Directors and producers from 19 countries are attached to 13 narrative
feature films, 10 feature documentaries and 10 short films participating
in the 6
day program of industry sessions designed to progress their projects
and prepare them for international markets. The emphasis is on
first-and-second-time filmmakers with projects in development and
The Doha Film Institute‘s second edition of Qumra will be taking place in Doha, Qatar
from March 4-9. 15 projects are from Qatar-based filmmakers, 12 from the Middle East North Africa (MENA) region and 6 from the rest of the world. 11 of the
33 projects are features films in development, 12 are in post-production and 10 are short films in development.
Twenty of the feature projects are alumni of the Institute’s grants program and 3 are by independent filmmakers from Qatar. Of the 10 short projects, 7 are
by Qatari filmmakers and 3 are by Qatar-based filmmakers identified through the Institute’s ongoing engagement with local industry.
Doha Film Institute CEO Fatma Al Remaihi said: “We are very excited by the diverse slate of projects selected for Qumra 2016, representing emerging talent
from Qatar, the Arab region and around the world.”
“We have prepared an intensive program for our project delegates which is designed to inspire them creatively and support them in navigating the evolving
landscape of the film industry. I look forward to welcoming each of our project delegates to Qumra for what promises to be a productive exchange of ideas,
culture and creativity.”
New to this year’s edition is the Qumra Shorts Programme, a dedicated strand designed to address the unique requirements of short films in development,
during which 10 Qatar-based filmmakers will present their projects to a group of international industry professionals, including script consultants,
producers, lab representatives, programmers and buyers, all of whom are experts in the short form.
The ten short filmmakers have been supported by the Doha Film Institute in various ways throughout their careers and many are alumni of its educational
initiatives, workshops and funding programs. “Kashta” by AJ Al Thani has been supported by the Institute’s grants program and “Amer: The Arabian Legend” by Jassim Al-Rumaihi is supported by the Qatari Film Fund, the newly established funding and development
program for Qatari filmmakers which was announced last year.
Directors and producers attached to each of the 33 projects will attend the sessions in Doha where they will be linked with more than 100 seasoned industry
experts from all facets of the film industry including representatives from leading international film festivals, funding bodies, sales, production and
distribution companies along with development specialists and script consultants.
The program is specifically tailored to each project’s needs and is divided according to their stage of development. Projects in development will
participate in group and individual sessions for script consulting, legal, sales, marketing and co-production advice along with one-on-one match-made
meetings and tutorials.
Projects in post-production are divided into two strands: the Work-in-Progress sessions will present a series of closed rough-cut screenings of 20-minute
excerpts from the four narrative and four documentary Qumra projects in post-production followed by immediate, individual feedback from a panel of selected
industry experts; and the Picture Lock Screenings will present exclusive 20 minute excerpts of four feature-length Qumra projects in the final stages of
post-production for leading festival programmers, broadcasters, market representatives, sales agents and distributors.
The Qumra Projects delegates will also attend daily master classes and screenings presented by five Qumra Masters who represent some of the leading figures
in world cinema today.
The 2016 Qumra Masters are Nuri Bilge Ceylan (Turkey), Naomi Kawase (Japan), Joshua Oppenheimer (US), James Schamus (US), Aleksandr Sokurov (Russia). Each
Master will be matched to a selection of Qumra projects to participate in dedicated mentoring sessions with the emerging filmmakers.
The 2016 Qumra Projects are:
Feature Narrative, Development
by Mohammed Al Ibrahim (Qatar, Bahrain, USA)
An up-and-coming investment banker makes his mark in the Arab region’s most prominent Islamic investment bank, only to find he has been caught in the
middle of the costliest embezzlement scheme in Arab history.
by Mohanad Hayal (Iraq, Qatar)
Tariq, the sniper of Haifa Street in Baghdad, kills Ahmed on the day he intends to propose marriage. While Tariq prevents anyone from approaching the
corpse in the street, an intimate and telling drama unfolds.
