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Read All Our Interviews with 2015 BAFTA Nominees

Read All Our Interviews with 2015 BAFTA Nominees

Head here for the full list of 2015 BAFTA nominees.


Edward Norton and Andrea Riseborough Dig Into Actors’ Egos and “Birdman”

Emmanuel Lubezki on Achieving the One-Take Illusion of ‘Birdman,’ What’s Next for Iñárritu

Stitching “Birdman” Together with Editors Douglas Crise and Stephen Mirrione

Watch: How Antonio Sanchez Drummed the “Birdman” Score

Watch: Why Alejandro González Iñárritu Took Risks on “Birdman”


Richard Linklater on Unique Time Travel Fiction “Boyhood,” with Arquette, Hawke and Coltrane


Laura Poitras Takes Us Behind the Scenes on Edward Snowden Doc “Citizenfour”

The Grand Budapest Hotel

From ‘Budapest’ to ‘Into the Woods, 5 Costume Design Oscar Contenders That Make Character-Defining Fashion Statements

Production Designer Adam Stockhausen Talks “The Grand Budapest Hotel”

Wes Anderson Talks Inventing Euro-Past in “Grand Budapest Hotel”


“Ida” Director Pawel Pawlikowski Answers 10 Questions

The Imitation Game

“The Imitation Game”: From Black-List to Crowdpleasing Oscar Contender


How the “Interstellar” Crafts Team Experiments with Sight and Sound

How the “Interstellar” VFX Team Built Wormholes, Black Holes and Alien Planets

Inside the Making of the Spectacular Tesseract in “Interstellar”


Russian Director Andrey Zvyagintsev on Provocative Oscar Short-Lister “Leviathan”

Mr. Turner

How Cinematographer Dick Pope Shot “Mr. Turner”: Straight Up Digitally


Jake Gyllenhaal Looks into the Eyes of a Coyote in “Nightcrawler”


Why Matthew Warchus Returned to Film After 15 Years to Make “Pride”

“Still Alice”

Julianne Moore on What She Learned Making “Still Alice”

The Theory of Everything

Eddie Redmayne and Felicity Jones Reveal Terrors While Filming “The Theory of Everything”

Under the Skin

Composer Mica Levi on Why Going “Under the Skin” Was “Really Mental”

Why Jonathan Glazer’s “Under the Skin” Took a Decade to Make


Director Chazelle and Star Miles Teller Got Bloody for “Whiplash”

Inside the Making of the Savage “Whiplash” Finale with Editor Tom Cross

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