Back to IndieWire

Berlin International Film Festival Panorama Section Announced: ‘Reclaiming Black History’ and ‘Europa Europa’ In Focus

Some of the films include Raoul Peck's "I Am Not Your Negro" and the James Schamus-produced "Casting JonBenet."

"I Am Not Your Negro" (2016)

In putting together “I Am Not Your Negro,” director Raoul Peck mined writer and social critic James Baldwin’s published and unpublished work, selecting passages from books, essays, letters, notes, and interviews that are every bit as incisive and pertinent today, as they have ever been. Weaving these texts together, Peck brilliantly imagines the book that Baldwin never wrote. In his final years, Baldwin had envisioned a book that was to be a revolutionary, personal account to be titled “Remember This House,” of his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King Jr. Peck’s film juxtaposes Baldwin’s previously unpublished private words with his public statements, in a radical, up-to-the-minute examination of the tragic history of race in America. It pulls still and moving images from a variety of sources to weave an immersive audiovisual tapestry. It’s a kaleidoscope, featuring a frantic and poetic medley, all in Baldwin’s very own style. The images punctuate the words and the music and vice versa. Collectively, the film redefines their meaning and impact. While not a primer for those unfamiliar with Baldwin, “Negro” a tribute to a project that Baldwin himself didn’t live to see completed. Samuel L. Jackson narrates the documentary.

Magnolia Pictures

The Berlin International Film Festival has revealed the first 11 titles in its Panorama section, including Raoul Peck’s “I Am Not Your Negro,” the James Schamus-produced “Casting JonBenet” and Daniela Thomas’ “Vazante.” John Trengrove’s “The Wound” will open the section.

READ MORE: 5 Exciting Films in the 2017 Berlin Film Festival Competition Lineup

The festival says two prominent themes have emerged among the films. The first involves “Reclaiming Black History” or “a fresh historically reflective approach to the history of black people in North America, South America and Africa”; and the second is “Europa Europa,” or “how progressive forces might best defend themselves in light of a zeitgeist that makes it seem as if yesterday never went away.”

The Panorama titles are listed below with synopses and divided by theme. The festival will run from February 9 through 17.

In Focus: Reclaiming Black History

“Vazante” (Daniela Thomas, Brazil/Portugal); with Adriano Carvalho, Luana Nastas, Juliana Carneiro da Cunha, Sandra Corveloni, Roberto Audio
World premiere
Daniela Thomas, co-director of many joint productions with Walter Salles, presents her solo directorial debut. Brazil was the last country to officially abolish slavery in its historical form, in 1888. This film’s story (co-authored by Beto Amaral) is set in 1821, one year before the South American nation gained its independence from Portugal. The wealth that is extracted from the country comes in the form of gemstones from the mines of Minas Gerais. The precious jewels are excavated from the belly of the mountain by slaves; still absent today is any significant memorial to the suffering they endured. Although this era represents the foundation upon which today’s Brazil was built, its culture has yet to recover from the monstrosity of these events.

“I Am Not Your Negro” (Raoul Peck, France/USA/Belgium/Switzerland); narrated by Samuel L. Jackson
European premiere
Raoul Peck is also an esteemed guest at the Berlinale. With “I Am Not Your Negro,” he has embarked on a long overdue reflection on the life of the great African-American writer James Baldwin and his political struggle against racism, whose roots go back to slavery. The black point of view, a black historiography are not yet anchored in mainstream consciousness. History is always written by the victors, and black people were never among them, neither Africans nor African-Americans. In James Baldwin, a powerfully eloquent intellectual took to the stage and set marks that are as invigoratingly crucial to reckon with today as they were 50 years ago. With “I Am Not Your Negro” and “The Young Karl Marx” in Berlinale Special, Raoul Peck is represented twice in this year’s festival program.

“The Wound” (John Trengove, South Africa/Germany/Netherlands/France);with Nakhane Touré, Bongile Mantsai, Niza Jay Ncoyini
European premiere
The opening film for this year’s Panorama main program comes from South Africa. The fabrication of masculinity has long been a consistent theme in Panorama. Here we are permitted to witness the initiation rites of an African tribe inhabiting the territory of the South African Republic. Tradition and modernity collide when an urbanized businessman from Johannesburg resolves to expose his 17-year-old son to the circumcision ceremony of his old tribe. Producer Elias Ribeiro previously delighted festival audiences in Panorama 2015 with “Necktie Youth.”

