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Fantastic Fest 2017 Announces Final Lineup, Including ‘World of Tomorrow’ Sequel, ‘Downsizing’ Closing Night, and Much More

Plus: world premieres, a highly-anticipated 4K restoration, and Frank Grillo getting the leading man role he's long deserved.


American Genre Film Archive makes its triumphant return to Fantastic Fest with two movies that will rot your libido in the best way. BAT PUSSY, the world’s first X-rated parody, is what happens when an anonymous smut producer gets inspired by the 1960s BATMAN TV show but only has $5. It’s also what happens when your wildest dreams and most horrifying nightmares collide in an explosion of flaccid stupefaction. Next up, after years of detective work, AGFA presents the world premiere of a brand new 2K transfer of one of the most sought-after lost films in the history of exploitation cinema.

LOST GIRLS Book Launch: THE NUDE VAMPIRE presented by Kier-la Janisse, THE NUDE VAMPIRE, France, 1970, Repertory, 88 min, Director – Jean Rollin
Jean Rollin’s THE NUDE VAMPIRE (1970) follows a sinister businessman who’s keeping a young vampire girl captive and experimenting on her in the hope that he finds the key to eternal life. The film will be screened in celebration of the launch of the new book from publisher Spectacular Optical, LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN, the first examination of Rollin’s work to be written by all women critics, scholars and film historians, and will be introduced by the book’s publisher Kier-La Janisse.

3FT BALL & SOULS, Japan, 2017, International Premiere, 93 min, Director – Yoshio Kato
Four strangers come together to commit suicide using explosives. But they discover that every time they blow up, they’re sent back to just before they killed themselves.

APPLECART, USA, 2017, World Premiere, 86 min, Director – Brad Baruh
An idyllic weekend vacation to a secluded cabin turns deadly when the Pollack family discovers an unconscious woman whose sinister plans will pit the family members against each other.

BAASHA, India, 1995, Repertory/International Premiere, 165 min, Director – Suresh Krishna
Superstar Rajinikanth plays a rickshaw driver with a history of violence in this genre-defining musical gangster romance epic from the director of AALAVANDHAN.

BAD GENIUS, Thailand, 2017, Texas Premiere, 130 min, Director – Nattawut Poonpiriya
A quartet of high school students are better at cheating than anything you’ve ever done in your life in this epic nail-biter about the standardized tests that level the playing field for all kids, smart and dumb, rich and poor.

BEFORE WE VANISH, Japan, 2017, North American Premiere, 129 min, Director – Kiyoshi Kurosawa
Kurosawa’s latest film is a sci-fi thriller about an invasion in which aliens must come to understand humanity through understanding human emotion — most importantly, our collective capacity for love.

BLUE MY MIND, Switzerland, 2017, North American Premiere, 97 min, Director – Lisa Brühlmann
BLUE MY MIND follows 15-year-old Mia (Luna Wedler) as she undergoes a life-changing transformation, one that leaves her examining her body and her very existence in a new light.

Brimstone & Glory

“Brimstone & Glory”

Oscilloscope Laboratories

BRIMSTONE & GLORY, Mexico, USA, 2017, Regional Premiere, 67 min, Director – Viktor Jakovleski
Tultepec is a small Mexican town that celebrates its love of fireworks with a yearly week-long festival. This festival is captured in a glorious documentary that is pure cinema.

THE CURED, Ireland, UK, France, 2017, US Premiere, 95 min, Director – David Freyne
A zombie virus has hit the world… but it has been cured. What’s next for the ex-zombies who have returned to normal? David Freyne’s debut feature throws lots of food for thought into the mouth of your mind.

DARKLAND, Denmark, 2017, US Premiere, 113 min, Director – Fenar Ahmad
An Iraqi doctor in Denmark seeks vigilante justice for his brother’s murder when the police come up short, biting off more than he can chew in a world of gangs, drugs and underground fight rings.

FIRSTBORN, Latvia, 2017, North American Premiere, 90 min, Director – Aik Karapetian
Provocative Latvian director Aik Karapetian returns to Fantastic Fest with a new thriller that explores how far a meek architect will go to protect his dignity in the eyes of his wife in the aftermath of an attack.

FIVE FINGERS FOR MARSEILLES, South Africa, 2017, US Premiere, 120 min, Director – Michael Matthews
A troubled young man returns to the town he fled as a youth and is forced to confront his past (and the town’s difficult future) in this gorgeous Xhosa language western.

GEMINI, USA, 2017, Special Screening, 93 min, Director – Aaron Katz
Our understandings of friendship, truth and celebrity are challenged when a heinous crime tests the complex relationship between a tenacious personal assistant (Lola Kirke) and her Hollywood starlet boss (Zoe Kravitz) in Aaron Katz’s latest.



GILBERT, USA, 2017, Regional Premiere, 99 min, Director – Neil Berkeley
GILBERT is the story of Gilbert Gottfried as never seen before, both a behind-the-scenes documentary and a poignant look at the life of a comedian who has more layers than most people can imagine.

