Yes, that’s a six and a zero. It’s not a typo. While excessive might be the first
adjective that comes to mind when looking at a year-end list with 60 films, it
was the only way that I was able to highlight all the great works that I was
able to watch this year. Even with such an extensive best-of countdown I was
forced to leave at least another dozen great films. In 2014 I watched around
300 theatrically released films, and about 130 more between unreleased films
from the festival circuit, the Oscar Foreign Language Submissions, and new
films I watched as a screener for a couple festivals. Taking all these into
consideration, a Top 60 list did not seem like an outrageous feat.
There were many other films that I did in fact watch but
didn’t make the list, such as “Wild,” “Interstellar,” “The
Imitation Game,” “Unbroken,” “The Theory of Everything,” “Big Hero 6,” “Big Eyes,” “A Most Violent Year” and “Into the
Woods.” Although none of these ended up among my favorites, many of them
served as vehicles for the cast to deliver outstanding performances or showcased
great cinematography and VFX. I mention this to clarify that their omission was
a conscious decision.
Evidently, there were several acclaimed films I did not manage to
watch, which could have made a difference. These include films like “Love is Strange,” “Maps to the Stars,” “Stray Dogs,” “Top Five,” and “Rosewater.”
The films on this list include films that had a regular
release in 2014, films that some consider to be 2013 films but which got a full
release in 2014, and films that had a one-week qualifying run in 2014 but which
will officially open in 2015.
Other amazing films that I saw at festivals, but which did not have a
theatrical release of any form this year will be included in next year’s list.
Examples of these include “The Tribe,”
“Timbuktu,” “The Voices” “Gueros,” “Viktoria,” and “Kumiko, the Treasure Hunter.”
Like with all lists, this is a very personal selection of
films that connected with me on different levels. Some choices might be
strange, others expected, but all of them speak to what I find interesting or
great about cinema. I hope that with this list you can find titles you haven’t
hear of or others you might have forgotten about. It has been such a terrific
year for films. Here is hoping for 2015 to be even more inspiring.
Feel free to share with us what your favorite films of 2014
were in the comments section.
Honorary Mention for Favorite TV Series: “Over the Garden Wall”
In Patrick McHale’s enchanting Cartoon Network miniseries, “Over
the Garden Wall,” brothers
Wirt (Elijah Wood) and adorable Greg
(Collin Dean) travel through the Unknown, a magical forest filled with peculiar
characters. Blending a classic fable look with witty humor and catchy songs for
a fantastically refreshing 2D cartoon, the show is rapidly – and deservingly – becoming a fan favorite. Once
you see little Greg performing the sweet tune Potatoes and Molasses, it will
all make sense.
TOP 60 FILMS OF 2014
60. “Happy Christmas”
Anna Kendrick is an irresponsible, yet charming, young woman
in Joe Swanberg’s holiday-infused family dramedy. “Happy Christmas” is small in scope but big in subtle amusement.
Baby Jude Swanberg steals every scene.
Whimsical, ingenious, and uniquely confected, Michel
Gondry’s adaption of Boris Vian’s novel stars Audrey Tautou and Romain Duris.
His latest romantic fantasy is heartwarming visual candy.
A cross-cultural connection in the aftermath of tragedy is
at the center of Hong Khaou’s touching debut. Through great performances and ethereal cinematography the
filmmaker reassures us love is the only language that matters.
With an intelligent and fun screenplay, this new entry in
the Marvel universe showed us that – despite all the badassery he is capable of
– all that Steve Rogers wants is his best friend back.
Mike Flanagan doesn’t resort to excessive gore or a
monumental story to instill fear. Instead, he uses the effective mechanics of
his story to turn a room with an old mirror, a camera, and a pair of youngsters
into a terrifying space.
55. “Rich Hill”
Looking at a segment of the American population from a
uniquely compassionate and insightful perspective, “Rich Hill” cherishes the humanity of its subject rather than
54. “The Notebook”
The brutality of war is observed through the eyes of a pair
of twin brothers who decide to detach themselves from any emotional connection
in order to survive. Unflinching and powerful, “The Notebook” is part dark fairytale and part historical drama.
53. “Blue Ruin”
This gritty and unpredictable thriller follows a man whose
thirst for revenge becomes his death sentence. Macon Blair’s character goes
from passively hiding in the shadows to becoming a ruthless rookie assassin. Tension
is the name of the game here.
52. “The Book of Life”
The ancient Mexican celebration of Day of the Death comes to
life in this vibrant and surprisingly authentic animated feature from Jorge
Gutierrez and producer Guillermo del Toro. It’s a colorful and intricately designed
vision of beloved tradition.
