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From Zimmer to Reznor, Tracking the Best Original Score Contenders
How “Inherent Vice” and “Nightcrawler” DP Robert Elswit Captures the Pulse of LA
How “Point and Shoot” Went from Elaborate Selfie to Doc Awards Contender
IDA Nominations Impact the Oscar Documentary Shortlist
“Interstellar” Q&A: Nolan Set Out to Make Modern Day “Close Encounters”
“Laggies” Q&A: Lynn Shelton Changes Her Approach
Marvel Responds to DC with Phase 3 Slate
“Olive Kitteridge,” “The Leftovers,” and the Uses of Disenchantment
Revisiting “The Blair Witch Project” 15 Years Later
Screen Talk Episode 20: Debating “Theory of Everything,” “Interstellar” and “Nightcrawler”
Six Reasons Why “Interstellar” Isn’t a Best Picture Slam Dunk
Sony Pictures Classics Positions “Foxcatcher” for Oscar Race
Wanted Man Roman Polanski Evades Arrest in Poland
Watch: Eddie Redmayne and Felicity Jones Reveal Terrors Filming “Theory of Everything”
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Why Theaters Are Refusing to Book Godard’s Moneymaking 3D “Goodbye to Language”
Why Weinstein Pushed Back “The Imitation Game”
With Captain Marvel and Wonder Woman, the Female Superhero Strikes Back
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