“Evil Eye” by Sophia Al-Maria (Qatar, Morocco)
After inheriting the keys to an apartment in The City, country girl Dihya finds out that The Village she comes from has a reputation for witchcraft in this
North African take on the teen witch film.
“The Pearl” by Noor Al-Nasr (Qatar)
A tech-obsessed Qatari teen, disconnected from his family, travels back in time to an era before his beloved technology existed, when the city’s main
source of income was pearl diving. Alone on this journey, he must learn how to survive and communicate face-to-face in order to reconnect with his family.
“The Search for the Star Pearl”
by Hafiz Ali Ali (Qatar)
Ali, a 17-year-old pearl diver from Doha, discovers a map to the Star Pearl of Abu Derya, the most valuable gem on Earth, and sets sail with three teenaged
friends in search of it. Along the way, they face mythological beasts that challenge their skills and friendship.
by Laila Hotait Salas (Lebanon, Qatar)
When a bomb is detonated in Cairo, one family feels it ricochet through the erased memories of three generations.
“Till the Swallows Return”
by Karim Moussaoui (Algeria, France, Qatar)
This is the story of three characters who are a product of the conflicted Algeria of the 2000s. Their ideals shattered and their moral strength drained,
each now faces a difficult life choice.
Feature Documentary, Development
“Agnus Dei” by Karim Sayad (Algeria, Switzerland, Qatar)
On the vacant lot where the confrontation takes place, the tension is at its peak. Foufa and his sheep King are getting ready for the fight…
“Behind the Doors”
by Yakout Elhababi (Morocco, Qatar)
High in the Rif mountains of Morocco, the people survive by growing kif. Beneath the shadow of the ambiguous legality of the crop, ‘Behind the Doors’ tells
the story of a family through its children and their mirroring games.
“The Great Family” by Eliane Raheb (Lebanon, France, Qatar)
In 1976, at the age of four, Marlene was put up for adoption
in Lebanon and raised in France. In delving into her past, she discovers she is a survivor of
the massacre at the Tal Al Zaatar Palestinian refugee camp, and a family of survivors grows around her.
“To the Ends of the Earth”
by Hamida Issa (Qatar)
A Qatari woman travels on an environmental expedition to Antarctica in search of hope, before returning to the Gulf and finding unity and inspiration for
Feature Narrative, Works-in-Progress
“Ali, The Goat and Ibrahim”
by Sherif Elbendary (Egypt, France, Germany, USA, Qatar)
Ali and Ibrahim are two lonely and weird characters who are rejected by their society. Ali loves a goat called Nada, and Ibrahim is a sound engineer who is
disturbed by strange voices that he alone can hear. When their paths cross, this odd pair embarks on a journey that will change their lives.
“Dede” by Mariam Khatchvani (Georgia, Qatar)
As Georgia fights for its independence after the collapse of the Soviet Union, a young woman struggles to make a life in the remote, isolated villages high
in the Caucasus Mountains, where ancient patriarchal laws threaten to separate her from her daughter.
“Poisonous Roses” by Fawzi Saleh (Egypt, Qatar)
The world has left nothing to Taheya apart from her brother Saqr. When he disappears, Taheya pursues him in desperation.
by Deepak Rauniyar (Nepal, The Netherlands, Qatar)
A drama about life in a Nepali mountain village in the wake of the decade-long armed conflict.
Feature Documentary, Works-in-Progress
by Raed Andoni (Palestine, France, Switzerland, Qatar)
Director Raed Andoni assembles an eclectic group of Palestinians to rebuild the Israeli investigation centre in which they were imprisoned – a place they
never actually saw because they were always blindfolded.
“My Uncle the “Terrorist”
by Elias Moubarak (Lebanon, Germany, Qatar)
A film director seeks to uncover a 40-year-old family taboo: the controversial life of his Uncle Fouad, a poet and an engineer of the Munich massacre.
