The top stories of the week from TOH!
Arthouse Audit: Two Comedies Score as “Chef” Beats Out “Fading Gigolo,” “Palo Alto” Shows Promise
Top Ten: “Neighbors” Pushes “Amazing Spider-Man 2” Out of Top Slot
A24 Will Release Egoyan’s Cannes Competition Kidnap Thriller “The Captive”; Press Reaction Is Mixed
Cannes Opening Night: “Grace of Monaco” Arrives
Cannes: Weinstein Co. Unveils a Slate of Singles and Doubles; No Oscar Contenders In Sight
Gilles Jacob: Author, Raconteur, Lover of Cinema and Outgoing Cannes President
Megan Ellison Heads for Cannes with “Foxcatcher,” Rebrands Her Foreign Sales Arm
Sony Pictures Classics’ Secrets: “Mr. Turner” Opens Competition, First of Five Cannes Entries
Ten Promising Projects to Watch for at the Cannes Market This Year
Terrence Malick’s “Voyage of Time” Heads to Cannes — It’s His “Most Ambitious Film to Date”
Things I Learned at Cannes Part One, from Campion’s Feminism to Leigh’s Stunning “Mr. Turner”
Is Rose Byrne of “Neighbors” Comedy’s New Secret Weapon?
Director Gareth Edwards Returns to the Nuclear DNA of “Godzilla”
How Did Michael C. Hall Go From Evil “Dexter” to Ill-Fated Everyman in Mickle’s “Cold in July”?
News:
Cassavetes, Almodovar and Cuaron Top Criterion’s Heavenly Late-Summer Lineup
This Weekend, Head to “Godzilla” and, At Last, “The Immigrant”
TOH! Picks 16 Must-See Films by Howard Hawks
Is “The Americans” Season Two Ignoring a Crucial Religious Question?
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