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TOH!’s Top Longreads of the Year

TOH!'s Top Longreads of the Year

Alejandro González Iñárritu Took “Birdman” Risks

Bennett Miller Unpacks “Foxcatcher” In-Depth

David Fincher Reveals “Gone Girl” Secrets and Whose Side He’s Really On

Famed Cinematographer Roger Deakins Talks Coens, Storytelling, “Prisoners”

Five Reasons Why “Inherent Vice” Faces a Tough Slog

Foreign Oscar Wish List: From Finland to the Philippines, Five Must-Watch Contenders

Four Directors Who Torture Their Actors, From Hitch to Von Trier

Harvey Weinstein Explains How “Snowpiercer” Became a Gamechanger, We Crunch Theater vs. VOD Numbers

How John Oliver Beat Stewart, Colbert, and Broadcast News at Their Own Games

“Ida” Director Pawel Pawlikowski Answers 10 Questions

Inside the Making of the Spectacular Tesseract in “Interstellar”

John Ridley Sets Record Straight on McQueen “12 Years a Slave” Rift

Seven Reasons Why the Netflix/Adam Sandler Deal is a Gamechanger

Six Reasons Why “Interstellar” Isn’t a Best Picture Slam Dunk

Sony Fallout from Hack Attack: Three Takeaways

Was Jennifer Lawrence Too Young to Play Rosalyn in “American Hustle”?

What Went Wrong with HBO’s “The Leftovers”?

Why Shocking “Kids for Cash” Is the Best Oscar Doc Contender You Haven’t Seen

Why Theaters Are Refusing to Book Godard’s Moneymaking 3D “Goodbye to Language”

Xavier Dolan Gets Real, Reveals “Mommy” Jitters, “Tom at the Farm” Whereabouts and More

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