The independent narrative and documentary directors and composers headed for the Sundance Institute and Skywalker Sound’s Music and Sound Design Labs have been revealed. The Labs will take place at Skywalker Ranch in northern California.
These labs offer a space for composers, directors and sound designers to collaborate on a film soundtrack, in a workshop setting under the guidance of top film composers and film music professionals as Creative Advisors.
The Music and Sound Design Lab for narrative features goes down July 7 through 21, with the Lab for documentaries to follow on July 22 through 30.
Creative Advisors this year include composers Jeff Beal, Todd Boekelheide, George S. Clinton, John Frizzell, Harry Gregson-Williams, Laura Karpman, and Anton Sanko; sound designers Chris Barnett, Pete Horner, Dennis Leonard, Tim Nielsen, Gary Rydstrom, Kent Sparling, and Randy Thom; BMI Vice President, Doreen Ringer Ross; re-recording mixers Erik Foreman, Zach Martin and Brandon Proctor; music supervisor Sue Jacobs; director Jon Else; and music agent Robert Messinger.
READ MORE: Sundance Picks 13 Directors and Screenwriters Labs Projects
Artists and narrative projects selected for the 2015 Sundance Institute Music and Sound Design Lab: Feature Film (July 7-21) are:
All filmmakers selected for this Lab have been supported by the Sundance Institute Feature Film Program. Two projects are in post-production and the others recently participated in the Institute’s June Directors and Screenwriters Lab.
Yung Chang (writer/director) / “Eggplant” (China/Canada): A neo-noir love story set in China, Eggplant follows a mysterious woman who cons countryside bachelors for their money and a wedding photographer escaping a troubled life in Taiwan. When they meet in a collision of fate, the past quickly confronts the present in an explosion of events as these two Chinese millennials struggle to find a meaningful existence in a society fixated on money, materialism and duty.
Laure de Clermont-Tonnerre (writer/director) / “Mustang” (France): Roman Coleman is halfway through an 11-year sentence for attempted murder when he is offered the chance to participate in a rehabilitation program that trains inmates to break captured wild mustangs. Based on a real-life program, “Mustang” is a portrait of one man’s unique connection to these wild animals and his complex struggle to control his own ferocity.
Mark Kindred (writer/director) / “Rogue” (U.S.A.): An ex-cop gone rogue wages unconventional warfare on the institutional forces that wronged him. Inspired by true events.
Matthew Ross (writer/director) / “Frank & Lola” (U.S.A.): On Halloween night, Frank, a chef at a Las Vegas restaurant, falls in love with Lola, a mysterious girl who’s new in town. Betrayal, then forgiveness, soon follows. But the damage has been done, as Frank’s obsession soon leads him to Paris, and revenge. POST-PRODUCTION
Brent Green (co-writer/director) / “Over the Eaves” (U.S.A.): In this stop-motion animated film, a young boy begins inventing strange, hand-made machines to ease his mother’s hard labor and bring joy to her monotonous life, but his ambitions quickly grow. When his most daring invention backfires and changes life on Earth forever, his neighbors struggle to understand whether he has done them harm or shown them what they have been missing.
Marialy Rivas (co-writer/director) / “La Princesita” (Chile): The leader of religious cult has one single purpose and belief: a new order is necessary, and 12-year-old Tamara is the one responsible for procreating the leaders of the new world. Tamara shall earn her freedom in a way she never imagined. POST-PRODUCTION
Born in Italy and currently a Los Angeles resident, Fabrizio Mancinelli has studied composition, conducting and film scoring, the latter at USC as a Fulbright grantee. In 2012 he composed the music for the internationally distributed Disney documentary Growing Up With Nine Old Men by Theodore Thomas. He regularly collaborates with production companies and TV networks in Europe and the U.S. Future projects include the animated film Mushka by Andreas Deja (Aladdin, The Lion King).
Forrest Gray is an LA-based composer who received his B.F.A. in film scoring with a minor in conducting from Berklee College of Music in 2014, and a graduate certificate from USC’s Scoring for Motion Picture and Television program in 2015. His debut as a composer was in 2008, when he was asked to provide additional music for Steven Soderbergh’s documentary And Everything is Going Fine, which chronicles the career of Gray’s father, the late monologist and writer, Spalding Gray. Gray has worked on a number of short films, documentaries, and recently finished work as an arranger for acclaimed songwriter/producer Mike Posner. He also interned for Carter Burwell when he was working on The Fifth Estate.
Stephanie Economou is a 25-year-old composer and violinist based in Los Angeles, CA. She holds a Bachelor’s degree in Composition from the New England Conservatory of Music and a Master’s in Composition for Visual Media from UCLA. Stephanie has explored and studied a myriad of musical styles, including classical, electronic, contemporary, jazz, rock and folk which have allowed her to harness and craft a uniquely hybridized compositional palette. Her most rewarding undertakings have been her partnerships with independent filmmakers, which have granted her the rare opportunity to simultaneously synthesize electronic and acoustic musical spheres. Stephanie holds a position as principal composing assistant to Harry Gregson-Williams at Wavecrest Music in Santa Monica, CA.
