FILM REVIEWS
Cannes Review: Mel Gibson is Officially a B-Movie Star With ‘Blood Father’
Cannes Review: ‘Fiore’ Is an Arresting Coming-of-Age Story Set in Juvenile Detention
Cannes Review: Paul Verhoeven’s ‘Elle’ is a Lighthearted Rape-Revenge Story
Cannes Review: Laura Poitras’ Julian Assange Doc ‘Risk’ is a Prequel to ‘Citizenfour’
Cannes Review: Sean Penn’s ‘The Last Face’ is His Worst Movie
Cannes Review: ‘The Neon Demon’ is a Twisted Ride of Sex, Blood, and Necrophilia
Cannes Review: ‘Wrong Elements’ Is ‘The Act of Killing’ for the Ugandan Civil War
Cannes Review: Studio Ghibli-Produced ‘The Red Turtle’ is a Quiet Little Masterpiece
Cannes Review: ‘Julieta’ is Pedro Almodovar’s Most Conventional Movie
Cannes Review: Vincent Cassel Steals the Show in Xavier Dolan’s ‘It’s Only the End of the World’
Cannes Review: Sonia Braga Gives a Brilliant Performance in ‘Aquarius’
Cannes Review: ‘The Unknown Girl’ is Dardenne Brothers Doing a Detective Movie
Cannes Review: ‘Dogs’ Is a Hollow Romanian Riff on ‘No Country for Old Men’
Cannes Review: Bill Paxton is Terrifying in Terrence Malick-Inspired ‘Mean Dreams’
Cannes Review: Kristen Stewart and Olivier Assayas Deserve Better Than Boos for ‘Personal Shopper’
Cannes Review: Adam Driver Stars in Jim Jarmusch’s ‘Paterson,’ His Most Intimate Film
Cannes Review: ‘The Handmaiden’ is a Sexy and Depraved Lesbian Revenge Story from Park Chan-wook
Review: Ryan Gosling and Russell Crowe Are Funnier Than Ever in ‘The Nice Guys’
Cannes Review: ‘One Week and a Day’ Is a Moving Israeli Dramedy About Grief and Getting High
Cannes Review: ‘Tour de France’ Is A Half-Hearted ‘Gran Torino’ Remake Starring Gérard Depardieu As Clint Eastwood
Cannes Review: ‘Bright Lights: Starring Carrie Fisher and Debbie Reynolds’ Is a Touching Mother-Daughter Documentary
Cannes Review: ‘The BFG’ is Spielberg By the Numbers
Cannes Review: ‘Toni Erdmann’ Has the Funniest Nude Scene of All Time — But It’s Not a Comedy
Cannes Review: Gael Garcia Bernal is a Lost Soul in Pablo Larrain’s Absorbing ‘Neruda’
Cannes Review: Why ‘I, Daniel Blake’ is Ken Loach’s Best Movie in Years
Cannes Review: Kristen Stewart and Jesse Eisenberg Freshen Up a Familiar Woody Allen Formula in ‘Cafe Society’
Cannes Review: This Three-Hour Romanian Drama is a Tough Sit, But That’s Not Always a Bad Thing
Review: Jodie Foster’s ‘Money Monster’ Wants to Be ‘Network’ for the Occupy Wall Street Age
Cannes Review: Bruno Dumont’s ‘Slack Bay’ is a Middle Finger to French Society
INTERVIEWS
Meet the Woman Director Who’s Taking Cannes 2016 By the Storm (Springboard)
Xavier Dolan Is Going To Focus On Acting, Even If It Slows Down His Directing Efforts
Cannes 2016: City-Dwelling Vampires Meet Neo-Realism in ‘The Transfiguration’
Cannes 2016: What Cameras Were Used to Shoot This Year’s Films
Cannes 2016: Terry Gilliam on ‘Continual Failure’ and ‘The Man Who Killed Don Quixote’
Nicolas Cage and Paul Schrader’s ‘Dog Eat Dog’ Is ‘Our Redemption’ After Being Screwed By Producers
‘The Neon Demon’: Nicolas Winding Refn Reveals Why His Vampire Model Movie Is Autobiographical
Jim Jarmusch DP Frederick Elmes on Capturing the Soulful Essence of ‘Paterson’
Viggo Mortensen Doesn’t Need to Make Big Movies Anymore
Cannes 2016 Video: With ‘Money Monster,’ Director Jodie Foster Takes Control
Shane Black Q&A: How Ryan Gosling Helped ‘The Nice Guys’ Get Made After 13 Years
Why 87-Year-Old Alejandro Jodorowsky is at the Peak of His Career
Cannes 2016: Meet Jason Ishikawa, The New Head of Cinetic’s International Sales Division
