston.