Finding new ways to expand the theater-going experience has been all the rage at this year’s currently running CinemaCon, from continued chats about the utility of something like Screening Room to the ongoing debate about texting in theaters, and a recent interview with newly installed AMC head of entertainment Adam Aron has only stirred things up further.
In a recent interview with Variety, Aron floated the idea that AMC could become much more texting-friendly under his rule.
When asked if AMC would institute special texting sections in their theaters, Aron told the outlet, “That’s one possibility. What may be more likely is we take specific auditoriums and make them more texting friendly.” Of course, this is just one executive at one theater chain, but the possibility of what Aron has suggested (and the probability that other chains would follow suit) has already sent much of the movie world into a tizzy. One responder? Alamo Drafthouse CEO and Founder Tim League, who has built his theater chain on the singular promise to not allow phone usage during screenings.
READ MORE: Art House Convergence Releases Open Letter Opposing Proposed ‘Screening Room’ Platform
League has now responded to Aron’s ideas (and some interesting, if controversial comments in the interview) with an open letter. You can read League’s full statement below:
“First off, I’d like to say that I am very excited for Adam Aron to be taking the helm at AMC. I am a fan of the Starwood Hotel and Resort brand and the customer experience that his former company consistently delivers. Bringing that leadership focus to our industry will undoubtedly yield positive results and drive healthy, innovative competition.
That said, I disagree with his statements on texting in a movie theater. Innovation in this direction could seriously hurt our industry.
My first objection stems from cinema’s relationship with directors and producers, the content creators. Auteurs focus for years to complete their films. We as exhibitors rely completely on these creators for our content and have an unwritten obligation to present their films in the best possible way: on a big screen with big sound and a bright picture in a silent, dark room. You can only be immersed in a story if you are focused on it. If while watching a film you are intermittently checking your email, posting on social media, chatting with friends, etc., there is no way you are fully engaged in the story on screen. I find that to be disrespectful to the creators, those who make the very existence of cinema possible.
My second objection stems from the generalization of millennial behavior.
‘When you tell a 22-year-old to turn off the phone, don’t ruin the movie, they hear please cut off your left arm above the elbow. You can’t tell a 22-year-old to turn off their cellphone. That’s not how they live their life.’ – Adam Aron, quoted in Variety
22-year-olds aren’t alone; heavy cell phone use is far more widespread. Today, 68% of U.S. adults have a smartphone, a staggering increase from 35% just five years ago.
I spend a great deal of my life on my phone, too. I check news, social media and email obsessively. If there is the slightest of lulls in my day, a 20 second pause in an elevator, for example, I impulsively break out my phone and check something. I always carry an external battery because I can’t make it through the day on the standard power. I am not alone. According to some reports, the average American checks their phone over 100 times a day.
This isn’t just a millennial behavior, it is a global attention span epidemic.
Plenty has already been written about glowing screens and unchecked chatter driving people from the cinema experience, so I won’t belabor that point further. And I’m fine with ‘second screen’ experimentation with regards to alternative content, gaming, interactive screenings, etc.
But when it comes to our core business, creating a special environment for our customers to experience new stories for the first time, there is absolutely no place for the distraction of a lit phone screen.
At the Alamo Drafthouse we are actively engaged in trying to make sure cinema remains a compelling destination for young people, and I agree this should be a focus for the whole industry. I just don’t believe that this line of experimentation is the right tactic. A firm policy against talking and texting in the cinema is about respect: for the filmmakers and fellow cinephiles of all ages.
Outside of this issue, however, I look forward to being challenged and inspired by what innovations and enhancements Adam Aron brings to the cinema experience.”
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