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Indie Film Invades the Emmys: Jean Marc-Vallée, Reed Morano and More Cinematic Voices Dominate

From Oscar-winning cinematographers to rising indie directors, here's how the film world made its mark on the Emmys this year.

The Handmaid's Tale  -- "Late" Episode 103 --  Offred visits JanineÕs baby with Serena Joy and remembers the early days of the revolution before Gilead. Ofglen faces a difficult challenge. Behind the scenes with Offred (Elisabeth Moss) and Reed Morano, shown. (Photo by: George Kraychyk/Hulu)

Photo by: George Kraychyk/Hulu


They say television where filmmakers now want to be, and that’s certainly true when you look at how many actors, directors, writers, cinematographers and more from the film world are counted among this year’s Emmy nominees. A majority of the biggest contenders, from “The Handmaid’s Tale” to “The Night Of,” “Big Little Lies” and “The Crown,” brought some of the best film talent to the small screen over the last year, and their work resulted in major recognition from the TV Academy.

READ MORE: 2017 Emmy Nominations List: ‘Stranger Things,’ ‘Westworld’ Nominated for Best Drama Series

All of these nominations for film stars and behind-the-scenes talent shouldn’t come as a surprise in the era of Peak TV, but they confirm that the small screen is offering certain opportunities that Hollywood just isn’t these days. Between stronger female roles and a directorial freedom studios don’t allow, TV is luring the best and brightest cinematic voices. And the fact that these voices are actually being recognized for their work will only bring more of the film industry’s best talents to television.

Click here for a full list of nominees for the 69th Primetime Emmy Awards, and read below for indie film’s biggest impact on this year’s categories.

“Big Little Lies” is the Big Indie Film Winner

“Big Little Lies” was widely expected to dominate the Limited Series category, but it actually ended up in second place behind Ryan Murphy’s 18-time nominee “Feud: Bette and Joan.” Regardless, the HBO miniseries was the big winner for indie film’s invasion of the Emmys with 16 noms total.

The driving stylistic voice behind the series was Québécois filmmaker Jean-Marc Vallée, who deservedly earned a a Best Director nomination. Unlike fellow nominated directors for “The Handmaid’s Tale” and “The Crown,” Vallée was behind the camera for all seven episodes of “Big Little Lies,” setting and expanding the tone with his trademark directorial touches. He was helped by his longtime DP Yves Bélanger, who earned a Best Cinematography nomination for shooting the finale, “You Get What You Need.”

Both Vallée and Bélanger came to “Big Little Lies” directly from working together on indies like Oscar winner “Dallas Buyers Club” and nominee “Wild.” These films proved the duo had a gift for getting the very best work out of their actors, as Matthew McConaughey and Jared Leto won Oscars for “Dallas,” while Reese Witherspoon and Laura Dern earned nominations for “Wild.” The memory-laden, montage-heavy film style they perfected in “Wild” stayed consistent for “Big Little Lies,” and it’s what made the show so impactful. Without these film talents, “Big Little Lies” might not have ended up with its Best Limited Series nomination.

Five of the series’ cast members were also nominated, and they represent a mix of indie darlings and Hollywood stars: Nicole Kidman and Reese Witherspoon for Lead Actress, Shailene Woodley and Laura Dern for Supporting Actress, and Alexander Skarsgård for Supporting Actor.

The Handmaid's Tale -- "Night" -- Episode 110 -- Serena Joy confronts Offred and the Commander. Offred struggles with a complicated, life-changing revelation. The Handmaids face a brutal decision. Offred (Elisabeth Moss), shown. (Photo by: George Kraychyk/Hulu)

“The Handmaid’s Tale”


“The Handmaid’s Tale” Spotlights A Rising Indie Powerhouse

Hulu’s breakout drama series “The Handmaid’s Tale” found a ton of Emmys love for its debut season, including Best Drama Series and Best Actress for Elisabeth Moss. But it also deservedly broke into the Best Director race thanks to Reed Morano, who directed the first three episodes and was recognized for her work on the acclaimed pilot. Morano also earned an Emmy nomination for her work as cinematographer on the pilot of HBO’s “Divorce.”

