Breaking out of Sundance, Netflix-produced Tamara Jenkins drama “Private Life” (Metascore: 81) stars Paul Giamatti and Kathryn Hahn as a couple struggling with a midlife infertility crisis. They turn to their beloved niece (Kayli Carter) to consider donating some of her eggs to the cause, to the horror of her mother (Molly Shannon). Netflix plans a fall festival break for the movie as an awards season launch.
Courtesy of Sundance Institute
Wash Westmoreland’s “Colette” (Metascore: 74) is an arthouse natural picked up by Bleecker Street (partnering with 30West). The charming British-accented biopic stars Keira Knightley as a smart young French beauty plucked from the country in Burgundy to marry a sophisticated older Parisian, womanizer Henri Gauthier-Villars (Dominic West). She ghostwrites his “Willy” potboilers for him until she eventually grows into her own identity as a woman writer (“Gigi,” “Cheri”), stage performer and lover of women. Knightley and West are both superb in the well-mounted period movie, which could ignite long-term interest.
Actor Paul Dano’s directorial debut “Wildlife” (Metascore: 82) is a ’60s dysfunctional family tale preserved in amber and observed by the 14-year-old son (Australian discovery Ed Oxenbould) of unhappy, unfulfilled parents (Jake Gyllenhaal and Carey Mulligan, who gives an awards-worthy performance). The bleak drama (IFC) got a boost from its berth in the Cannes Directors Fortnight.
Also giving standout Sundance performances were Charlize Theron as a depressed new mother in Diablo Cody and Jason Reitman’s well-reviewed “Tully” (Focus Features), a more sympathetic follow-up to “Young Adult,” which also floundered at the box office. Toni Collette is another sort of beleaguered mom in horror entry “Heredity” (A24), which could be limited by its genre.
Breaking out at Cannes was Oscar-winner Penelope Cruz in Asghar Farhadi’s Spanish-language melodrama “Everybody Knows,” costarring Javier Bardem, which played well opening night, notched big numbers in release France, and was scooped up by Focus Features.
There’s also Glenn Close’s strong performance in “The Wife” (Sony Pictures Classics), Felicity Jones’ chance at a second Oscar nomination as the young future Supreme Court Justice Ruth Bader Ginsburg in Mimi Leder’s drama “On the Basis of Sex” (December 25, Focus Features), newcomer Kiki Layne in the next film from Barry Jenkins (“If Beale Street Could Talk,” Annapurna), Saoirse Ronan in the title role “Mary, Queen of Scots” (December 7, Focus Features), Claire Foy as the wife of astronaut Neil Armstrong in “First Man” (October 12, Universal) and Olivia Colman as crazy Queen Anne in Yorgos Lanthimos’ 18th-century court drama “The Favourite” (November 23, Fox Searchlight).
Walt Disney Pictures
Oscar perennial Viola Davis could carry weight in Steve McQueen thriller “Widows” (November 16, Fox), Emily Blunt takes the Julie Andrews role opposite Lin-Manuel Miranda in “Mary Poppins Returns” (Disney), Lady Gaga follows such singer-actresses as Judy Garland and Barbra Streisand in “A Star is Born” (October 5, Warner Bros.) and Melissa McCarthy incarnates a real-life novelist/con-artist in dramedy “Can You Ever Forgive Me?” (October 18, Fox Searchlight).
Remember, no movie will be deemed a frontrunner until I have seen it.
Glenn Close (“The Wife”)
Toni Collette (“Hereditary”)
Keira Knightley (“Colette”)
Charlize Theron (“Tully”)
Olivia Colman (“The Favourite”)
Felicity Jones (“On the Basis of Sex”)
Lady Gaga (“A Star is Born”)
Saiorse Ronan (“Mary, Queen of Scots”)
Emily Blunt (“A Quiet Place”)
Penelope Cruz (“Everybody Knows”)
Viola Davis (“Widows”)
Kathryn Hahn (“Private Life”)
Kiki Layne (“If Beale Street Could Talk”)
Melissa McCarthy (“Can You Ever Forgive Me?”)
Carey Mulligan (“Wildlife”)