director John Hancock,”The Looking Glass,” set to open in New York at the
Cinema Village, and in Los Angeles at the Fine Arts on October 23, 2015.
“I was very moved by the film. Dorothy gives an extremely touching performance, one
that is definitely worthy of an Academy Award nomination,” said film critic Kathleen
The official synopsis reads: “After losing her mother, troubled 13-year-old Julie must go to Indiana to live with her
grandmother, Karen. Karen, a former star of stage and screen, now facing the end of her
life, wants desperately to connect with her granddaughter in a meaningful way and pass
on all she knows before it’s too late. But the two of them—each stubborn in her own
way—butt heads at every turn. Soon, Karen makes a remarkable discovery: Julie’s
powerful, unique singing voice. Will the sudden discovery of Julie’s talent be enough
to bring the two together and allow Karen to pass on her legacy? This beautifully shot film shows a tenderness in its treatment of family matters such as depression
and low self-esteem. In watching the story unfold, the watcher is touched at the beauty and sadness
of the rebellious young girl. Our hopes for her finding herself and allowing her voice to be shared
with the world engages as the movie unfolds. This is the sort of film families with pre-teen and
teen girls and boys would enjoy together. Then one talks of ‘family entertainment,’ this is the
film that fits for a pleasurable movie day”
Hancock collaborating for the seventh time. Since 1994, when their house
in the Malibu fire, they’ve been living and working in La Porte County,
turning that little corner of the Midwest into a filmmaking hub.
Dorothy appeared in the director’s “California Dreaming” and wrote “Steal the Sky,”
“Weeds,” “A Piece of Eden” and “Suspended Animation.” She also did the final polish on
Hancock’s Christmas classic, “Prancer.” Tristan began her acting career in theatre,
playing Charlotte Corday in the national touring production of “Marat/Sade.” She was
Helena in “Midsummer Night’s Dream” and Lady Macduff in “Macbeth” at Stratford,
Connecticut. She played Blanche Dubois opposite Jon Voight in “Streetcar Named Desire.”
She had leading or supporting roles in a number of major motion pictures including
“Klute,” “Man on a Swing,” and Aram Avakian’s “End of the Road” with James Earl Jones
and Stacy Keach.
Hancock’s feature film credits include “Bang The Drum Slowly,” “California Dreaming,”
“Let’s Scare Jessica to Death,” “Baby Blue Marine,” “Weeds,’ and the Christmas classic
“Prancer,” starring Sam Elliott, Cloris Leachman, Abe Vigoda and Rebecca Harrell, which
he shot “The Looking Glass” on his family’s fruit farm in LaPorte County. His current production, , brings him home again, physically and emotionally. He says
he “tried to catch the sense of returning to this place where you grew up, and falling
in love with what you were not truly able to see before.
The story hits close to home for Hancock and Tristan. “Dorothy and I have reached a
point in our lives where we’ve thought a lot about what we’ve accomplished, and what
kind of legacy we hope to leave behind once we’re no longer here,” says Hancock, 76.
“You always hope you’ve had some type of impact on people, that what you did with your
life meant something to people. That’s what this story is about: reaching out to those
closest to you and imparting on them all your knowledge, all your life lessons so a
part of you lives on.
“You’re preparing the next generation for greatness. That’s true not just for the
characters in the film, but for Dorothy and me, that maybe we can inspire a new
generation of filmmakers to create movies that mean something to people.”