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Review Roundup: Nancy Meyer’s ‘The Intern’ Is Odd-Couple Workplace Comedy With Can-Do Spirit

Review Roundup: Nancy Meyer's 'The Intern' Is Odd-Couple Workplace Comedy With Can-Do Spirit

Director Nancy Meyers has always captured white suburban middle-aged ennui. With “The Intern,” she turns her attention to a Brooklyn startup headed by a young, ably determined CEO (Anne Hathaway) who battles with her equally capable 70-year-old intern (Robert De Niro), who is hoping not to lose out on the rest of his post-retirement years.

Critics are split on the film. The general consensus: if you love Meyers, like Hathaway, and don’t mind a decent performance from De Niro, it might be good enough to make for a decent night out at the movies. 

READ MORE: Anne Hathaway is the Boss in Nancy Meyers’ ‘The Intern’

Guy Lodge, Variety
“Behind at least one successful woman stands an older, wiser man. That, at least, is the chief takeaway from ‘The Intern,’ a perky generation-gap fable that sneaks some surprisingly conservative gender politics into its stainless new world of online startups and amply product-placed Macbooks.” 

Stephanie Zacharek, The Village Voice
“It’s astonishing to watch De Niro — who has been great in great movies, like ‘The Godfather: Part II’ and ‘Taxi Driver,’ and sometimes just as good or even better in imperfect ones like ‘New York, New York’ — and realize that he’s just as capable as any other actor of slouching through a film like a lump of mold making its way down a tree limb. It’s as if he’s trying to keep all traces of actual personality or verve under wraps.”

James Rocchi, The Wrap
“Long on kitchen-design erotica and short on conflict, ‘The Intern’ is a cozy slanket of a movie, one that wraps you up in a suffocating hug and tries to waterboard you with the milk of human kindness.”

Leah Greenblatt, Entertainment Weekly
“‘The Intern’ skims both humor and pathos without ever quite settling on either; even in an apparent crisis, the tone remains as plush and soft-cornered as one of Meyers’ ubiquitous throw pillows.”

Scott Mendelson, Forbes
Nancy Meyers’s ‘The Intern’ is a near-perfect studio programmer, the kind of mainstream multiplex fare that adult moviegoers and critics say we never get anymore. It is intelligent, empathetic, insightful, and charming to a fault, with great star turns from De Niro and Hathaway. This is Nancy Meyers’s best film as a writer and a director, and I hope Hollywood allows her to make another one in fewer than six years this time.”

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