Can the heart of a film be its props? The light saber. The movie camera. The gun. The tape deck. These are all things we see as we watch our Spielberg, our Andersons, our Hitchcocks, our Godards, and yet we somehow view them as incidental. Rishi Kaneria argues, with this new video essay, that they are essential. He has set himself a difficult exercise here and exceeded its limits, taking us through the use of seemingly incidental items from the beginnings of film to its most recent developments.