“American Psycho” (2000)
There’s something truly timeless about “American Psycho” and all of its unruly madness. Directed by Mary Harron, the film features a blistering lead performance by the one and only Christian Bale as the maniacal Patrick Bateman. Based on Bret Easton Ellis’ novel of the same name, all seems perfectly well and normal as the young and handsome bachelor lives the American dream as a Wall Street banker. However, when dusk turns to dark, things just go slightly awry as Patrick, um, lets loose and brings his extremely violent fantasies to life. As he becomes a suspect in a murder, his perfectly composed and calculated facade begins to crumble into pieces. Sixteen years later, it’s probably fair game by now to call this film a classic.
“Near Dark” (1987)
“We Need To Talk About Kevin” (2011)
Parenting is never easy, especially when your child turns out to be a sociopathic murderer. In “We Need To Talk About Kevin,” directed by Lynne Ramsay, the story unfolds through a series of flashbacks that reveal more and more about a mother’s strained relationship with her unresponsive son. Before Kevin was born from an unplanned pregnancy, Eva (brilliantly portrayed by Tilda Swinton) selflessly put her ambitions aside in order to provide her child with the best possible future she could offer him. However, things were strange from the moment Kevin actually entered the picture, as the relationship between the two was always seemingly so intense and distant. At 15, Kevin completely unravels and goes on a killing spree at his high school, leaving his mother to deal with the debris of his actions. In arguably his best and most intense performance to date, Ezra Miller shines as the titular teenage sociopath. While the film is a thriller on the surface, it is truly a compelling drama at the core, as the film explores how a mother endures her grief over her own child.
“A Girl Walks Home Alone At Night” (2015)
Equal parts Western and horror, “A Girl Walks Home Alone At Night” may just be one of the most refreshing additions to the genre in recent memory. Written and directed by Ana Lily Amirpour in her debut feature, the film is mesmerizing from start to finish in all of its black and white glory. In the fictional Iranian ghost town of Bad City, danger looms over the streets. Arash (Arash Marandi), a young man who lives with his drug-addicted father, attempts to make a living for himself as a gardener for the wealthy. Soon enough, he comes across a nameless vampire (Sheila Vand) who roams the streets at night to prey for men who disrespect women. Needless to say, the unnamed vigilante is merciless and a total badass. As the pair fall in love, the two of them find an unexpected hint of light in the darkness.
“Goodnight Mommy” (2014)
When a pair of twin boys arrive at their new house in the Austrian countryside, they are welcomed home by their unusually aggressive mother. Mysteriously, her face is completely wrapped in bandages after enduring reconstructive surgery, leaving the boys to wonder who might be underneath all along. She is cold, distant and not like the mother they had known before they came back home. As the two continue to question her identity and conspire in constantly setting her up to reveal who she really is, the film slowly but surely descends into utter madness, leaving its audiences breathless by the time the climax strikes. Although it may be difficult to watch at times, the spellbinding intensity of the film makes it almost impossible to look away from. Co-directed by Veronika Franz and Severin Fiala, “Goodnight Mommy” is an effectively unsettling look at the search for identity and trust. This is a film you won’t forget.
“The Babadook” (2014)