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‘A Girl Walks Home Alone at Night’ Review: Must-See Iranian Vampire Noir

'A Girl Walks Home Alone at Night' Review: Must-See Iranian Vampire Noir

Shot in inky black-and-white and based on the artful graphic
novel also written by Amirpour, the film is set in a ghost town called Bad City
(actually Bakersfield, California), where oil derricks pump away in a frenzied
state, the deserted streets are decorated with power lines as opposed to trees,
and a ditch on the outskirts of town is apparently the corpse dumping ground
for a murderer racking up a shockingly high kill list.

That killer is a young woman vampire (Sheila Vand, giving a
suitably killer performance), who wears a black hijab cape and coal-dark
eyeliner as she stalks her victims around Bad City’s streets and back alleys.
Not everyone she kills. She sometimes gets a thrill out of merely following.
And those she does kill (a misogynistic hood, an aging drug addict harassing
the town’s prostitute) have probably had it coming for a long time. Very few
are innocent in noir, which “A Girl Walks Home Alone at Night” is, along with
being a Western and horror film.

Amirpour has a Tarantino-esque sense of music placement.
Every few minutes a new song takes over the soundtrack, accompanying sumptuous
sequences more tone-infused than plot-oriented, and the music ranges from
Iranian pop, synthy techno and twangy showdown pieces reminiscent of Ennio
Morricone. Amirpour overuses the music, but her vision is admirable.

In that vein (har, har), “Girl” has the trappings of a first
feature. It’s overlong, and focuses too haphazardly on the various Bad City inhabitants,
none of whom are as naturally intriguing as our vampire anti-heroine. By the
film’s conclusion, after many arresting sequences and just as many that drag,
emotion hasn’t built as effectively as it could if the film had been edited
more mercilessly. But the same could be said of many works (debut features or
otherwise) that proclaim an original new voice. I look forward to the
blood-suckers, scoundrels and few down-on-their-luck decent souls Amirpour
explores — and hones — in her next film.

Our TOH! interview with Elijah Wood’s SpectreVision, which produced “A Girl Walks Home Alone at Night,” is here

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