
Indiewire is on the scene at the 2014 SXSW Festival. Because we’ll be posting so much throughout the run of the festival,
we’ve compiled this SXSW master list to help you keep track of all
our coverage. Keep checking back daily until the festival wraps on March 15 for all the latest reviews, features, TV and interactive coverage, news items and interviews out of the
festival.
The Winners:
‘Fort Tilden’ and ‘The Great Invisible’ Win Top Awards at 2014 SXSW Film Festival
The Films:
SXSW Locks Down Midnighters Section and Reveals Complete Shorts Lineup
Pre-Fest Coverage:
5 Observations About the 2014 SXSW Lineup With Insight From Film Festival Head Janet Pierson
Indiewire Picks the 10 Most Buzzed About Films Premiering at SXSW 2014
The SXSW Springboard: 10 Actors to Watch Out For at the 2014 Festival
Reviews:
Memo to Distributors From Indiewire’s Film Critic: Buy These SXSW 2014 Movies
Critic’s Notebook: Why You Should Care About the SXSW Film Festival
Is Jon Favreau’s ‘Chef’ a Return to Indie Form? Only In the Context of His Own Career
How the Murder Mystery ‘Wild Canaries’ Transcends the Clichés of NYC Hipster Comedies
Junkie Lovers Struggle to Survive In Tender Drama ‘Animals,’ Starring David Dastmalchian & Kim Shaw
‘Ping Pong Summer’ Delights In 1980’s Nostalgia, But There’s More To It Than That
Was Richard Linklater’s 12 Year Production ‘Boyhood’ Worth the Wait? In a Word, Yes.
Mary Elizabeth Winstead Stars In ‘Faults,’ a Bizarre Cult Comedy With Surprises In Store
Why ‘The Infinite Man’ Is an Exemplary Time Travel Comedy
‘Long Distance’ Is a Powerful, Moving Romance For the Technology Age
Oscar-Winning Short Film Receives Questionable Feature-Length Upgrade With ‘Before I Disappear’
Michael Fassbender Wears a Giant Fake Head In Irreverent Music Comedy ‘Frank’
The Internet’s Own Boy’ Explores the Tragic Fate of a Technology Icon
How ‘Print the Legend’ Turns the Prospects of 3D Printing Into a Fascinating Corporate Drama
Why ‘Fort Tilden,’ A Satire of Privileged Young Brooklynites, Won the Grand Jury Prize
Producer Spike Lee’s ‘Evolution of a Criminal’ Forces You to Change Perspective
Tech:
5 Essential Events Film/Tech Geeks Won’t Want to Miss at SXSW
Who Needs a Distributor? Direct-to-fan Distributor Platform VHX Opens to Public
Why the Seth MacFarlane-Produced ‘Cosmos’ Revamp for Fox Is Spectacular Enough for the Big Screen
Is AMC’s New Drama ‘Halt and Catch Fire’ the Network’s Next ‘Mad Men’?
Robert Rodriguez’s TV Debut ‘From Dusk Till Dawn: The Series’ Is Uneven But Heavy On Attitude
‘Penny Dreadful’ Scares Its Audience Right Out of the Theater
Interviews:
Ted Hope Talks About His Plans for Fandor and How It Will Save Indie Film
How A Drug Lord’s Arrest Changed The Ending of ‘The Legend of Shorty’
Gareth Edwards On His ‘Little Passion Project,’ ‘Godzilla,’ and Why He’s Bracing for a Meltdown
‘Bad Words’ Star Kathryn Hahn On Being the Misfit and Working With the Late Philip Seymour Hoffman
Ethan Hawke on What Makes For Good Sci-Fi and Why Robert Redford Isn’t That Great An Actor
Why Josh Hartnett Feels His New Showtime Show ‘Penny Dreadful’ Is Like Working in Independent Film
Talks and Panels:
Here Are the Best Things Nicolas Cage Said During His Career-Spanning SXSW Talk
Tilda Swinton Tells SXSW How She Feels About Cinema — Her Answer is Sublime
Marc Webb On How Video Games Taught Him to Make Films and What He Regrets About ‘Spider-Man’
Seth Meyers on Taking Over ‘Late Night’ and Finding New Writers on Twitter
Low-Budget Producer Jason Blum on The Secret of His Success
‘House of Cards’ Producer Dana Brunetti Rails Against Celebrity Crowdfunding
Lena Dunham Calls For Industry to Change Its Attitude Toward Women in Keynote Speech
Here Are the Best Things Nicolas Cage Said During His Career-Spanning SXSW Talk
John Sloss Urges Filmmakers to Demand VOD Numbers
From Teen Welfare Dad to YouTube Icon: Casey Neistat Tells SXSW How He Did It
News:
Sci-Fi Film ‘Space Station 76’ Acquired by Sony Pictures Worldwide
Fandor Acquires ‘Easy’ for Daniel Laabs Shorts Showcase
Lionsgate Nabs Rights to ‘Exists,’ the Bigfoot Found Footage Film from ‘Blair Witch’ Director
‘Veronica Mars’ Premieres at SXSW Nearly One Year After Kickstarter Campaign
Taking an Anxious Pee In a Clip From Comedy Thriller ‘Housebound,’ Premiering at SXSW Today
The Poster for SXSW Doc ‘Beyond Clueless,’ About Hollywood Coming-of-Age Classics
Mindy Kaling Teaches Us 10 Things About Running a Show
Video:
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