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Robert Altman and Dennis Hopper Classics are Joining the Criterion Collection This May

Robert Altman and Dennis Hopper Classics are Joining the Criterion Collection This May

READ MORE: Whit Stillman and Oscar Snub ‘Phoenix’ Coming to Criterion Collection This April

The Criterion Collection is full of some of the most beloved films in history, and their new additions certainly fit that bill as “The Player” from Robert Altman and “Easy Rider” from Dennis Hopper get ready to join the esteemed catalogue this May.
The two aforementioned titles will be joined by more celebrated films from Wim Wenders, Kaneto Shindo and Nicholas Ray. Take a look at the exciting titles coming to the Criterion Collection this May below, with synopses and additional details and synopses provided from the collection.
“The Road Trilogy”
In the 1970s, Wim Wenders was among the first true international breakthrough artists of the revolutionary New German Cinema, a filmmaker whose fascination with the physical landscapes and emotional contours of the open road proved to be universal. In the middle of that decade, Wenders embarked on a three-film journey that took him from the wide roads of Germany to the endless highways of the United States and back again. Starring Rüdiger Vogler as the director’s alter ego, “Alice in the Cities,” “Wrong Move,” and “Kings of the Road” are dramas of emotional transformation that follow their characters’ searches for themselves, all rendered with uncommon soulfulness and visual poetry. Special features include new 4k digital transfers of all three films, audio commentaries from the actors, and outtakes and Super 8 home movies.
“The Player”
A Hollywood studio executive with a shaky moral compass (Tim Robbins) finds himself caught up in a criminal situation that would fit right into one of his movie projects in this biting industry satire from Robert Altman. Mixing elements of film noir with sly insider comedy, “The Player,” based on a novel by Michael Tolkin, functions as both a nifty stylish murder story and a commentary on its own making, and it is stocked with a heroic supporting cast (Peter Gallagher, Whoopi Goldberg, Greta Scacchi, Dean Stockwell, Fred Ward) and an astonishing lineup of star cameos that make for a remarkable Hollywood who’s who. This complexly woven grand entertainment (which kicks off with one of American cinema’s most audacious and acclaimed opening shots) was the film that marked Altman’s triumphant commercial comeback in the early 1990s. Special features include audio commentary from director Robert Altman, writer Michael Tolkin and cinematographer Jean Lépine.

“The Naked Island”
Director Kaneto Shindo’s documentary-like, dialogue-free portrayal of daily struggle is a work of stunning visual beauty and invention. The international breakthrough for one of Japan’s most innovative filmmakers, “The Naked Island” follows a family whose home is on a tiny, remote island off the coast of Japan. They must row a great distance to another shore, collect water from a well in buckets, and row back to their island—a nearly backbreaking task essential for the survival of these people and their land. Featuring a phenomenal modernist score by Hikaru Hayashi, this is a truly hypnotic experience, with a rhythm unlike that of any other film. Special features include audio commentary featuring Shindo and composer Hikaru Hayashi and a new appreciation of the film by actor Benicio Del Toro.


“In A Lonely Place”

When a gifted but washed-up screenwriter with a hair-trigger temper—Humphrey Bogart, in a revelatory, vulnerable performance—becomes the prime suspect in a brutal Tinseltown murder, the only person who can supply an alibi for him is a seductive neighbor (Gloria Grahame) with her own troubled past. The emotionally charged “In a Lonely Place,” freely adapted from a Dorothy B. Hughes thriller, is a brilliant, turbulent mix of suspenseful noir and devastating melodrama, fueled by powerhouse performances. Special features include audio commentary featuring film scholar Dana Polan and an interview with biographer Vincent Curcio about actor Gloria Grahame.

“Easy Rider”
This is the definitive counterculture blockbuster. The down-and-dirty directorial debut of former clean-cut teen star Dennis Hopper, “Easy Rider” heralded the arrival of a new voice in film, one pitched angrily against the mainstream. After the film’s cross-country journey—with its radical, New Wave–style editing, outsider-rock soundtrack, revelatory performance by a young Jack Nicholson, and explosive ending—the American road trip would never be the same. Special features include audio commentaries featuring actor-director-writer Dennis Hopper, actor-writer Peter Fonda, and production manager Paul Lewis.

READ MORE: The 19 Most Stunning Movie Covers By the Criterion Collection

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