The top stories of the week from TOH!
Arthouse Audit: “Nymphomaniac Volume I” and “Jodorowsky’s Dune” Top New Openers; Bad Words Seeks Wider Audience
Friday Box Office: “Noah” an Easy Number One, Hasta La Vista to Arnold’s “Sabotage”
As CinemaCon Wraps, Hollywood Needs to Learn Popcorn Time
Career Watch: Does “Divergent”‘s Shailene Woodley Have the Right Stuff to Be a Movie Star?
Four Directors Who Torture Their Actors, from Hitch to Trier
CAAMFest Week Two Yields Ang Lee Tribute, Great Docs, an Oscar Contender and More
Linklater’s “Boyhood” Gets an IFC Summer Release; Will That Hurt Its Oscar Chances?
Errol Morris Stands Up for Unapologetic Donald Rumsfeld Doc “The Unknown Known”
How “Divergent” Became Franchise Before It Opened and Lost Its Director
Matthew Libatique Talks Ark and Arcs in “Noah”
Media Watch: The Changing Landscape for Movie Coverage
Media Watch: ScreenCrush Adds Departed HuffPo Scribe Mike Ryan (EXCLUSIVE)
Can Sexy Scarlett Turn “Under the Skin” Into an Arthouse Hit?
Comedy, Tragedy and Squeamishness in Iceland’s Delightful “Of Horses and Men”
“Noah” Reveals Why Darren Aronofsky Is an Indie Filmmaker
“The Raid 2”: A Fight Between So Cool and Way Too Long
Ranking the Top Action Stars, from McQueen to Neeson
Review: Drake Doremus’s “Breathe In,” Starring Guy Pearce and Felicity Jones
This Weekend, See Aronofsky’s Splashy Epic “Noah,” and Dry Off with a Few Indies
Get Ready for HBO’s Tech Comedy “Silicon Valley” — It’s One of the Best New Series of 2014
Michael Sheen and Lizzy Caplan Talk “Masters of Sex,” Plus What’s Coming Up in Season Two
Juliette Binoche Talks “Worlds and Pictures” (Exclusive Video)
Stormy Weather Flicks, from “Twister” to “Noah” and “Into the Storm”
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