The top stories of the week from TOH!
Awards:
Golden Icon Winner Diane Keaton Gets Real at Zurich Film Fest
Is Ridley Scott’s “Exodus: Gods and Kings” an Oscar Secret Weapon?
Russia Submits “Leviathan” After All: Andrey Zvyagintsev Talks Oscar Rules
Box Office:
Specialty Box Office: “Pride” Opening Drowned by Noisy “Gone Girl”
Top Ten Takeaways: “Equalizer” Rises on Denzel Washington, “Boxtrolls” Best Laika Opener
Features:
Eugene Green’s “La Sapienza” Sees the Architecture of All Things
Five Ways “Equalizer” Star Denzel Washington Beats Out His Fellow Action Stars
Five Ways Netflix and Weinstein Co. Push into the Future with “Crouching Tiger 2”
Seven Reasons Why the Netflix/Adam Sandler Deal Is a Gamechanger
Festivals:
The French Honor (But Still Don’t Get) Americans at the Deauville Film Festival
How the Hollywood Film Festival Changed Its Stripes
Three Reasons to Worry About “Gone Girl”
Elijah Wood and Nacho Vigalondo Break Ground with High-Concept “Open Windows”
“Gone Girl” Editor Kirk Baxter Talks the Art of Cutting Solo with David Fincher
Screen Talk: Debating “Gone Girl,” Foreign & Doc Oscar Contenders, Netflix Movie Moves
Television:
“Boardwalk Empire” Showrunner Terence Winter Preps Final Season
Review: “Gracepoint” vs. “Broadchurch,” or the Problem with Remakes
Must Watch: New 45-Minute Conversation with David Lynch
Watch: How “Birdman” Composer Antonio Sanchez Drummed the Score
Watch: How Composer Reznor Collaborates with Fincher on “Gone Girl”
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