51. “The German Doctor” (Wakolda)
Lucia Puenzo’s captivating mystery focuses on infamous Nazi physician
Mengele, as he tries to test his disturbing practices on family while hiding in
the Argentine countryside. Elegantly executed and definitely unsettling
50. “Still Alice”
Lost, confused, but still fighting to preserve her
individuality while facing the imminent effects of Alzheimer’s disease, Alice
refuses to give up. Julianne Moor is absolutely stunning and
49. “American Sniper”
Eastwood’s best film in a long time packs thrilling combat
sequences as it looks at post-9/11 American patriotism via a simple man turned
murder weapon. Bradley Cooper delivers the best performance of his career.
48. “The LEGO Movie “
Pop culture has never been as hilarious and witty as in this
uniquely animated story about individuality, the nature of heroism, and the
power of a child’s imagination. With cameos galore and jokes aplenty,
everything is indeed awesome.
47. “Manuscripts Don’t Burn “
Mohammad Rasoulof’s fearless cinematic statement denouncing
the Iranian regime is an incredible testament to the power of film as a
cultural weapon against injustice. Not only is the film politically relevant,
but also an all-around gripping thriller.
46. “Guardians of the Galaxy ”
This summer Marvel outdid itself with the truly enjoyable
first installment of its newest franchise. Charismatic Chris Pratt as Star
Lord, a more than memorable soundtrack, and an eclectic group of sidekicks made
this the smartest summer hit.
45. “In Bloom”
Set in Tbilisi, Georgia, this unique coming-of-age tale is a
riveting hidden gem that sports mesmerizing performances from its young cast.
The filmmakers find evocative, everyday beauty in the hardships of life in a
44. “Goodbye to Language”
Godard’s use of 3D in this highly experimental work produces
a physical reaction on the viewer that proves how alive the auteur’s vision
still is. He is as cryptic,
curious, innovative, unapologetic, and brilliant as he was over 50 years ago.
43. “Mistaken for Strangers”
Tom Berninger’s personal documentary is not a film about The
National, but about a man trying to find his own path while reconnecting with
his older brother – who happens to be a rock star. Fun, heartfelt, and honest.
Simple on the surface but hauntingly poetic, this
documentary focuses on a series of people as they travel up to a sacred shrine
in Nepal. Their faces speak in silences, laughter, and visible sadness, which form
a language far more stirring than ephemeral words.
J.K. Simmons is a nightmarish instructor in Damien Chazelle’s
fascinating debut about a young drummer by obsessive passion. The final
sequence is an astonishing showstopper that sports marvelous, flawless editing
40. “The Overnighters”
What starts as the story about a Good Samaritan helping those
in need despite criticisms, turns into an examination of a conflicted man.
Faith, lies, regret and the judgmental eyes of an entire community will become
his agonizing cross to bear.
39. “Rocks in My Pockets”
Latvian artist Signe Baumane uses 2D animation to work
through her insecurities, her relationships with her estrange family, and depression.
Craft and substance merge to construct an absorbing personal statement that is
38. “The Missing Picture”
To reconstruct his family’s past, and by extension that of
his homeland under the Khmer Rouge, director Rithy Panh uses clay figurines and evocative narration in the
absence of images from the time. One
of the most original documentaries ever made.
Art house sensibilities imbedded into a powerful
post-apocalyptic tale from South Korean director Bong Joon-ho gave us a superbly sophisticated actioner. Chris Evans delivers a different, but equally great
heroic performance. However, Tilda Swinton takes the prize here.
36. “Life Itself”
Roger Ebert’s love for life and movies was endless. Despite major
health issues near the end, his spirits and voice were never weakened. Steve
James intimate documentary captures both the man and the critic in a lovely
35. “Gone Girl”
Fincher’s latest focuses on a media circus fueled by a
couple’s despicable lies and the public’s voyeuristic desire to find a villain and
a victim. While Ben Affleck is good here, the film thrives on Rosamund Pike’s
wickedly clever role.
34. “Two Days, One Night”
Only the Dardenne brothers can transform seemingly banal
situations into compelling narratives that question the morality of their
characters. In their latest masterful effort Marion Cotillard’s talent shines
as she balances desperation, pride, and hope.
Driven by a trifecta of great performances, Bennett Miller’s
drama shows a disturbed man in search of recognition and validation by any
means necessary. Channing Tatum deserves more praise for his nuanced work here.