Cannes 2016: Meet Camille Bertrand, Manager Of Acquisitions At Bleecker Street
Cannes 2016: Meet Ben Braun, Director of Sales and Distribution at Submarine
Cannes 2016: Meet Ania Trzebiatowska, Manager of Acquisitions At Visit Films
Cannes 2016: Meet Dan Schoenbrun, Documentary Film Outreach Lead At Kickstarter
Cannes 2016: Meet Mikey Schwartz-Wright, Agent At UTA
Why Cannes Programmers Are Stubborn About The Future Of Cinema — And Potentially Right
FEATURES
How the Cannes Film Festival Made Movies Exciting Again — Critic’s Notebook
Cannes 2016 Palme d’Or Candidates: Here’s a Look at the Likely Winners
Live at Cannes 2016: The Best and Worst of This Year’s Festival (Podcast)
Here’s Where You Can Watch Every Palme d’Or Winner
Cannes: Why STX Spent $50 Million on a Scorsese Movie That Doesn’t Exist
Cannes: Why These New Rules Could Put European Independent Film in Crisis
Why ‘Loving’ is Leading the Oscar Buzz at Cannes
DreamWorks Animation’s ‘Trolls’ May Be Jeffrey Katzenberg’s Last Cannes
The 20 Best Palme d’Or Winners at the Cannes Film Festival
The Woody Allen Rape Joke Wasn’t the Only Event on the First Day of Cannes — Critic’s Notebook
Cannes 2016: French Producers Plot World Domination
Cannes 2016: How The Festival Uses Bad Math to Justify The Lack of Female Filmmakers (Girl Talk)
Cannes 2016: Here’s 11 Movies By Female Filmmakers That Should Have Been at the Festival
How the Cannes Film Festival is Making Us Think About the Film Industry (Podcast)
NEWS
‘I, Daniel Blake’ Reviews: Ken Loach’s Surprise Palme d’Or Winner Receives Mixed Reactions from Cannes
‘Elle’ Review Roundup: Paul Verhoeven’s Controversial Return Draws Universal Acclaim For Isabelle Huppert
‘The Last Face’: Sean Penn’s Passion Project Ripped To Shreds On Twitter After Cannes Debut
Cannes: Paul Schrader’s ‘Dog Eat Dog’ Deserves a Buyer
Nicolas Winding Refn Says Lars Von Trier Tried To Sleep With His Wife — Cannes 2016
‘The Neon Demon’ First Reviews: Five-Star Raves and Qualified Praise from Cannes
‘The Neon Demon’ First Reactions: Walkouts, Yelling at the Screen and a Five-Star Review in Cannes
Cannes: Sony Pictures Classics Jumps On Oscar Candidates at the Festival
‘It’s Only the End of the World’ Reviews: Xavier Dolan’s Latest Is a ‘Total Misfire’
Cannes: ‘Aquarius’ Director Kleber Mendonça Filho Protests Brazilian ‘Coup’ Before World Premiere
Cannes Critics’ Week: Enter to Win Online Festival Pass to Screen Short Films
Jim Jarmusch: Why I’ve Never Seen A ‘Star Wars’ Film
Cannes 2016: Mary Pickford Biopic ‘The First’ Looking To Cast Hollywood Royalty – Exclusive
Susan Sarandon Slams Woody Allen at Cannes: ‘He Sexually Assaulted a Child’
Sean Penn Bashes the ‘Ubiquitous Fraud’ He Encountered in Hollywood Trying to Make ‘The Last Face’
Blake Lively Says Woody Allen Is ‘Empowering To Women’ In New Interview
Natalie Portman’s Kennedy Biopic ‘Jackie’ Swarmed By Cannes Buyers – Exclusive
David Cronenberg: Why He’s Considering Retiring From Filmmaking
Blake Lively Offended By Woody Allen Rape Joke At Cannes, Criticizes Festival For Raunchy Humor
French Comic Laurent Lafitte Says His Woody Allen Rape Joke at Cannes Was Misinterpreted
Cannes: Paris Hilton Documentary to be Produced by XYZ Films and 9.14 Pictures
Cannes 2016: Jury Reacts to Woody Allen Attack on Competition
Cannes 2016 Market Roundup: Marion Cotillard, Idris Elba and More Set New Projects
Steve Coogan and Rob Brydon’s ‘The Trip To Spain’ To Be Sold At Cannes
Cannes: French Comedian Makes Woody Allen Rape Joke During Opening Ceremony
PANELS & PRESS CONFERENCES
Sean Penn Deflects Criticism of ‘The Last Face,’ Says He Stands Behind the Film
