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10 Films That Should Be in the Criterion Collection

10 Films That Should Be in the Criterion Collection

READ MORE: What We Learned from Watching (Almost) the Entire Criterion Collection

Since its inception in 1984,
the scope and importance that The Criterion Collection has had on cinema is immeasurable: Letterboxing, audio commentary, special edition DVD and Blu-ray packages and painstakingly made film restorations are at the
forefront of their revolutionary ideas. Funded by film buffs Robert Stein, Aleen Stein and Joe Medjuck, the Collection has the upmost care for cinema history and its
preservation, and directors know that, which is why some of the biggest names
in cinema have worked with the company to have their films properly released, from Coppola to Scorsese, Lynch to De Palma, just to name a few. Tough-to-impress director
Terry Gilliam once said, “It’s nice working with people for whom profit
isn’t the only reason for existence. They seem to be actually interested in

There are currently over 775 films
in The Criterion Collection, but not every movie on cinephiles’ wish lists will get
the much prized Criterion treatment. For the time being, however, the following movies
seem to be tailor-made for an eventual restoration and release, many of which
have been long rumored to be next for the Collection but to no avail.

1. “Beau Travail” (1999)

How can it be that Clair Denis’ “Beau Travail” is only
sporadically in print and that you can’t find it on any streaming service? It’s
no coincidence that this war movie bears many similarities to another female-directed dissection of male ego and testosterone: Kathryn Bigelow’s “The
Hurt Locker.” This is an artsier film through and through, but no less
remarkable; just the thought of its lingering final shot, which poses a
turbulent, uncomfortable question, will give anybody – especially men –
nightmares. Criterion has already released Denis’ “White Material,” an arguably lesser film compared to “Beau Travail,” which has stood the test of
time and now needs to be immortalized in proper fashion.

2. “Enter the Void” (2010)

Gaspar Noe’s surreal nightmare
was, once upon a time, rumored to get the full Criterion treatment; however,
the story goes that “Enter the Void” was rejected by them and audiences ultimately ended up with a normal, token Blu-Ray/DVD release that could have been so much
more. Noe’s film is divisive, but it’s garnered an immense cult following over
the years, with many proclaiming it is ahead of its time. You can fault or insult the 51-year-old French filmmaker all you want, but he had the chutzpah to make a modern day
“2001,” full of intense visual treats and thought-provoking questions
about life, death and the afterlife. 

3. “Bamboozled” (2000)

Most people have forgotten how
groundbreaking, political and philosophical Spike Lee’s work in the late
80’s and early 90’s really was. “Bamboozled” came out in 2000, when
the director was about to enter a new, albeit confusing, phase of his
filmmaking career. It would be the last explicitly political movie Lee would
make about race in America. Starring Damon Wayans and Savion Glover, the film
was pure Lee: Over the top, angry and ready to throw darts at its audience. Lee’s film
is as relevant as ever, dealing with an African American’s frustration with a
blindly racist country. All hell breaks loose when a black minstrel show becomes
a primetime television hit. The film wasn’t an easy watch, but it’s become a
summary of Lee’s strengths as a filmmaker, encapsulating a time when his anger
translated into celluloid. A few years
later he’d follow it up with the masterful “The 25th Hour,” which
couldn’t have been more tonally or texturally different.

4. “Sunrise: A Song of Two Humans” (1927)

It is criminally unfair that
one of the greatest movies of all-time did not get the proper DVD treatment. The images in “Sunrise: A Song of Two Humans”
into your head and stay there for years on end. F. W. Murnau’s visual poetry was
second to none, and “Sunrise” has always been the runaway winner for
greatest silent movie ever made. Its DVD and Blu-ray releases until now have
been mostly pitiful, bland and uncared for. What gives? It’s mind-boggling
that there are self-proclaimed “cinephiles” out there who
have never seen this movie, and its DVD treatment is to blame.

5. “Freaks” (1932)

Tod Browning’s visceral,
pre-code horror film still shocks audiences today, so imagine what it must have
been like to watch his masterful freak show 83 years ago, when audiences were
much more sensitive to grotesque imagery. Then again, the original version was
considered too shocking to even be released and basically ruined Browning’s
career. Based upon his own experiences as a runaway teenager with a travelling
circus, Browning was one of the first mavericks to push the envelope to the
very extreme. “One of us, one of us” is a chant that evokes the
spirit the filmmaker was going for; he was trying to get the audience to understand
his circus performers, when in fact the despicable people in the movie were
the “normal” circus performers. The DVD release has a decent amount
of extra footage, but this movie is the stuff that Criterion dreams are made of.

6. Any David Lynch Film

So far we have had
“Eraserhead” and “Mulholland Drive” on Criterion, but where
is the rest of the Lynch canon? The director’s DVDs have always been scant on
extra material, as he’s always been a “the movie speaks for itself”
kind of guy. Of course, the two films that have been released via Criterion have given Lynch-heads
some hope that more is to come. “Blue Velvet” is the next great film,
but its DVD treatment has actually been pretty decent, with over 51 minutes of
deleted footage. Instead, the Collection could opt for “The
Elephant Man,” “Lost Highway” or “Twin Peaks: Fire Walk
with Me.” Of course — like with any Lynch film — we
don’t want the mysteries explained to us; we would just love to have decent
Lynch releases to add to our collections to replace the single-disc copies of
these films.

7. “Blow-Up” (1966)

Will Michelangelo Antonioni’s
“Blow-Up” ever get properly released? Has Warner Bros. forgotten that
they own the rights to this incredible film? There are some used copies of the
film on Amazon for $50, but the film transfer is terribly primitive and
the extras are nowhere to be found. A re-release is rumored to be in the works,
but isn’t a film like this one meant for a more in-depth treatment? Just
recently, Criterion released Brian De Palma’s homage to Antonioni’s film, “Blow Out,” a great movie that stands along the best 1980’s cinema
had to offer. You’d think it would only be a matter of time before we finally
got what we wanted, but not so much. There is absolutely no indication this
will be coming out in the near future via Criterion.

8. “Atlantic City” (1981)

In an American Film magazine critics poll of the best movies of the 1980’s, Louis Malle’s “Atlantic City” was named the fifth best movie of the decade. The film is criminally underrated and one of the great achievements of American cinema, and yet time has not been kind to Malle’s film, but for all the wrong reasons. It is not a showy, bombastic picture, but instead quiet and cerebral in its approach to organized crime on the boardwalks of Jersey. The way this movie has been released is a crime, whether it’d be on VHS, DVD or Blu-Ray – the film is almost ghostly in its absence and availability. The film transfer is underwhelming and the extras are pitiful, that is, if you can find a copy. What exactly happened to Malle’s landmark movie? Criterion has released 17 of his movies, and it’s time for his best movie to be the 18th. 

9. “All About My Mother” (1999) and 10. “Talk To Her” (2001)

It has always been a toss-up as
to what is the best Pedro Almodóvar movie: “Talk to Her” or “All
About My Mother.” Why can’t Criterion just release them all? We’ll be first in line to buy
the 30-disc package of every Almodóvar movie out there, and even if we can
probably pass on “I’m So Excited,” we’ll still take that one as well.
The man is a genius, and his movies haven’t had much luck when it comes to DVD/Blu-ray releases stateside. A proper release is almost inevitable, but we just hope we won’t be
waiting another decade for it.

READ MORE: Watch: ‘The Wolfpack’ Brothers Visit The Criterion Collection

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