Arthouse Audit: ‘The Danish Girl’ Scores at Holiday Box Office as ‘Carol’ Stays Strong
How Howard Shore’s ‘Spotlight’ Score Became His Most Haunting Work
How NYFCC Award Winner Ed Lachman Shot ‘Carol’ Through the Prism of ’50s Photojournalism
IMDb’s Annual Top 10 Movies and Top TV Shows (EXCLUSIVE)
James Bond Creator Ian Fleming on Sean Connery, the Kennedys, and His Critics
Meet Kazakhstan’s Foreign Oscar Contender: ‘Stranger’ Director Yermek Tursunov (Trailer)
Meet the Four Legends Bringing Back the British Invasion This Oscar Season
National Board of Review Names Award-Winners, 10 Best of 2015
New York Film Critics Push Faves in Awards Season, ‘Carol’ Wins Four (ANALYSIS)
Oscar Documentary Shortlist of 15 Revealed
The Oscars’ Year of the Crucible: Evaluating the Top Cinematography Contenders
Sam Mendes Talks Bond, ‘American Beauty,’ and Film vs. Theatre at BAFTA
Screen Talk: Status Update on Awards Race, Top 10 Lists
Sundance Programmers Unveil, Discuss 2016 Competition, NEXT Lineups (EXCLUSIVE)
TOH!’s Favorite Top 10 Lists of 2015 (UPDATED)
TOH! Ranks Quentin Tarantino’s Films
Top 10 Takeaways: ‘Mockingjay 2’ Tops Openers ‘The Good Dinosaur’ and ‘Creed’
WATCH: Aaron Sorkin on Taking Risks on ‘Steve Jobs,’ ‘Molly’s Game,’ and ‘Best of Enemies’
WATCH: Spike Lee on His Blistering New Film, ‘Chi-Raq’: “The goal is to save lives”
Who Comes Out Ahead at the Gotham Awards (UPDATED)
Why Steven Soderbergh’s ‘The Knick’ Is More Timely, and Better, Than Ever
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