GOOD MANNERS, Brazil, France, 2017, North American Premiere, 135 min, Directors – Juliana Rojas & Marco Dutra
When lonely nurse Clara is hired as a nanny by wealthy Ana, she hardly expects anything like the friendship she finds with the lonely, pregnant woman. However, both women have dark secrets which will engulf all that they hold dear.

HAUNTERS: THE ART OF THE SCARE, USA, 2017, World Premiere, 88 min, Director – Jon Schnitzer
Delving behind the scenes of one of America’s most beloved seasonal pastimes, HAUNTERS shows the world of the people who make the scariest houses, mazes and experiences that range from the traditional to the controversial.

ICHI THE KILLER – 4K RESTORATION, Japan, 2001, Repertory/World Premiere of Restoration, 129 min, Director – Takashi Miike
The yakuza occupy a murky universe with more twists and turns than the Shinjuku alleys they call home. The mysterious disappearance of a Tokyo mob boss triggers a hunt to find him, dead or alive. The search leads to the city’s most depraved clubs and sex dens and eventually to Ichi, the schizophrenic hitman behind the crime. Even more shocking is the discovery that the mastermind who hired Ichi is a fellow gangster out for revenge.

JUNK HEAD, Japan, 2017, US Premiere, 114 min, Director – Takahide Hori
Humanity is dying. It’s been 1200 years since our rebellious clone workforce moved underground, and the only way we can survive is by plunging into the depths to learn more about our terrifying creations.

JUPITER’S MOON, Hungary, Germany, 2017, North American Premiere, 123 min, Director – Kornél Mundruczó
The most ambitious science fiction film of the year is also perhaps the most visually stunning. Aryan is a refugee who finds himself with the power to levitate after being shot. Stern is a disgraced, corrupt doctor. The two will meet and alter the entire world.

LES AFFAMES, Canada, 2017, US Premiere, 100 min, Director – Robin Aubert
In the remote Quebec countryside, things are not well. A plague has infected the land, affecting almost all the residents of a small village. The survivors have to navigate their new existence as well as deal with the infected with an appetite for flesh.

“Good Manners”

LET THE CORPSES TAN, Belgium, France, 2017, US Premiere, 92 min, Directors – Hélène Cattet & Bruno Forzani
On a beautiful corner of the Mediterranean, Rhino and his men take refuge after the robbery of 250 kilograms of gold. The plan is simple: Wait and split. But some unwanted visitors are about to turn this idyllic corner into a bloodbath.

LETTERKENNY, Canada, 2016, US Premiere, 151 min, Director – Jacob Tierney
The spiritual successors to STRANGE BREW’s Bob and Doug MacKenzie, the rural residents of the fictitious town of LETTERKENNY deliver a hysterical slice of Canadiana in the comedy phenomenon chronicling the daily problems of hicks, skids, hockey players and Christians.

THE LINE, Slovakia, Ukraine, 2017, North American Premiere, 112 min, Director – Peter Bebjak
One line is literal, the border between Slovakia and Ukraine. Criminal Adam Krajnak (Tomas Mastalir) crosses it often, smuggling product and people. The other line is metaphorical, and crossing it leads to a death spiral of violence and vengeance.

LOVE AND SAUCERS, USA/Canada, 2017, Texas Premiere, 67 min, Director – Brad Abrahams
David Huggins, a 72-year-old man who claims to have lost his virginity as a young man to an extraterrestrial being, turned to art to express his interspecies romance and lifelong relationship with the otherworldly.

MARY AND THE WITCH’S FLOWER, Japan, 2017, North American Premiere, 102 min, Director – Hiromasa Yonebayashi
Directing the first film out of Studio Ponoc, Hiromasa Yonebayashi (WHEN MARNIE WAS THERE) creates the dazzling and heartwarming story of an ordinary girl who becomes an extraordinary witch.

THE MERCILESS, South Korea, 2017, North American Premiere, 117 min, Director – Byun Sung-hyun
Cribbing liberally from the history of gangster films, Byun Sung-hyun’s hard-boiled Korean crime saga is filled with all manner of murder, deceit, double and triple crosses… and, oh yeah, slap-fighting.

PMWW_02832_R(l-r.) Bella Heathcote stars as Olive Byrne, Luke Evans as Dr. William Marston and Rebecca Hall as Elizabeth Marston in PROFESSOR MARSTON AND THE WONDER WOMEN, an Annapurna Pictures release.Credit: Claire Folger / Annapurna Pictures

“Professor Marston and the Wonder Women”

Claire Folger

MOM AND DAD, USA, 2017, US Premiere, 83 min, Director – Brian Taylor
Selma Blair and Nicolas Cage are seemingly ideal parents until an unknown force causes their town’s adults to murder their offspring.

MON MON MON MONSTERS, Taiwan, 2017, Regional Premiere, 112 min, Director – Giddens Ko
A bullied schoolboy is teamed up with his tormentors to do community social work. While on duty, they encounter a strange creature which they kidnap, and take bullying to a whole new level.

