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Best of the Week: BAFTAs, Berlinale, Why ‘The Revenant’ May Win Best Picture, the Box Office Triumph of ‘Deadpool,’ More

Best of the Week: BAFTAs, Berlinale, Why 'The Revenant' May Win Best Picture, the Box Office Triumph of 'Deadpool,' More

The Allure of Conspiracy Theories: On Oliver Stone’s ‘JFK’ and Hulu’s ‘11.22.63’ 

Arthouse Audit: National Audiences Sample Michael Moore’s ‘Where to Invade Next,’ Avoid Oscar-Nominated ‘A War’

Berlin Film Festival: Michael Grandage and John Logan Talk ‘Genius’ 

Berlin Review: Emily Dickinson Biopic ‘A Quiet Passion’ Fails to Stir 

Berlin Review: ‘Fire at Sea’ Offers a Superb Snapshot of the Refugee Crisis

Berlin Review: In ‘L’Avenir,’ Isabelle Huppert Takes Stock of Her Life

Berlin Review: ‘Strike a Pose’ Revisits the Complicated World of Madonna 

Berlin Review: Thomas Vinterberg’s ‘The Commune’ Packs an Emotional Punch

Berlin Review: The U.S. Is Knee-Deep In Cyber-Terrorism in Alex Gibney’s ‘Zero Days’ 

Cohen Media Group Adds Ex-Film Comment Editor to Team

Fox Searchlight Production Head Claudia Lewis to Step Down in May

Harper Lee, Author of ‘To Kill a Mockingbird,’ Dead at 89

How Quentin Tarantino and Oscar Frontrunner Ennio Morricone Came Together on ‘The Hateful Eight’ Score

How ‘The New Yorker Presents’ Got Made for Amazon Streaming

How They Did the Oscar-Nominated Makeup, Hair, and Sound for ‘The Revenant’ 

How They Made the Percussive Sound and Score for Oscar Nominee ‘Sicario’

How They Transformed Surprise Oscar Nominee ‘The 100-Year-Old Man Who Climbed Out the Window and Disappeared’

Inside the BAFTA Awards

Jessica Chastain Explains Why She Started ‘Freckle,’ Her Production Company

Listen to Atticus Ross’ Badass ‘Triple 9’ EP Right This Second (EXCLUSIVE)

Meet the Director of BAFTA-Winning Jordanian Oscar Entry ‘Theeb’ 

Online Ticketseller Fandango Acquires Digital Movie Brands Flixster and Rotten Tomatoes 

Oscars: Evaluating the Best Sound Contenders 

‘The Revenant’ Oscar Contender Jacqueline West Creates Scholarship for Native American Youth (EXCLUSIVE)

Review: In Engrossing, Essential ‘The Black Panthers: Vanguard of the Revolution,’ Past Is Prologue

Screen Talk: Does ‘The Revenant’ Have What It Takes to Win Best Picture? 

Top 10 Takeaways: How R-Rated Marvel Action Comedy ‘Deadpool’ Rewrote February Box Office History

Why Director George Miller Could Still Beat A.G. Iñárritu at the Oscars for ‘Mad Max: Fury Road’ 

Why Iñárritu’s ‘The Revenant’ Will Likely Win Best Picture 

Women Activists Rocked Sundance, Celebrating a Sea Change

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