Arthouse Audit: Openers Struggle as ‘Love & Friendship’ and ‘The Lobster’ Flourish
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Woody Allen, Mel Gibson, and More Maligned Auteurs: Should We Forgive Them?
Paul Verhoeven’s ‘Elle’ and Tom Ford’s ‘Nocturnal Animals’ Get Oscar-Friendly Release Dates
The 12 Hottest Box Office Prospects Coming Out of Cannes
How Miranda Otto Dug Into the Juiciest Women’s Role on Television
How George Miller’s Competition Jury Picked the Cannes Winners —and Losers
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