The top stories of the week from TOH!
Arthouse Audit: “The Immigrant” and “Chinese Puzzle” Lead Specialty Box Office
Top Ten: “Godzilla” Destroys Box Office, but What About “Million Dollar Arm”?
TOH!’s Cannes Film Festival Bible
At Cannes, Filmmakers Break Out of the Box at Their Peril: Ask Ryan Gosling
Cannes Oscar Watch: DreamWorks’ “How to Train Your Dragon 2” Flies to Front of Animation
Cannes Panel: Studios Fight Piracy While Indies Embrace Digital Future
“Foxcatcher” Tells Riveting Murder Tale as Award Season Beckons
Gerard Depardieu Is Well-Cast in Abel Ferrara’s “Welcome to New York”
Is Palme d’Or Contender “Mommy” Xavier Dolan’s Dearest Yet?
Marion Cotillard Delivers for the Dardennes in “Two Days, One Night”
Review: Binoche, Stewart and Moretz Charge Up “Clouds of Sils Maria”
Review: “Cartoonists, Foot Soldiers of Democray,” a Winning Picture of Political Caricaturists
Review: “Jimmy’s Hall” a Fitting Swansong but Ken Loach Isn’t Done Yet
STD Horror Tale “It Follows” Seeks Distribution
Un Certain Regard Prizes Unveiled at Cannes
An Artist Reveals Her Many Inner Lives in “The Gun, The Cake And The Butterfly”
Why the Movie Studios Wear Blinders on Piracy and the Digital Future
Director Fred Schepisi Talks “Words and Pictures” as Counter-Programming
“Gore Vidal: The United States of Amnesia” Shows the Literary Lion’s Intimate Side
How Did Michael C. Hall Go From Evil “Dexter” to Ill-Fated Everyman in Mickle’s “Cold In July”?
Obit:
RIP Gordon Willis, Master of Cinematic Chiaroscuro (CLIPS)
Not Feeling “X-Men” This Weekend? Here Are Four Acclaimed Indie Alternatives
Ryan Gosling’s “Crapocalyptic” Directorial Debut “Lost River” Sends Cannes Up in Flames
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