Cannes: ‘Elle’ Director Paul Verhoeven and Isabelle Huppert Defend Controversial Rape Thriller
Nicolas Winding Refn on Elle Fanning and His ‘Perverse Dream of Being a 16-Year-Old Girl’
Cannes: With ‘Risk,’ Laura Poitras Ignites Demand For Julian Assange’s Release
Cannes: Xavier Dolan Calls ‘It’s Only the End of the World’ His Best Film
Terry Gilliam on ‘The Man Who Killed Don Quixote’: The Movie’s Curse Is Bullsh*t
Cannes: Jim Jarmusch on Adam Driver, ‘Paterson,’ and the Movies He Refuses to Watch
Kristen Stewart and Olivier Assayas on ‘Personal Shopper,’ Getting Booed and Believing in Ghosts
Cannes: Joel Edgerton and Jeff Nichols on How ‘Loving’ Addresses ‘Under the Surface Racism’
Cannes: Ryan Gosling Says Russell Crowe Phoned It In on ‘The Nice Guys’
Cannes: Andrea Arnold on the ‘Difficult Times’ Making ‘American Honey’ on the Road in the U.S.
Cannes: Shia LaBeouf on Dancing to Rihanna and Being Part of ‘The Underclass’ in ‘American Honey’
Cannes: Steven Spielberg on Changing the World With Movies and Why ‘The BFG’ Was a Dream Come True
‘Café Society’: 8 Things Woody Allen and Kristen Stewart Revealed About the Film at Cannes
Cannes Opener ‘Cafe Society’: Vittorio Storaro Emerges the Star of Woody Allen’s Hollywood Valentine
Jodie Foster Thinks Male Directors Have A Problem, And 5 Other Takeaways From Her Cannes Talk
Cannes: George Clooney on Why Trump Won’t Be President and the Problem with the Media Today
Woody Allen Reacts To Cannes Rape Joke & Likens Ronan Farrow’s Abuse Essay To A Bad Review
Cannes: ‘Slack Bay’ Director Bruno Dumont Says European Films Are ‘Very Bad’
EVENTS
Cannes Film Festival Opening Night: Watch The Live Stream of the Red Carpet
Justin Timberlake and Anna Kendrick Sing Cyndi Lauper’s ‘True Colors’ at Cannes Film Festival
Steven Spielberg’s ‘The BFG’ at Cannes: Our Report From the Big Premiere
LINEUP & PRE-FEST ANNOUNCEMENTS
Cannes: Woody Allen’s’ ‘Café Society,’ Starring Kristen Stewart and Jesse Eisenberg, to Open Festival
2016 Cannes Film Festival Announces Lineup, Including New Films From Steven Spielberg, Jodie Foster and Many More
2016 Cannes Film Festival Unveils Directors’ Fortnight Picks, Including New Films From Paul Schrader and Laura Poitras
2016 Cannes Film Festival Announces Critics’ Week Lineup, Including New Films From Chloe Sevigny and Justine Triet
Cannes Jury Revealed: Kirsten Dunst, Donald Sutherland and More Head to the Croisette
PRE-FEST ANALYSIS
Kristen Stewart Will Hit It Big, Jim Jarmusch Will Triumph & Five More 2016 Cannes Film Festival Predictions
Cannes 2016: How The Festival Can Love Amazon – But Not Believe In Catering To TV Or Trends
Cannes: 11 Potential Breakthrough Actors and Filmmakers to Check Out at This Year’s Festival
2016 Cannes Film Festival: What You Need To Know About These 6 Buzzy New Titles
2016 Cannes Film Festival: What You Need To Know About These 6 Directors’ Fortnight Titles
2016 Cannes Film Festival: What You Need To Know About These 6 Un Certain Regard Titles
2016 Cannes Film Festival: What You Need To Know About These Other 10 Competition Titles
2016 Cannes Film Festival: What You Need To Know About These 10 Competition Titles
It’s an Amazon World at Cannes, With Five Selection Titles
This Year’s Cannes Directors Skew Overwhelmingly White and Male
The Missing Link Between ‘Captain America’ and the Cannes Film Festival (Podcast)
5 Ways the Cannes Market Will Impact Indie Film
9 Shockers From the 2016 Cannes Film Festival Lineup: Snubs & Surprises
Why Would a Distributor Buy a Movie Without Seeing It?
