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REVIEW: “The 16th Animation Show of Shows”

REVIEW: "The 16th Animation Show of Shows"

Every year Ron Diamond, the founder of Hollywood’s Acme Filmworks animation studio
(specializing in animated television commercials), puts together an Animation Show of Shows, consisting of his pick of about a hundred minutes’ worth – a dozen or so — of the best
animated short films of the year, from those shown around the world at
international film festivals, for presentation at over forty major animation
studios and schools in California, Oregon, and Washington (Disney, DreamWorks,
Pixar, Sony Pictures, Illumination, ILM, UCLA Animation Workshop, San Jose
State University, ASIFA chapters in Hollywood, Portland, Seattle, etc.),
several East Coast states, and selected locations around the world. The winner
of the following year’s Academy Award for Best Animated Short Film has often
been included on an Animation Show of Shows program.

This year’s is the 16th Annual Animation Show of
, screening from September 15th for a little over the next month, with
scattered screenings over the next few months. 
It presents eleven films running for 95 minutes this year, although it
ran from 7:00 p.m. to 9:20 p.m. at this screening, due to Ron Diamond’s introductory
comments, and a Q&A with Kristine Reed, the Disney producer of Feast, who stood up and spoke just after that short film.  (Reed stood in for Torill Kove, the director
of Me and My Moulton, whose
attendance was announced but who was unable to come.) 
There is no 3D requiring glasses this year.  This review is from the Show of Show’s
screening for ASIFA-Hollywood at DreamWorks Animation’s Campanile Theater in
Glendale on Thursday, September 18.

eleven films are excellent, but the subjects and animation techniques are so
varied that each viewer will doubtlessly have different favorites.

The Show
leads off with Feast, directed by
Patrick Osborne (6 min. 11 sec.)  This is
Walt Disney Animation Studios’ new short film, made as a combination of
hand-drawn animation and CGI, to screen with Disney’s feature Big Hero 6 opening on November 7th.  The comedy short relates the love affair of
Winston, a pet Boston terrier, and his owner James, as seen by Winston through
the lavish meals that the man gives his dog – until James’ new girl friend,
Kirby, shows up to switch Winston’s meals to pretty but vegan sparse “California
cuisine”.  The Boston terrier figures how
to object without breaking up his master’s romance.  This was very cute and touching with lush,
Disney-style animation in a slightly more angular art design, if a bit too
obviously manipulative for an “awww” reaction. 
Osborne is the co-head of animation of Big Hero 6, and was the head of
animation on Disney’s Oscar-winning short Paperman two years ago.  Feast was first shown on June 10 at the 38th
(2014) Annecy International Animation Film Festival (June 9-14).

Bang Bang!

directed by Julien Bisaro (11 min. 35 sec.), is a Caïmans Productions and Arte France
coproduction in digital cartoon 3D animation that has been selected for
almost two dozen film festivals from Colombia to Kosovo.  It won a Special Jury Prize at the 17th
Shanghai International Film Festival (June 14-22), and Best Animated Short Film
at the 12th Imaginaria International Film Festival in Conversano,
Italy (August 26-30). It is in French, subtitled in English, about Eda, an
insecure young woman emotionally controlled by her powerful real-estate dealer/hunter
father.  She tries to protest against his
smothering dominance, but he simply doesn’t listen to her.

For her
25th birthday, which is also the first day of hunting season, she learns that
the expensive apartment that he has given her for a birthday present has been
forcibly foreclosed from its former tenant. 
Furious, Eda flees, driving too fast through the countryside. A bright
pink dog gets caught in her headlights, causing her to swerve into a ditch. Frightened
by the strange animal, she escapes into the same woods where her father is hunting
game. “A prey among other animals, Eda will have to find the strength to
finally confront her father.”  The film,
which grows increasingly eerie, is in black-&-white except for the
shockingly pink dog, implying that it is a supernatural creature.  A darkly effective and disturbing mood piece,
with a satisfying ending.  Bisaro has
worked on animated features as diverse as The
Secret of Kells
and Ernest et
.  Here, he exhibits a
totally different art style, presumably his own.