At once timeless and decisively current, Hany Abu-Asad’s Shakespearean
crime drama deals with Israeli-Palestinian relations from a humanistic point of
view. The political issues that serve as context become more urgent when seen
through the characters’ struggles.
31. “Mr. Turner”
The awe-inspiring cinematography and Timothy Spall’s grumpy,
yet endearing portrayal of one of Britain’s most revered painters make of “Mr.
Turner” another successful addition to Mike Leigh’s near-perfect track record.
Blasphemous, explicit, and cerebral as most of Lars von
Trier’s works, this two-part recollection of the anecdotes takes us into the
tortured mind of a sex addict. There is no sugarcoating or redemption to be
found here, only a skillful provocateur who loves to revel in the playful
bleakness of it all.
A middle-aged woman takes control of her life in this excellent
Chilean dramedy. The title character, played by the lovely Paulina Garcia, wants
to find love once again and to live without restrains. As she dances the night
away we are certain that, despite the hardships, she will.
28. “The Babadook”
A vicious boogieman terrorizes a mother and her son in this
Australian horror masterpiece. Like with the best films in the genre, is what
you don’t see that’s the most disturbing. Dir. Jennifer Kent uses creepy guttural sounds, shadows, and
a malevolent children’s book to psychologically inflict fear.
27. “Ernest & Celestine”
Delightfully crafted to look like a collection of gorgeous
moving watercolors, this French animated feature based on Gabrielle Vincent’s
books is a visual treat and reminds us of the innocent fables from yesteryear.
26. “Hide Your Smiling Faces”
Two brothers growing up in a small town are confronted with
the notion of death and the complexities of the adult world in this remarkably
done debut by Daniel Patrick Carbone. An absolute must-see that deserves a wider
25. “Stranger by the Lake”
In Alain Guiraudie’s beachside mystery, a murderous romance
hides underneath warm weather and desire. This provocative, darkly comedic and splendidly acted slow-burner
shows that danger is sometimes the most lethal aphrodisiac.
Amat Escalante’s brave and brutally honest depiction of
Mexico’s violent present is unquestionably a difficult cinematic experience.
However, the filmmaker is capable of finding resilient hope in the midst of overwhelming
Few embellishments are needed when you have such a shocking
and important story told not from an outsider’s perspective, but from its
source. Fiction falls short in comparison to the truths and secrets encompassed
in Laura Poitras account of the Edward Snowden case.
22. “Force Majeure”
Gender roles are questioned with humorous but poignant observations
on marriage and societal expectations in this Swedish hit from Ruben Östlund. Laugh-out-loud moments
galore and an unforgettable “man cry” sequence are the result of a catastrophic
21. “The Guest”
Adam Wingard’s perversely comedic stunner about a devilishly
deceiving visitor was by far one of the most outrageously fun films I saw this
year. It’s a masterwork of madness. I can’t wait to see what Wingard, writer
Simon Barrett, and star Dan Stevens do next.
20. “Obvious Child”
Jenny Slate’s Donna Stern is navigating adulthood through
laughter. Her standup performances are unfiltered, moving, and often hilariously
distasteful, but always sincere. Slate and director Gillian Robespierre are
a match made in comedy heaven.
19. “Inherent Vice”
There are numerous wacky characters and subplots in Paul
Thomas Anderson’s adaption of Thomas Pynchon novel, but the real magic happens when
Joaquin Phoenix and Josh Brolin are together on screen. “Motto panukeiku!” is
all I have to say.
18. “Starred Up”
Jack O’Connell’s award-deserving performance packs raw
energy, ferocious anger, and tragic vulnerability. Violence and respect are the
only useful currencies in this potent prison drama that’s as thrilling as it’s
17. “Listen Up Philip”
Brimming with originality and uncompromising humor, Alex
Ross Perry’s look at the writing craft is pure brilliance. Jason Schwartzman stars as an obnoxious,
self-centered young author. He is as utterly amusing and revels in his
character’s hilarious arrogance.
Thanks to Richard Linklater’s perseverance we were able to experience
an incredible and incomparable cinematic journey. Filled with small, but
affecting moments of sorrow and joy, a child’s life – and that of those around
him – literally unfolds on screen somewhere between reality and fiction.
Avoiding all the dreaded biopic clichés, director Ava
DuVernay created a powerful historical drama that couldn’t be more opportune. Among
a star-studded cast, David Oyelowo delivers a knockout performance as Dr.
Martin Luther King Jr.