TRAILERS, CLIPS & POSTERS
‘Toni Erdmann’ Exclusive Trailer: A Father Pulls A Series of Pranks To Reconnect With His Adult Daughter
‘A Yellow Bird’ Exclusive Trailer: A Singaporean-Indian Ex-Con Struggles To Locate His Family Upon Returning Home
Watch: ‘The Student’ Struggles With Faith And Desire In First Footage From Cannes Debut
Pedro Almodovar’s ‘Julieta’: Watch Two New Clips From The Cannes-Bound Feminist Feature
First Look: Chris Pine and Jeff Bridges Face Off in New Images From Cannes Contender ‘Hell or High Water’
‘One Week And A Day’ Poster: Israel’s Official Cannes Entry Gets Graphic
‘Tank 432’ Trailer & Poster: The Ben Wheatley-Produced War-Horror Hybrid Brings New Terrors To Combat
Watch: Brillante Mendoza Returns to Form With First Heart-Pounding Trailer for Cannes Pick ‘Ma’ Rosa’
‘Café Society’ Trailer: First Look at Kristen Stewart and Jesse Eisenberg in Woody Allen’s Hollywood Comedy
Woody Allen’s ‘Cafe Society’ Gets A Fresh Look With 9 New Images
Get Ready To Rock With An Exclusive Poster From Jim Jarmusch’s Cannes Doc ‘Gimme Danger’
‘Neruda’ Trailer: Watch Gael Garcia Bernal Search For Poet Pablo Neruda In New Cannes Drama
‘Hell or High Water’ Trailer: Chris Pine and Jeff Bridges Are Rebels Without A Cause in Action Drama
‘Pericle’ Exclusive Clip: A First Look at Mob Enforcer Crime Drama Ahead of Its Cannes Premiere
Xavier Dolan’s ‘It’s Only the End of the World’: New Stills From The Heartbreaking Family Drama
‘Mimosas’ Exclusive Poster & Trailer: First Look at Oliver Laxe’s Tale of Two Worlds
Paul Schrader’s ‘Dog Eat Dog’ Clips & Photos: Nicolas Cage Stars in Dour Crime Thriller
‘American Honey’: Watch First Clip From Andrea Arnold’s Gritty & Surreal Cannes Darling
‘Loving’ Poster: Jeff Nichols’ Interracial Romance Showcases Joel Edgerton & Ruth Negga’s Devotion
‘Fiore’ Exclusive Clip: Petty Theft Leads To A Juvenile Detention Love Story
‘Personal Shopper’ Trailer: Kristen Stewart Is Haunted In Booed Cannes Film
‘The Unknown Girl’ First Clips: Adèle Haenel Grapples with Guilt in Dardenne Brothers’ Cannes Drama
‘The Neon Demon’ Poster Shows The Vicious Side of Beauty
‘The Neon Demon’ New Clips: Elle Fanning Shows Her Walk in Nicolas Winding Refn’s Cannes Thriller
ACQUISITIONS
Film Acquisition Rundown, Week of April 11: Lionsgate to Release ‘Cafe Society,’ Sundance Selects Buys Before Cannes
Cannes 2016 Film Acquisition Roundup: Every Deal Coming Out Of The Film Festival
Cannes Buy: The Orchard Acquires ‘Neruda,’ Starring Gael García Bernal and Luis Gnecco
Martin Scorsese & Robert De Niro’s Mob Drama ‘The Irishman’ Sells for $50 Million at Cannes — Report
Quentin Tarantino Documentary ’21 Years’ Will Go Behind the Scenes, Gets the Weinstein Treatment
AWARDS
Cannes 2016: Complete List of This Year’s Winners
Un Certain Regard Winners: ‘The Red Turtle’ & ‘The Happiest Day’ Honored At Cannes
The 2016 Palm Dog Posthumously Awarded to Nellie, The Dog From Jim Jarmusch’s ‘Paterson’
Cannes 2016: Watch the Palme d’Or Awards Ceremony Live
Cannes Awards Wrap: How George Miller’s Jury Picked the Winners — And Losers
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