Best of the Week: Neeson in Scorsese’s ‘Silence,’ Re-Casting Tarantino’s ‘True Romance,’ (Not) Remaking ‘Memento,’ Interviews Galore
Best of the Week: Neeson in Scorsese's 'Silence,' Re-Casting Tarantino's 'True Romance,' (Not) Remaking 'Memento,' Interviews Galore
7 Early Year Releases, from ‘Going Clear’ to ‘Mad Max,’ That Deserve Awards Buzz
10 Ways the ‘Room’ Filmmakers Wrote Their Own Script for an Oscar Contender
Afghanistan Documentary ‘Frame by Frame’ Is Catching Attention
Arthouse Audit: Oscar Contenders “Spotlight’ and ‘Brooklyn’ Rule
Copenhagen Documentary Film Festival Winners and Disappointments
Could ‘A Good American’ William Binney Have Prevented 9/11 and Other Terrorist Attacks?
Don’t Remake ‘Memento,’ Please!
Film Essayist Mark Rappaport on His Movie Archaeology: “If I get pretentious with this, slap me senseless”
First Look: Liam Neeson in Martin Scorsese’s Period Epic, ‘Silence’
From ‘The Martian’ to ‘Room,’ How Confined Spaces Convey Character in 6 Oscar Contenders
‘Goodnight Mommy’: Foreign Oscar Outsider, or Austria’s Secret Weapon?
How Amazon’s ‘The Man in the High Castle’ Uses History’s Icons to Create Tension
How ‘A Simple Song’ Emotionally Elevates Paolo Sorrentino’s ‘Youth’
How French Oscar Entry ‘Mustang’ Finds the “Orgasmic” Joy of “Emotional Justice”
How Michael Stuhlbarg Plumbs Emotion in ‘Trumbo’ and ‘Steve Jobs’
How They Edited ‘Spotlight’ as a Thrilling Journo Procedural
‘Janis: Little Girl Blue’ Director Amy Berg on the Runaway Train of Janis Joplin’s Career
Laurie Anderson’s ‘Heart of a Dog’ is Aural-Visual Showstopper (EXCLUSIVE VIDEO)
Todd Haynes and Writer Phyllis Nagy Talk ‘Carol,’ Glamorous Stars, Highsmith and More
Top 10 Takeaways: Mid-November Blues as Box Office Again Falls Flat; Women Directors Make History
Watch: Governors Awards: Amid Oscar Hoopla, Pleas for Diversity
Watch: ‘Listen to Me Marlon’ Producers Discuss Brando’s “Obsessive Nature”
WATCH: Rooney Mara on Loving Cate Blanchett in ‘Carol,’ Owning Lisbeth Salander, and More (EXCLUSIVE VIDEO)
WATCH: Why Doc Contender ‘Cartel Land’ Is Must-See
Westward Ho! Westerns Hitting Screens from Tarantino, Inarritu and More
Who Should Jason Reitman Cast in His Live Read of Tarantino’s ‘True Romance’?
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