Lineup and Pre-Festival Announcements and News
IndieWire Announces Our First-Ever IndieWire Studio at Sundance
Sundance Adds Standalone Episodic Section For 2018 Festival
Sundance 2018 Adds New Films From Lynne Ramsay, Hannah Fidell, Tamara Jenkins, and More
Sundance 2018 Ushers In the Age of Independent TV With Indie Episodics Line-Up
Sundance 2018 Midnight and NEXT Slate Offers New Films About Murders, Witches, and Crazy Teens
Pre-Festival Analysis
Sundance Wish List: 70 Films We Hope Will Head to Park City in 2018
8 Surprises and Hidden Gems From the 2018 Sundance Lineup
Sundance 2018 Programming Breakdown: Big Buys, Actor-Directors, and Hot-Button Issues
Why Sundance Is Showcasing Television Like Never Before With New Indie Episodics Line-Up
Sundance 2018: 10 Must-See Short Films, From Armie Hammer to Don Hertzfeldt
Sundance 2018: 21 Must-See Films At This Year’s Festival, From ‘Wildlife’ to ‘Sorry to Bother You’
Film Reviews
Nicolas Cage Is Batshit Insane in Psychedelic Revenge Movie ‘Mandy’ — Sundance 2018 Review
‘Nancy’ Review: Andrea Riseborough Breaks Loose in Twisted Kidnapping Drama — Sundance 2018
‘American Animals’ Review: A True Heist Story About Four Idiot Kids Who Fowled Up — Sundance 2018
Interviews
‘Sorry to Bother You’: Armie Hammer Explains His Character from Sundance’s Craziest Debut
Idris Elba’s Biggest Lesson for His Directorial Debut Came from Ridley Scott — Sundance
Ethan Hawke on Directing His New Film ‘Blaze’: ‘It’s What I Want to Be Alive For’ — Sundance 2018
Joaquin Phoenix Speaks Out on #Timesup: ‘It’s Pretty F*cking Obvious That It’s Necessary’
Chloe Sevigny Reveals Disappointment With Her New Sundance Film ‘Lizzie’ in Candid Interview
Features
Sundance 2018: #MeToo and Time’s Up Conversations Dominate, But the Real Work Is Just Beginning
A Decade After ‘The Savages,’ Tamara Jenkins Returns to Sundance With a Personal Netflix Film
‘The Tale’: Sundance’s Most Controversial Sex Scene Is Also Its Most Powerful
Sundance Isn’t the Only Answer: Inside the Fight to Diversify America’s Movie Theaters
Sundance 2018: Here Are the Cameras Used to Shoot This Year’s Narrative Films
The Best Sundance Films of All Time — IndieWire Critics Survey
Amazon’s Festival Stars Program: It’s Bigger, Better, and Still Scary for Indie Filmmakers
Sundance 2018: Here Are the Cameras Used to Shoot This Year’s Documentaries
The Indie TV Dream: Here Are the Ambitions and Realities Facing Sundance’s First Full TV Section
Joaquin Phoenix Speaks Out on #Timesup: ‘It’s Pretty F*cking Obvious That It’s Necessary’
Press Conferences, Panels, and Events
Sundance 2018 Live Stream: Watch Robert Redford’s Opening Day Press Conference Online
Octavia Spencer: #MeToo Movement Can’t Devolve Into ‘Women Versus Men’
MoviePass Will Build Its Own Film Catalog Under MoviePass Ventures — Sundance 2018
IndieWire Celebrates Sundance With the First-Time Filmmakers Dinner
Jason Blum to the Sundance Producers Brunch: ‘Don’t Get in the Way’ and 10 Other Pieces of Advice
IndieWire’s First-Time Filmmakers Dinner, Sundance 2018
‘The Tale’: Sundance’s Most Controversial Sex Scene Is Also Its Most Powerful
Sasha Lane Discusses Her Gay Identity in ‘The Miseducation of Cameron Post’ — Sundance 2018
Clips, Trailers, Posters, and More
‘Pity’ Trailer: Sundance Dark Comedy Follows An Anti-Hero Who Is Only Happy When He’s Unhappy
Acquisitions
Sundance 2018 Deals: The Complete List of Festival Purchases So Far
‘Assassination Nation’ Sells to Neon and the Russo Bros. for $10 Million-Plus — Sundance 2018
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