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Best of the Week: Hardy and Iñárritu on ‘The Revenant,’ Tarantino on the Walk of Fame, Coogler on ‘Creed,’ and More

Dec 26, 2015 9:00 am

6 Best Editing Oscar Contenders: There’s More Than Survival at Stake

Arthouse Audit: Oscar Frontrunner ‘Son of Saul’ Debuts as Sole New Specialty Non-VOD Entry

How ILM Created VFX with ‘Forward Motion’ for ‘Star Wars: The Force Awakens’

How Open Road CEO Tom Ortenberg Shepherded ‘Spotlight’ to Oscar Frontrunner

‘The Revenant’ Q & A: A.G. Iñárritu Finds Cinema Poetry in Harsh Locations, Blasts Academy Sakamoto Score Rejection

Screen Talk: A Cinephile’s Guide to Holiday Movies—and the Oscar Race

TOH! Ranks the Films of Alejandro González Iñárritu from Best to Worst

TOH!’s Year-End Television Awards

Top 10 Takeaways: ‘Star Wars: The Force Awakens’ Sets Records with Historic Opening; What Other Records Will It Break?

WATCH: Tarantino Gets His Star on the Walk of Fame (VIDEO)

WATCH: Tom Hardy Explains Why Shooting ‘The Revenant’ Was So Bloody Hard (EXCLUSIVE VIDEO)

Where Does ‘The Knick’ Go from Here?

Why ‘The Revenant’ Was Not Eligible to Compete for the Oscar for Original Score

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‘Portlandia’ Star Carrie Brownstein on How ‘Six Feet Under’ Inspired Her To Take Risks on TV — Turn It On Podcast

Also: The story behind her favorite “Portlandia” episode of all time, “The Story of Toni and Candace,” and whether she and Fred Armisen will ever revisit the show.

Emmys: Will ‘Handmaid’s Tale’ Triumph Over ‘Game of Thrones,’ and ‘Atlanta’ Over ‘Mrs. Maisel’? — Screen Talk Emmy Edition

Episode 13: The outstanding drama, comedy, and limited series Emmy races may appear to have their frontrunners, but surprises are possible at next month’s ceremony.

Oscar Season is Imminent, But Don’t Forget About These Smaller Films — IndieWire’s Movie Podcast

There are many exciting movies around the corner, but we already have much to celebrate.

‘The Handmaid’s Tale’ Producer Bruce Miller On How the ‘ER’ Pilot Changed the Way He Writes — Turn It On Podcast

The Emmy-nominated showrunner discusses how 1994’s two-hour “ER” premiere “24 Hours” changed TV. Plus: His favorite “The Handmaid’s Tale” episode.

Criterion’s ‘The Tree of Life’ Is Not a Director’s Cut, but a New Movie From Terrence Malick

Malick says that the new, 188-minute edit of his 2011 drama starring Brad Pitt is another version altogether.

Spike Lee’s Longtime Editor: ‘BlacKkKlansman’ Was His Quickest Cut Since ‘Do the Right Thing’

Barry Alexander Brown tells IndieWire about the pair's long-time working relationship, the important lesson he took from “Malcolm X,” and discovering that the actual David Duke was in Charlottesville.

‘Madeline’s Madeline’: Why the Dreamy Movie’s Surreal Imagery Took Six Years and Many Experiments to Get Right

How the melding of Josephine Decker and Ashley Connor’s bold visions and experimental backgrounds resulted in one of the year’s most visually astounding films.

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