In the latest episode of KCRW’s The Treatment, Tarantino opens up about his (radical? backward?) decision to throw digital out the window and devote the New Beverly exclusively to film prints. Listen below.
The LA rep theater’s October slate includes films from the late Paul Mazursky (“Bob & Carol & Ted & Alice”) and the late Robin Williams (“The Best of Times”), as well as a double bill of Luc Besson’s “The Professional” with Tarantino’s own “Pulp Fiction,” both 20 years old this October. (Tarantino defends not only 35mm projection, but also shooting in 35mm.)
In August, Tarantino told LA Weekly: “I want the New Beverly to be a bastion for 35 millimeter films. I want it to stand for something. When you see a film on the New Beverly calendar, you don’t have to ask whether it’s going to be shown in DCP [Digital Cinema Projection] or in 35 millimeter. You know it’s playing in 35 because it’s the New Beverly.”