Rania Richardson
Film-Forward, Community Media, etc.
Additional Comments:
The restored version of Ousmane Sembene’s “Black Girl” was a stunning poem of a film.
When I grow up, I want to be Isabelle Huppert, or maybe just own her wardrobe.
FULL RESULTS: 2016 IndieWire Critics Poll
1. The Lobster
2. Chevalier
3. Neruda
4. Paterson
5. Aquarius
6. Julieta
7. Toni Erdmann
8. A Bigger Splash
9. Arrival
10. Little Men
1. Yorgos Lanthimos, The Lobster
2. Athina Rachel Tsangari, Chevalier
3. Pablo Larrain, Neruda
4. Kleber Mendonça Filho, Aquarius
5. Pedro Almodóvar, Julieta
1. Sonia Braga, Aquarius
2. Isabelle Huppert, Elle
3. Rachel Weisz, The Lobster
4. Amy Adams, Arrival
5. Hayley Squires, I, Daniel Blake
1. Colin Farell, The Lobster
2. Adam Driver, Paterson
3. Dev Patel, Lion
4. David Oyelowo, Queen of Katwe
5. Tom Hanks, Sully
1. Lily Gladstone, Certain Women
2. Paulina Garcia, Little Men
3. Laura Dern, Certain Women
4. Greta Gerwig, 20th Century Women
5. Naomie Harris, Moonlight
1. Sunny Pawar, Lion
2. Ben Whishaw, The Lobster
3. Lucas Hedges, Manchester by the Sea
4. Mahershala Ali, Moonlight
5. Michael Barbieri, Little Men
1. 13th
2. Sky Ladder: The Art of Cai Guo-Qiang
3. The Lovers and the Despot
4. Gimme Danger
5. Lo and Behold: Reveries of the Connected World
6. Into the Inferno
7. Before the Flood
8. Eat That Question
9. The Witness
10. Weiner
1. The Mother
2. Karl Marx City
3. Dean
1. The Lobster
2. Neruda
3. Paterson
4. Certain Women
5. Chevalier
Best Original Score/Soundtrack
1. Paterson
2. Aquarius
3. Louder than Bombs
4. The Light Between Oceans
5. American Pastoral
1. The Lobster
2. Certain Women
3. Julieta
4. A Bigger Splash
5. Chevalier
1. 13th
2. The Lobster
3. Neruda
4. Paterson
5. Gimme Danger
1. Marguerite
2. Graduation
3. My King
FULL RESULTS: 2016 IndieWire Critics Poll
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