Marilyn Myller,
directed by Great Britain’s Mikey Please (6 min. 7 sec.), is a surrealistic
look into the mind of a woman sculptor who wants not just her own works but the
whole universe to show reality HER way. 
It’s in black-&-white stop-motion animation with “light
trickery”.   The technical synopsis: “A year in
the making, the full six minute stop-motion short features the voice of Josie
Long, one zillion hand carved tiny things, literally tens of carved foam
puppets, two eyefuls of in-camera, long-exposure light trickery and a pair of
tiny dolphins, smooching.”  My
opinion:  Visually effective, but overly
artsy-craftsy, even if that is its conscious point.  The first half is an impressive but
bewildering montage of godlike imagery, which turns out to be Marilyn Myller’s
imaginings as she makes her fantasy sculptures. 
A visiting art critic persuades her to give a show to an
über-intellectual audience, making delicate figurines and then cathartically
smashing them.  This proves to her
approving audience the impermanence of art – or something.  A selection of many film festivals, and
winner of Best of Fest, Melbourne International Film Festival (July 31-August
17); the McLaren Award for Best New British Animation, voted by the audience,
at the Edinburgh Film Festival 2014 (June 18-29); Best Short Film, British
Animation Awards 2014 (March 7); Special Jury Prize, 49th (2013)
Chicago Film Festival (October 10-24); and others.

, directed by James Ford Murphy (7 min. 11 sec.) is Pixar
Animation Studios’ new short film, which premiered on August 22 at the 15th
(2014) Hiroshima International Animation Festival (August 21-25), but will not
be released publicly until June 19, 2015 with Pixar’s feature Inside OutLava
is the love affair between two Hawai’ian volcanoes, Uku and Lele, related in
song by the Hawai’ian duo of Kuana Torres Kahele and Napua Grieg; and in CGI
animation by the two anthropomorphized volcanoes.  Murphy, Pixar’s head of animation, pitched
his idea for Lava with a ukulele
solo.  Lava is beautifully made, lush and colorful, and you can tell that the
Pixar team wanted to come up with something Different (with a capital “D”).
 The concept that there’s a mate for everything on Earth is a nice one,
but anthropomorphized volcanoes are a new one on me.  

Me and My Moulton
(Moulton og meg),
directed by Norwegian
Oscar-winner (for the 2006 animated short The
Danish Poet
) Torill Kove, is a 13 min. 48 sec. co-production of Norway’s
Mikrofilm AS and Canada’s Office National du Film du Canada.  It is about a 7-year-old girl, the middle of
three young sisters in 1960s Norway, who wish their avant-garde architect
parents were more like “normal” parents. 
The girls’ homemade dresses look like they should hang in a contemporary
art museum.  When they ask for a bicycle like
all the other children have, their parents delay to get them an imported
Moulton bicycle from Great Britain, which may be very scientifically improved
but looks funny.  No matter; the girls
realize that their parents love and want the best for them, and they can
finally join their playmates.  The traditionally
hand-drawn 2D short, combined with CG, is very funny and sweet.  It premiered at the 38th (2014)
Annecy International Animation Film Festival (June 9-14), and has since
appeared at many other international festivals from Cyprus to Canada.  (It’s good, but I still like Kove’s 2000 My Grandmother Ironed the King’s Shirts

365, directed by Greg & Myles McLeod (The Brothers McLeod),
of Great Britain (6 min. 57 sec.), consists of 365 images hand-drawn on paper
and animated by 2D computer, drawn one per day over one year.  365
also screened at the 38th (2014) Annecy International Film Festival
(June 9-14), and was the winner of awards at the (15th) Animated
Exeter 2014 (February 10-22), the (8th) Flatpack Film Festival 2014
(Birmingham, U.K., March 20-30), and the (14th) Melbourne
International Animation Festival 2014 (June 19-29).  The concept is ingenious, but the
surrealistic film is plotless and quickly grows tiresome.  The 365 images are dated by month, and I grew
bored around the beginning of March.

We Can’t Live
Without Cosmos
(Mi ne mozhem zhit bez kosmosa),
directed by Konstantin Bronzit of Russia (15 min. 19 sec.)
at animation studio “Melnitsa”, is gently funny and touching, about two friends
since childhood who join cosmonaut training together.  They go through the rigorous training with an
unfailing sense of humor.  Both are
selected, but one is chosen to be the cosmonaut while the other remains behind
as the relief cosmonaut.  When the first
is lost in a space disaster, his distraught friend wants to join him.  Also hand-drawn on paper and animated by 2D
computer.  Premiered at the 15th
Hiroshima (2014) International Animation Festival (August 21-25), where it was
nominated for the Grand Prix; also a selection of the 38th Ottawa (2014)
International Animation Festival (September 17-21).

