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Best of the Week: Netflix Madness, Oscar Secret Weapons, 45 Minutes with Lynch & More

TOH!'s Top 20 Stories of the Week

The top stories of the week from TOH!


Golden Icon Winner Diane Keaton Gets Real at Zurich Film Fest

Is Ridley Scott’s “Exodus: Gods and Kings” an Oscar Secret Weapon?

Russia Submits “Leviathan” After All: Andrey Zvyagintsev Talks Oscar Rules

Box Office:

Specialty Box Office: “Pride” Opening Drowned by Noisy “Gone Girl”

Top Ten Takeaways: “Equalizer” Rises on Denzel Washington, “Boxtrolls” Best Laika Opener


Eugene Green’s “La Sapienza” Sees the Architecture of All Things

Five Ways “Equalizer” Star Denzel Washington Beats Out His Fellow Action Stars

Five Ways Netflix and Weinstein Co. Push into the Future with “Crouching Tiger 2”

Seven Reasons Why the Netflix/Adam Sandler Deal Is a Gamechanger


The French Honor (But Still Don’t Get) Americans at the Deauville Film Festival

How the Hollywood Film Festival Changed Its Stripes

Three Reasons to Worry About “Gone Girl”


Elijah Wood and Nacho Vigalondo Break Ground with High-Concept “Open Windows”

“Gone Girl” Editor Kirk Baxter Talks the Art of Cutting Solo with David Fincher

Screen Talk:

Screen Talk: Debating “Gone Girl,” Foreign & Doc Oscar Contenders, Netflix Movie Moves


“Boardwalk Empire” Showrunner Terence Winter Preps Final Season

Review: “Gracepoint” vs. “Broadchurch,” or the Problem with Remakes


Must Watch: New 45-Minute Conversation with David Lynch

Watch: How “Birdman” Composer Antonio Sanchez Drummed the Score

Watch: How Composer Reznor Collaborates with Fincher on “Gone Girl”

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