“The Silk Railroad“
by Martin DiCicco (USA, Georgia, Qatar)
Wealth, opportunity, and discord collide along the route of a new railroad bridging Europe and Asia.
by Jewel Maranan (The Philippines, Germany, Qatar)
‘Tondo’ is a film about four people in different stages of life – birth, youth, adulthood and death – who are caught in the path of expansion of Manila’s
busiest international port.
Feature Narrative, Picture Lock
by Uda Benyamina (Morocco, France, Qatar)
Fifteen-year-old Dounia lives with her mother in a rough
Parisian suburb, where she has been saddled with the nickname “bastard”.
by Oliver Laxe (Spain, Morocco, France, Qatar)
In the Atlas Mountains in the past, a caravan searches for the path to take a Sufi master home to die. Among the party is Ahmed, a rascal who eventually
becomes inspired to lead the caravan to its destination. Along the way, Ahmed is assisted by Shakib, a man sent from contemporary Morocco to guide him on
by Ziad Kalthoum (Syria, Lebanon, Germany, Qatar)
While Syrian workers rebuild Lebanon, a country ruined by a lengthy civil war, their hometowns in Syria are destroyed during the brutal conflict there. Who
will rebuild their houses?
“Those From the Shore”
by Tamara Stepanyan (Armenia, Lebanon, France, Qatar)
Marseille, 2014. Dozens of Armenian asylum seekers are trying to survive while waiting for their applications to be considered. They live in an
indeterminate space, wandering in limbo.
Development, Short Narrative
“I Want to Feel What I Feel When I Am Asleep” by Abdullah Al-Mulla (Qatar)
A man wearing a gas mask is on a journey to fulfil a selfless purpose. Among the people of a drugged and mesmerised society, he cleans up a ruined city in
order to cover up the destruction that has taken place.
by AJ Al Thani (Qatar)
A father takes his two sons out on a trip to the desert to go hunting, but the results are not quite what he was expecting.
by Mayar Hamdan (Qatar)
A young man tries everything to escape the cage he is chained in. Only when he realises that the true obstacle to his release is not the chains, but rather
his outlook on his situation, does he finally become free.
“A Ranged Marriage”
by Nora Al Subai (Qatar)
After being stuck in an arranged married for a year, a desperate wife discovers the perfect gift for their anniversary: a romantic dinner that will kill
“The World is Blue” by Amna Al Binali (Qatar)
During her sister’s engagement party, Hend comes to terms with the contradiction between how she wants her life to unfold and the inevitability of how it
has been drawn for her.
Development, Short Documentary
“Amer: The Arabian Legend“
by Jassim Al-Rumaihi (Qatar)
Sent as a gift to the late Emir of Qatar in the 1980s, Amer seemed like an average purebred Arabian. After he was taken to the tracks of Umm Qarn to train
other horses, however, he showed his class, changing the face of Arabian horseracing forever.
by Fahad Al Obaidly (Qatar)
‘Buqsha’ strives to encourage people to go beyond their preconceptions and venture into the past to look to the future Throughout our journey, we
demonstrate the importance of learning from traditional culture while preserving our own, and that the balance between artistic heritage and the
contemporary arts nurtures creativity.
“The Innocent Prisoner”
by Amina Ahmed Al-Boluchi (Qatar)
The story of a man trying to wash away his history of being a prisoner, determining his destiny by becoming a better person, and finding himself a place in
his own society.
“Love in the Middle East“
by Mostafa Sheshtawy (Qatar)
Romantic love is very common, yet it can mean something completely different from one person to the next. Through a young man’s journey, this film looks at
what it means to fall in love in the Middle East.
Picture Lock, Short Narrative
“More Than Two Days”
by Ahmed Abdelnaser (Qatar)
Over the course of two days, two brothers go through critical moments that may change their lives. ‘More Than Two Days’ examines their relationship and how
each of them is trying to face up to the new situation in their lives.