, directed by Glen Keane (3 min. 43 sec.), is a personal
hand-drawn project by the recently-retired Disney animator (the creator of The Little Mermaid’s Ariel, Beauty and the Beast’s Beast, the title
character of Aladdin, and many others
to Tangled’s Rapunzel) to demonstrate
what can be done by one animator with today’s technology.  Keane animated as well as directed every
frame himself (although the credits list a full range of producers, music
composers, etc.)  The awesome Duet is the wordless romantic story of
two youths, Mia and Tosh, from their birth to their adulthood.   Keane debuted it at the Google I/O 2014
conference in San Francisco on June 25-26, along with a lengthy how-I-made-it
presentation (not included here), as part of Google’s Advanced Technology and
Projects program, along with Regina Dugan, the ATAP head. 

Hunger, directed by
Petra Zlonoga of Croatia (6 min. 4 sec.), tells the story of “hunger” through
traditional watercolor.  The official
synopsis is: “Everything that is alive is hungry; seeds are hungry for light,
birds are hungry for flight, man is hungry for the touch of another.  The seed of longing grows into what feeds
us.”  The beginning, the growth of seeds,
is clear enough, but Hunger becomes
increasingly abstract with the hatching and flying of birds, and the bizarre
images of men touching.  Hunger was the winner of Best
Documentary at the 12th Tabor (Croatia) International Short Film
Festival (June 10-15).  “This is truly
a poetic film. The jury was impressed by the imaginative journey that we were
taken through. A very powerful vision of life.” 
It was also a selection of the
Animafest Zagreb World Festival of Animated Film (June 3-8), and the 15th
Hiroshima (2014) International Animation Festival (August 21-25), and is
scheduled for the (21st) KROK International Animated Films Festival,
Moscow and five other cities in Russia, September 29-October 6.


The Bigger
is written and directed by Great Britain’s Daisy Jacobs (8
min. 0 sec.), who seamlessly blended the 2D animation and the
stop-motion-animated 3D seven-foot tall puppets.  It is difficult to tell where the 3D puppets
and the hand-drawn animation fold into each other.  “The story chronicles the dry and dark
difficulties of two brothers as they ambivalently care for their aging
mother.”  Parents growing old and needing
the increasing care of their adult children is a timeless story, told here with
warmth and visual imagination.  It was the
15th Hiroshima (2014) International Animation Festival (August
21-25) Grand Prix winner, winner of the Crystal for a Graduation Film at the 38th (2014) Annecy International Animation
Film Festival (June 9-14), winner of Best Film at the (12th) Fantoche
2014 Festival for Animated Film (Baden, Switzerland, September 2-7), and winner
of five other awards from Cannes to Edinburgh, plus a selection of over a
half-dozen more international film festivals.

Hipopotamy, directed by Piotr Dumala at
Poland’s Fumi Studio (12 min. 30 sec.), is a black-&-white wordless story
of primitive innocence and lust.  The
catalogue description of the current 38th Ottawa (2014)
International Animation Festival (September 17-21) is, “A few naked women and children are bathing
in a river. They are being secretly observed by a group of men, who decide to
approach them in a violent manner, as if inspired by the behaviour of
hippopotamuses.”  I don’t know about
hippopotamuses, but it is well-known that when new male lions take over a
pride, the first thing the new males do is to kill the existing cubs so the
females will be receptive to breeding more with them.  Also hand-drawn on paper in the style of
classic Greek or Roman statuary, and animated by 2D computer.  First shown at the 54th Krakow
Film Festival (May 25-June 1, 2014).  Hipopotamy was also at the 24th
Animafest Zagreb 2014 (June 3-8) where it won a Special Mention; the 38th
(2014) Annecy International Animation Film Festival (June 9-14); the 7th
Animator International Animated Film Festival in Poznan, Poland (July 11-17) where it
won the Special Award “Wojciech
Juszczak”; the 13th Countryside Animafest Cyprus (July 17-19);
the 12th Cinefiesta (Festival Internacional de Cortometrajes
de Puerto Rico) in Caguas, Puerto Rico (July 20-27) where it won Best
Animation; and the 15th (2014) Hiroshima International Animation
Festival (August 21-25).  It has been
selected for others in coming months, from Bosnia & Herzegovina to Mexico.

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