THE PRINCE OF NOTHINGWOOD, France, Germany, 2017, US Premiere, 85 min, Director – Sonia Kronlund
Meet Salim Shaheen: Afghani auteur, prolific actor and one-man moviemaking industry. Along with his trusted troupe of actors, he defies all the odds in the Middle East to fulfill his dreams of making movies.

PROFESSOR MARSTON & THE WONDER WOMEN, USA, 2017, US Premiere, 108 min, Director – Angela Robinson
In a superhero origin tale unlike any other, this film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940s.

RABBIT, Australia, 2017, International Premiere, 99 min, Director – Luke Shanahan
After a full year, Maude is still stricken by visions of her sister Cleo’s kidnapping. Believing that Cleo is still alive, Maude undergoes a suspenseful journey to find her in this stunning, atmospheric feature debut from Luke Shanahan.

RADIUS, Canada, 2017, US Premiere, 91 min, Directors – Caroline Labrèche & Steeve Léonard
When a man wakes up from a car crash with no memory of what happened, his first instinct is to find help. However, as he gets closer to civilization and other people, an ugly truth will rear its head and affect all those who surround him.

REVENGE, France, 2017, US Premiere, 108 min, Director – Coralie Fargeat
Three rich male thrill-seekers discover that Jennifer isn’t the human sex doll that they assumed she was when they invited her on their isolated hunting getaway. Jennifer teaches them fundamental lessons about consent in a manner that they — and we — won’t soon forget.


RIFT, Iceland, 2017, Texas Premiere, 111 min, Director – Erlingur Thoroddsen
After a phone call from his ex wakes him late one night, Gunnar drives out to a secluded vacation cottage to save Einar from himself, but what awaits him there is mystery and confusion.

SALYUT-7, Russia, 2017, World Premiere, 119 min, Director – Klim Shipenko
Based on a true story, SALYUT-7 is the little-known mission to dock with an unmanned space station in order to stop it from crashing into Earth, a feat never before attempted in space history.

THELMA, Norway, 2017, Texas Premiere, 116 min, Director – Joachim Trier
A conservative young woman attending college in Oslo begins to fall in love while discovering her burgeoning supernatural powers in a stunning new film from Norway.

THOROUGHBRED, USA, 2017, Austin Premiere, 92 min, Director – Cory Finley
Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be, and that a murder might solve both of their problems.

TIGERS ARE NOT AFRAID, Mexico, 2017, World Premiere, 83 min, Director – Issa López
When her mother suddenly disappears with no one to care for her, young Estrella ends up on the street and joins a gang of children, triggering a dangerous and tragic chain of events in the third feature from Mexican filmmaker Lopez.

UNDER THE TREE, Iceland, Denmark, Poland, Germany, 2017, US Premiere, 89 min, Director – Hafsteinn Gunnar Sigurðsson
On the outskirts of Reykjavik, the shadow cast by a tree triggers a feud between two neighboring families, with tragic and darkly comic consequences.



Courtesy of Sundance

V.I.P., South Korea, 2017, International Premiere, 128 min, Director – Hoon-jung Park
A notorious serial killer who happens to be the son of a defecting DPRK official sends South Korea’s National Intelligence, police from both states and even international brass into a mad political scramble in this thrilling neo-noir.

VAMPIRE CLAY, Japan, 2017, US Premiere, 80 min, Director – Soichi Umezawa
A class of art school hopefuls is stalked by blood-thirsty, flesh-hungry clay in this bizarre practical effects-heavy horror assault from THE ABCs OF DEATH 2 segment director and longtime special makeup effects artist Umezawa.

VIDAR THE VAMPIRE, Norway, 2017, Texas Premiere, 82 min, Directors – Thomas Aske Berg & Fredrik Waldeland
Christian farmer Vidar has a boring life, living with his mom and tending sheep. When he wishes for more excitement he wakes up undead, hangs out with vampire Jesus and discovers that sometimes the party can go on too long.

WHEELMAN, USA, 2017, World Premiere, 82 min, Director – Jeremy Rush
Frank Grillo (KINGDOM; CAPTAIN AMERICA: CIVIL WAR) stars as the wheelman, a getaway driver thrust into a high stakes race to survive after a bank robbery goes terribly wrong. With a car full of money and his family on the line, the clock is ticking to figure out who double-crossed him and the only person he can trust… his 14-year-old daughter. All reasons to think fast and drive faster.

WORLD OF TOMORROW EPISODE TWO: THE BURDEN OF OTHER PEOPLE’S THOUGHTS, USA, 2017, World Premiere, 22 min, Director – Don Hertzfeldt
The highly anticipated follow-up to Don Hertzfeldt’s Oscar-nominated WORLD OF TOMORROW finds Emily Prime swept into the brain of an incomplete backup clone of her future self, who’s on a mission to reboot her broken mind. Continuing the tradition of the first film, WORLD OF TOMORROW EPISODE TWO was written entirely around candid audio recordings of Hertzfeldt’s five-year-old niece.

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