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Best of the Week: Gosling & Dolan Rouse Cannes, Early Oscar Contenders Unveiled, ‘X-Men’ Secrets & More

Best of the Week: Gosling & Dolan Rouse Cannes, Early Oscar Contenders Unveiled, 'X-Men' Secrets & More

The top stories of the week from TOH!

Box Office:

Arthouse Audit: “The Immigrant” and “Chinese Puzzle” Lead Specialty Box Office

Top Ten: “Godzilla” Destroys Box Office, but What About “Million Dollar Arm”?


TOH!’s Cannes Film Festival Bible

At Cannes, Filmmakers Break Out of the Box at Their Peril: Ask Ryan Gosling

Cannes Oscar Watch: DreamWorks’ “How to Train Your Dragon 2” Flies to Front of Animation

Cannes Panel: Studios Fight Piracy While Indies Embrace Digital Future

“Foxcatcher” Tells Riveting Murder Tale as Award Season Beckons

Gerard Depardieu Is Well-Cast in Abel Ferrara’s “Welcome to New York”

Is Palme d’Or Contender “Mommy” Xavier Dolan’s Dearest Yet?

Marion Cotillard Delivers for the Dardennes in “Two Days, One Night”

Review: Binoche, Stewart and Moretz Charge Up “Clouds of Sils Maria”

Review: “Cartoonists, Foot Soldiers of Democray,” a Winning Picture of Political Caricaturists 

Review: “Jimmy’s Hall” a Fitting Swansong but Ken Loach Isn’t Done Yet

STD Horror Tale “It Follows” Seeks Distribution

Un Certain Regard Prizes Unveiled at Cannes

Young Filmmakers Make Bold Moves in the Cinefondation Competition, Silverstein’s “Skunk” Wins First Place


An Artist Reveals Her Many Inner Lives in “The Gun, The Cake And The Butterfly”

Why the Movie Studios Wear Blinders on Piracy and the Digital Future


Director Fred Schepisi Talks “Words and Pictures” as Counter-Programming

“Gore Vidal: The United States of Amnesia” Shows the Literary Lion’s Intimate Side

How Did Michael C. Hall Go From Evil “Dexter” to Ill-Fated Everyman in Mickle’s “Cold In July”?

“X-Men: Days of Future Past” Editor and Composer John Ottman Talks Multitasking, and Building a Marvel Epic


RIP Gordon Willis, Master of Cinematic Chiaroscuro (CLIPS)


Not Feeling “X-Men” This Weekend? Here Are Four Acclaimed Indie Alternatives

Ryan Gosling’s “Crapocalyptic” Directorial Debut “Lost River” Sends Cannes Up in Flames

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