Morano has become one of the indie community’s rising female voices. Her work as cinematographer on films such as “Frozen River,” “Kill Your Darlings” and “The Skeleton Twins” has earned rave reviews, and she made her directorial debut with “Meadowland” in 2015. She’s no stranger to television, having been the DP on Martin Scorsese’s short-lived “Vinyl,” but “The Handmaid’s Tale” marked her directorial TV debut. Morano will follow her two Emmy nominations this year with her next indie feature, “I Think We’re Alone Now,” which recently wrapped production and could show up at Sundance in early 2018.

READ MORE: Emmys 2017 Snubs and Surprises: ‘Transparent,’ ‘The Leftovers,’ and Pamela Adlon(!)

Film Talent Finds Lots of Love Behind the Camera

In addition to Morano, the Best Director for a Drama Series race also includes Stephen Daldry. The English filmmaker was behind the camera for the first two episodes of Netflix’s “The Crown,” which marked his arrival to television after directing Oscar-winning dramas “The Hours” and “The Reader.”

A contender in the director race for limited series is James Marsh, who directed an episode of HBO’s “The Night Of.” He won the Oscar for Best Documentary with “Man on Wire” before transitioning to features with “The Theory of Everything,” which won Eddie Redmayne his Best Actor Oscar. Marsh is one of two director nominees from the murder mystery, the other being series co-creator Steve Zaillian. Zaillian won an Oscar for writing “Schindler’s List,” and he’s been behind the screenplays for “Gangs of New York,” “Moneyball” and “The Girl With the Dragon Tattoo.” They’re both up against film veteran Ron Howard, who came to television as a director for the first time with the “Genius” pilot.

In the Best Cinematography for a Limited Series race, Yves Bélanger will be going up against Seamus McGarvey, who brought his cinematic experience to the “Black Mirror” episode “Nosedive.” McGarvey earned Oscar nominations for his work on “Atonement” and “Anna Karenina,” and he’s got the upcoming Hugh Jackman musical “The Greatest Showman” in theaters this Christmas. Cinematographer John Toll earned “Sense 8” an Emmy nomination for cinematography as well. Toll won back-to-back Oscars for shooting “Legend of the Fall” and “Braveheart,” and his television work includes the pilot for “Breaking Bad.”

Last but certainly not least is Jonathan Nolan, nominated for directing “Westworld.” He he co-created the drama with Lisa Joy, and it walked away as the big drama winner of the Emmys with 22 nominations, more than any other drama series. Nolan got his start in the industry when his brother, Christopher Nolan, adapted his short story into the breakout indie “Memento.” He went on to co-write “The Prestige,” “The Dark Knight,” “The Dark Knight Rises” and “Interstellar.”

Angela Davis in “13TH


Documentary Oscar Contenders Are Now Emmy Contenders

Ava DuVernay and Ezra Edelman spent most of Oscar season battling it out for Best Documentary thanks to their respective efforts “13TH” and “O.J.: Made In America.” Edelman ended up taking the Oscar for his sprawling look at the O.J. Simpson murder trial, but they’re about to go head to head once again at the Emmys.

Both DuVernay and Edelman are nominated for Outstanding Directing for a Nonfiction Program. Because “13TH” aired on Netflix and “O.J.” on ESPN, the networks were able to submit these programs for the Emmys, even though they were at the Oscars earlier this year. DuVernay may have the edge, as “13TH” is also nominated for Outstanding Nonfiction Program.

A Toast to the Indie Filmmakers Who Got Snubbed

“The Young Pope” was HBO’s first big limited series of the year, but it failed to register in any of the major Limited Series categories. While a nomination for Jude Law was never a guarantee, it’s upsetting not to see his career-best work recognized. Oscar nominee Paolo Sorrentino also failed to earn any writing or directing nominations.

The other big indie omission was Netflix’s critically acclaimed comedy “Dear White People.” Justin Simien’s masterclass adaptation of his own breakout indie was a favorite with critics and earned a second season renewal earlier this year. With more comedy contenders fighting for a spot this year, “Dear White People” may have just been too under-the-radar to have a fighting chance. Donald Glover’s “Atlanta” was the only freshman series nominated for Best Comedy Series.

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