Head here for the full list of 2015 BAFTA nominees.
“Birdman”
Edward Norton and Andrea Riseborough Dig Into Actors’ Egos and “Birdman”
Emmanuel Lubezki on Achieving the One-Take Illusion of ‘Birdman,’ What’s Next for Iñárritu
Stitching “Birdman” Together with Editors Douglas Crise and Stephen Mirrione
Watch: How Antonio Sanchez Drummed the “Birdman” Score
Watch: Why Alejandro González Iñárritu Took Risks on “Birdman”
“Boyhood”
Richard Linklater on Unique Time Travel Fiction “Boyhood,” with Arquette, Hawke and Coltrane
“Citizenfour”
Laura Poitras Takes Us Behind the Scenes on Edward Snowden Doc “Citizenfour”
From ‘Budapest’ to ‘Into the Woods, 5 Costume Design Oscar Contenders That Make Character-Defining Fashion Statements
Production Designer Adam Stockhausen Talks “The Grand Budapest Hotel”
Wes Anderson Talks Inventing Euro-Past in “Grand Budapest Hotel”
“Ida”
“Ida” Director Pawel Pawlikowski Answers 10 Questions
“The Imitation Game”
“The Imitation Game”: From Black-List to Crowdpleasing Oscar Contender
How the “Interstellar” Crafts Team Experiments with Sight and Sound
How the “Interstellar” VFX Team Built Wormholes, Black Holes and Alien Planets
Inside the Making of the Spectacular Tesseract in “Interstellar”
“Leviathan”
Russian Director Andrey Zvyagintsev on Provocative Oscar Short-Lister “Leviathan”
“Mr. Turner”
How Cinematographer Dick Pope Shot “Mr. Turner”: Straight Up Digitally
“Nightcrawler”
Jake Gyllenhaal Looks into the Eyes of a Coyote in “Nightcrawler”
“Pride”
Why Matthew Warchus Returned to Film After 15 Years to Make “Pride”
“Still Alice”
Julianne Moore on What She Learned Making “Still Alice”
“The Theory of Everything”
Eddie Redmayne and Felicity Jones Reveal Terrors While Filming “The Theory of Everything”
“Under the Skin”
Composer Mica Levi on Why Going “Under the Skin” Was “Really Mental”
Why Jonathan Glazer’s “Under the Skin” Took a Decade to Make
“Whiplash”
Director Chazelle and Star Miles Teller Got Bloody for “Whiplash”
Inside the Making of the Savage “Whiplash” Finale with Editor Tom Cross
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