Danielle Eva Schwob
Originally from London, Danielle Eva Schwob is a “notable cross-genre composer” (The New Yorker) and “worldly musical chameleon” (TimeOut) with “deep roots in rock music” (The New York Times) who writes concert music, avant-garde pop and film scores. Her work has been featured at venues including Lincoln Center, Le Poisson Rouge and Philip Glass’s MATA Festival,
earning honors and commissions from The Aaron Copland Fund for Music, Con Edison, ASCAP, ChamberMusicNY, The American Composers Forum and numerous others. A guitarist and singer who has worked with artists including David Simon (creator of The Wire), Ben Folds and The Pogues, she is known for writing music that is as “dark and beautiful” (Consequence of Sound) as it is “dynamic” (Brooklyn Vegan) and “hard-edged” (NY Times).
Earning a Bachelors and Masters from The Juilliard School in Jazz Piano with a focus in composition, Kris Bowers has never been afraid to step outside traditional genre boundaries to create other forms of music. He performed on Jay-Z and Kanye West’s collaborative album Watch the Throne, has recorded and performed with artists such as Marcus Miller, José James, and Q-Tip, and has scored a diverse range of documentaries: Elaine Stritch: Shoot Me (2013), Seeds of Time (2013), Play it Forward (2015), and Kobe Bryant’s Muse (2015). In 2011, he won the coveted Thelonious Monk International Jazz Piano Competition at the Kennedy Center in Washington, D.C.
Alexander Rudd is a composer and songwriter. In 2008 he received a Fulbright scholarship to study at the University of Southern California. He has composed the scores for numerous plays, including collaborations with the Royal National Theatre, The Old Vic and The Barbican. Recent TV projects include music for Traders, Millions by the Minute (BBC) and You Can’t Get the Staff (Channel 4). Alexander is currently composing an album of new songs with Academy Winning Lyricist Don Black for Sony/ATV.
Artists and documentary projects selected for the 2015 Sundance Institute Music and Sound Design Lab: Documentary (July 22-30) are:
All filmmakers selected for this Lab have been supported by the Sundance Institute Documentary Film Program.
Jessica Dimmock and Christopher LaMarca (co-directors) / “Brick”: Brick reveals the raw emotional and physical experience of being a middle aged to senior transgender woman coming out for the first time in the Pacific Northwest. The film follows three intersecting stories of individuals who have lived their whole lives as men, and have decided this burdensome secret is one they can no longer keep.
Shirley Abraham and Amit Madheshiya (co-directors/producers) / “Like Ants For Sugar”: For seven decades, trucks bearing gigantic cinema projectors and a cache of film reels have hawked the magic of the movies to rural India. Now, as their patrons are lured by slick new technology, an ingenious film exhibitor, a benevolent showman, and a maverick projector mechanic strive to reinvent this world of traveling cinemas.
Pacho Velez (director) / “The Reagan Years”: “The Reagan Years” is about a prolific actor’s defining role: Leader of the Free World. The documentary uses the Reagan administration’s internal documentation to capture the spectacle of American might at its acme.
Javid Soriano (director/producer) / “Swing Low”: Once a world-class opera singer, Tim, now homeless, embarks on a musical journey into the brightest and darkest regions of his life.
A recent graduate of Juilliard, Samora Pinderhughes composes for theatre and film, tours internationally as a pianist, and creates multi-disciplinary works that use art as a vehicle for conversations about social justice. His performance venues have included the White House, the Blue Note, MoMA, Sundance Film Festival, Monterey Jazz Festival, and Carnegie Hall. His first album as a leader, entitled The Transformations Suite, is due out this fall.
Composer Germaine Franco kicked off 2015 by scoring the film Dope, directed by Rick Famuyiwa, which premiered at the 2015 Sundance Film Festival and at the Directors’ Fortnight at Cannes. Her work includes scores for Margarita, directed by Dominique Cardona and Laurie Colbert for HBO Canada and Telefilm, Tres Americas, directed by Cristina Kotz-Cornejo, Angry Birds Rio for Rovio, and Sugar Smash: Book of Life video game for Social Gaming Network. Franco has performed as a percussionist with her own ensemble and many international ensembles including the Hollywood Bowl Orchestra, the Belgian Radio Orchestra, the Spoleto Festival Orchestra, the World Orchestra, the Hollywood Studio Symphony and with Jack Black, Judith Hill, John Powell, Hans Zimmer, Danny Elfman, Sheila E. and Sergio Mendes.
Austin, Texas-born Christopher North is a Brooklyn-based composer for film, dance, theater, original series and various ensembles. With his diverse range, eclectic background (including football player, actor and dancer), boundless imagination and expressive depth, Variety says he is a “notable asset.” With more than 30 film credits, his scores include Everything’s Jake (starring Ernie Hudson), Eavesdrop (featuring Ethel String Quartet and Eroica Trio), the award winning feature documentary Bible Quiz (on Sundance Global) and recent festival favorites All In Time and Missing People. Making music in NYC since 1997, he is an accomplished bassist, vocalist and multi-instrumentalist on Grammy award-winning recordings, on Broadway and at Carnegie Hall, as well as a songwriter (including children’s music heard round the globe). Recently, he’s focused on new instruments (Harpejji, Guitarviol, Gryphon, Uke Bass and Slaperoo) and conducting.
Composer and multi-instrumentalist Jeremy Turner has rapidly gained a reputation for creating diverse and innovative music for the moving image and the stage. An award winning composer for films and commercials, and the former Assistant Principal Cellist of the Metropolitan Opera Orchestra; Jeremy’s recent projects include a new work for the Brooklyn Youth Chorus, a chamber piece for yMusic Ensemble, an ESPN 30 for 30 score, and collaborating with James Murphy on original music for the Broadway revival of Betrayal, directed by the late Mike Nichols.
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