14. “Under the Skin”
Life on earth as seen by a seductive alien is simultaneously
frightening and revelatory in Jonathan Glazer’s dazzling sci-fi character
study. Scarlett Johansson is superb as a creature intrigued by the virtues and
shortcomings of human nature.
Everything we love about Wes Anderson and much more is
included in this stylized beauty of a film. Ralph Fiennes is an irreverent,
classy, womanizer that gets into trouble with an array of quirky villains
played by a topnotch cast. From its score to the production design, this is
Anderson at his best.
12. “The Boxtrolls”
Laika’s craftsmanship reached a new level of delightful
greatness with this darkly comedic period piece. Their brand of stop-motion
animation is impeccable. Each character is meticulously created with a wonderful
physicality that no other medium can provide.
Andrey Zvyagintsev’s masterpiece dissects the complexity of
Russian society through a family drama that is as intimate as it is monumental
in the themes it explores. Religion, government, and betrayal are all monsters
haunting a righteous man at the mercy or their powers.
10. “Only Lovers Left Alive”
Between desolated Detroit and a moody Marrakesh, Jim Jarmusch’s darkly comedic film delivers an incredibly original tale about familiar bloodsuckers. Permeated in groovy rock and roll music, vintage wardrobe, blissful production design, and an otherworldly atmosphere, “Only Lovers Left Alive” reclaims vampires as graceful, complex, and cultured beings, rather than the vehicle for teenage fantasies
Brutally unapologetic about the bloodthirsty practices of today’s media, Dan Gilroy’s directorial debut is a fantastic vehicle for Jake Gyllenhaal to deliver a performance unlike anything he’s done before. Outrageously insightful, Gilroy’s writing is a perverse delight that is at once analytical and utterly entertaining.
While definitely hilarious, Inarritu’s latest work offers sharp observations on the nature of art and artists. This is a giant leap into new territory for the acclaimed Mexican filmmaker. His undeniable talent directing actors is what elevates his work from just a brilliant idea to a work that thrives on touching human vulnerability. Added to this, Emanuel Lubeski’s work in the cinematography department is a visual treat.
7. “Wild Tales”
This insanely inventive collection of deranged stories questions violence and revenge from a comedic angle. Besides being a complete riot that packs in uproarious humor, Damian Szifron’s film demonstrates his ability to create a cohesive film out of diverse vignettes united by the dark side of human nature. From start to finish, “Wild Tales” is truly a savagely fun trip.
6. “The Tale of the Princess Kaguya”
Studio Ghibli’s co-founder Isao Takahata demonstrates once more that his work is as spectacular as anything else the studio has created. His brand of handcrafted animation is of a uniquely exquisite kind that flows on the screen like streams of vibrant beauty. ‘The Tale of the Princess Kaguya” is perhaps his most striking work
This black and white, Persian-language vampire film is a revelation. Style and story elegantly arranged to be poetic and ethereal throughout. Undoubtedly the most dazzling feature debut of the year. Ana Lily Amirpour has a unique vision forged out of her fascination with genre films, music, and other peculiar interests, all of which blend into a delightful cocktail of beauty, danger, and pure originality.
4. “Winter Sleep”
Nuri Bilge Ceylan defines what being an auteur means every times he is behind the camera. Palme d’Or or not, “Winter Sleep” is the only film over 3 hours that has kept me fully engaged for every second of it. Every line of dialogue is as thought provoking as the next without being pretentious. He finds the fibers of human behavior and stretches them to their limit in every single scene. Absolutely mesmerizing
The tenderly violent love between a mother and a son make for an intoxicating tour de force. Xavier Dolan plays with aspect ratios, music, evocative cinematography and raw, maddening emotions to produce one of the most heartbreaking and intense experiences I’ve ever had watching a film. I was in a complete state of exhilaration until the very last, perfect, frame.
There is not a single miscalculation in Pawel Pawlikowski’s immaculate post-Holocaust drama. Each frame is a stunning work of sheer perfection. Flawless cinematography, riveting performances by both leading actresses, and a story that is subtle on the surface but carries intense undertones about spirituality and the consequences of guilt, make of “Ida” a masterwork to be cherished for years to come
1. “Song of the Sea”
I’m certain some people will think me crazy for choosing this film as my favorite of the year, but witnessing Tomm Moore’s gorgeous and ethereal craftsmanship was an unforgettable experience. What he was able to achieve here, both in technique and emotional poignancy, is absolutely outstanding. “Song of the Sea” is one of the most blissfully beautiful animated films ever made. It is a gem beaming with awe-inspiring, heartwarming magic. It will be a long time before animation reaches this level of mesmerizing artistry again.