READ MORE: Berlin Film Festival’s First Competition Section Films Revealed: Aki Kaurismaki, Oren Moverman and More

Europa Europa

“Politics, Instructions Manual” (Fernando León de Aranoa/Spain)
European premiere
Feature film director Fernando León de Aranoa, a repeat guest at Panorama, enables us to take an in-depth look at the situation on the ground in Spain. The media noise concerning Syria, Trump and other earth-shaking events clouds the recognition of the foundation of our future: European politics. We think back to those heady days in West Germany as the Green Party was founded: Podemos was born of similar circumstances and can no longer be contained on the fringe, even as the dark forces of old regroup for an attack thanks to an unprocessed fascist past. A situation of repressed history, one which ticks away like a time bomb in many countries around the globe. This frightening zeitgeist requires the brave intervention of those who don’t want to be forced back behind the goal lines of recent history.

“Fighting Through the Night” (Sylvain L’Espérance, Canada)
International premiere
This nearly five-hour-long documentary essay takes us directly to the heart of Europe’s misery: to Athens. In the Greek parliament building, innumerable articles are adopted to an audience of empty seats. The harbor landscape rolls past us, with its endless rows of administrative buildings, which will soon fall into the hands of financiers from other continents. Then we find ourselves right in the middle of an occupation of the tax office by its cleaning personnel – a long-term observation that plays out over the course of 28 days and provides space for empathetic encounters with marginalized individuals caught up in the crisis. The vacuum left behind by technocratic policies is filled by new fascists, who feign gestures of care for the forgotten – a scenario repeated in all of the nations of Europe and beyond its borders.

“Casting JonBenet” (Kitty Green/USA)
International premiere
Produced by James Schamus and Scott Macaulay, this film is a highly intelligent attempt to revisit the facts surrounding the unsolved violent death of six-year-old “beauty queen” JonBenet Ramsey. What was conceived as a celebration of the American dream family became a nightmare 20 years ago for the ever so omnipotent petty bourgeoisie.

“Honeygiver Among the Dogs” (Dechen Roder, Bhutan); with Jamyang Jamtsho Wangchuk, Sonam Tashi Choden
European premiere
This debut feature from director Dechen Roder, who already presented a short film at the Berlinale in 2015, is a veritable Buddhist film noir. Atmospherically dense cinema, dynamically charged between tension and serenity, faith and morality.

“Centaur” (Aktan Arym Kubat, Kyrgyzstan/France/Germany/Netherlands); with Nuraly Tursunkojoev, Zarema Asanalieva, Aktan Arym Kubat
World premiere
With a voice that speaks as if from another century and with the popular appeal of a fairy tale, this film tells the saga of the metaphysical bond between horse and humankind and how the former ended up becoming wings for the latter.

“Pendular” (Julia Murat, Brazil/Argentina/France); with Raquel Karro, Rodrigo Bolzan
World premiere
Young director Julia Murat is a real discovery. Here she examines the relationship between a dance artist and a sculptor using the means of their particular art forms. A philosophical, original gender treatment of young bohemians poised on the verge of middle age.

“Small Talk” (Hui-chen Huang, Taiwan)
International premiere
A family story of a very special kind, produced by Hou Hsiao-hsien. The mother earns a living as a spirit guide for the deceased at their funerals: she was never at home, always out and about with her girlfriends instead. The daughter now goes to great lengths to attempt to understand her mother. A cosmos opens before us, one which manages to be of universal cultural significance and extremely intimate at the same time.

“Untitled” (Michael Glawogger, Monika Willi; Austria/Germany)
World premiere
“This film is intended to show an image of the world that can only be created when one does not pursue any subject, or make any value judgement or follow any objective. When one lets one’s self be carried along by nothing more than one’s own curiosity and intuition.” – Director Michael Glawogger passed away in 2014 during shooting for a movie. His editor Monika Willi has realised a fascinating film with material that was shot during a journey of four months and 19 days through the Balkan states, Italy, and Northwest and Western Africa – a journey undertaken in order to observe, to listen and to experience, with attentive eyes, bold and raw.

Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

This Article is related to: Film and tagged ,

Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox