Arthouse Audit: Natalie Portman Indie ‘Jane Got a Gun’ Flops, Oscar Shorts and ‘Ip Man 3’ Soar
‘Hail, Caesar!’ Review & Roundup: Escapist Hollywood Comedy from the Coen Brothers
How ‘American Crime Story’ Explains Our Obsession with the O.J. Simpson Trial
How the ‘People v. O.J. Simpson’ Writers Found 6 Characters for Their ‘Shakespearean High-Wire Act’
How They Designed George Miller’s Oscar-Nominated ‘Mad Max: Fury Road’
How Sony Pictures Classics Picked Up Four Pictures at Sundance
‘Mad Max: Fury Road,’ ‘The Martian’ and ‘The Revenant’ Take Art Directors Guild Honors
Oscars: Evaluating the Best Editing Nominees
‘Peak TV’ or Peak OTT? From Louis C.K. to Seeso, Players Jockey for Position in a Crowded Market
‘Pride and Prejudice and Zombies’: World War Zzzzzs (Review & Roundup)
Screen Actors Guild Awards Winners
‘Star Wars: The Force Awakens’ Seizes VFX Oscar Momentum
SXSW Adds World Premieres from Alumni Mike Birbiglia and Ti West to 2016 Lineup
Top 10 Takeaways: ‘Kung Fu Panda 3’ Boosts Box Office
Universal Rejiggers Its Specialty Division Again
WATCH: Josh Brolin on His ‘Christ-Like’ Character in the Coen Brothers’ ‘Hail, Caesar!’ (EXCLUSIVE)
Why George Miller Should Win DGA Award and Directing Oscar for ‘Mad Max: Fury Road’
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