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Breaking Film and TV Industry News — August 17

More of this month's news for industry insiders.

Friday, August 17

– RLJE Films has acquired all North American rights to the upcoming horror film “All the Creatures Were Stirring.” Written and directed by David Ian McKendry and Rebekah McKendry, the film stars Constance Wu, Amanda Fuller, Jonathan Kite, Jocelin Donahue, and Graham Skipper.  RLJE plans to release the film on VOD, Digital and DVD on December 4, 2018.

In the film, “an awkward date on Christmas Eve leads a couple into a strange theater, where they’re treated to a bizarre and frightening collection of Christmas stories, featuring a wide ensemble of characters doing their best to avoid the horrors of the holidays. From boring office parties and last-minute shopping, to vengeful stalkers and immortal demons, there’s plenty out there to fear this holiday season.”

– Kino Lorber has acquired U.S. rights to Jafar Panahi’s latest humanistic drama, “3 Faces,” which had its world premiere and won the best screenplay award at this year’s Cannes Film Festival. The film will have its North American premiere next month at the Toronto International Film Festival and will screen at the upcoming New York Film Festival this fall.

This is Panahi’s fourth feature that he has made while under a 20-year ban imposed by the Iranian government since 2010. The film will be rolled out in theaters in March 2019, followed by VOD and home video release.

– The First Annual Montana International Film Festival today announced its main slate of over 55 films, panels and events from September 14 – 16 in Billings, MT. The inaugural festival will see six narrative and eight documentary features competing for $15,000 in cash and in-kind prizes, including the first-ever MINT Spirit Award, as well as six juried awards: Best Female Director, Best Narrative Feature, Best Narrative Short Film, Best Documentary Feature Film, Best Documentary Short Film, and the Made In Montana award.

“We’re excited to have had the caliber of submissions that we received, especially for a first-year festival,” said Executive Director Brian Murnion in an official statement. You can find out more about the new festival at its official website.

– The trailer has been released for “Living in the Future’s Past,” which is playing in select theaters on October 5 and nationwide on October 9 for a one-night-only event. The documentary is presented by Jeff Bridges that “explores who we are, where we come from, how we think and why we do the things we do.”

Thursday, August 16

– Paramount Worldwide Acquisitions has acquired the North American rights to the Sarah Jessica Parker-starring drama “Here and Now” (formerly titled “Blue Night”). The film will be distributed by Paramount Home Media Distribution on Digital and VOD beginning November 9, 2018, the same day that it will debut in theaters from AMBI Distribution.

In the film, “Vivienne (Parker) lives in New York City as a singer/songwriter who has enjoyed a successful career with the help of her manager, Ben (Common). Upon receiving world-shattering news, she crisscrosses the city in a single day as she tries to balance her music, family, and friends, and reflect on her successes and failures. With the support of her worried mother Jeanne (Bisset) and ex-husband Nick (Baker), Vivienne strives to make peace with the city around her.  The film is rated R for language and some sexuality.”

“Blue Night” AKA “Here and Now”

– Samuel Goldwyn Films has announced that the company has acquired North American rights to actor Alex Pettyfer’s directorial debut “Back Roads.” Based on the Oprah’s Book Club selection and New York Times bestselling novel by Tawni O’Dell, the film explores the impact of family trauma with a powerful and visceral noir thriller that leaves audiences breathless until the last moment. The film is slated for a late 2018 theatrical release.

– IFC Films has acquired U.S. rights to “Black 47,” directed by Lance Daly, produced by Macdara Kelleher, Tim O’Hair, Arcadiy Golubovich, and Jonathan Loughran. The film, which had its World Premiere at the 2018 Berlin International Film Festival, stars James Frecheville, Hugo Weaving, Stephen Rea, Jim Broadbent, Freddie Fox, Barry Keoghan, Sarah Greene, and Moe Dunford.

Altitude Film Distribution will release the film in mainland Britain on September 28. The film will also open in the Republic of Ireland and Northern Ireland on September 5 through Wildcard Distribution. “Black 47” will have its North American premiere at the 2018 Toronto International Film Festival and will be released theatrically in the U.S. on September 28 via IFC FILMS.

In the film, “one man’s ruthless pursuit of justice plays out against the darkest chapter of Irish history in this riveting revenge thriller. In 1847, battle-hardened soldier Feeney (James Frecheville) deserts the British army to return home to Ireland, where he finds his country ravaged beyond recognition by the Great Famine. When he discovers that his mother has died of starvation and his brother has been hanged by the British, something snaps, sending Feeney on a relentless quest to get even with the powers-that-be who have wronged both his family and his country. There is only one man who can stop Feeney’s bloody crusade: disgraced British army veteran Hannah (Hugo Weaving), whose own loyalties may be more complex than they appear.”

“Transit”

– Music Box Films has acquired the U.S. rights to “Transit” from German auteur Christian Petzold, starring up-and-comer Franz Rogowski and Paula Beer. The film had its world premiere in competition at the 2018 Berlin Film Festival and has been selected to play this fall in the Toronto International Film Festival and the New York Film Festival. Music Box Films plans a theatrical rollout in early 2019 followed by a release on home entertainment platforms.

Adapted from Anna Seghers’ WWII novel of the same name, Petzold reimagines the story written and set in Marseille just after Germany’s invasion as an examination of modern-day France. The story follows Georg (Franz Rogowski), a German refugee who takes on the identity of a recently deceased author, Weidel, whose papers he was carrying as he fled Paris.

Wednesday, August 15

– IFP’s signature event, IFP Week, is celebrating its 40th anniversary with both new and revamped public programs for the 2018 edition, taking place from September 15 – 20, 2018. Alumni from across four decades of the organization’s history are coming together to review careers, discuss the state of the film and media industries, and debate the future of storytelling. This year’s programs include numerous public screenings, talks, and even a DUMBO-wide scavenger hunt, all centered on cutting-edge independent content for the big screen, the small screen, and now your headphones, with IFP’s inaugural dive into podcasting and audio storytelling. IFP’s public programs are the perfect place to meet and interact with creatives pushing the boundaries of storytelling on all platforms.

Under the leadership of Head of Programming Amy Dotson and Programming Producer Bill Curran, the IFP Week public talks and events take place in and around Brooklyn, NY at BRIC, The William Vale Hotel, the Brooklyn Army Terminal, DUMBO Loft, and IFP’s headquarters, the Made in NY Media Center by IFP. You can find out more about this year’s event at its official website.

– Serbian producer Milos Antic announced today that he has acquired the film rights to legendary director Sam Peckinpah’s unproduced classic screenplay “Castaway” from the Peckinpah Estate and will be producing alongside Los Angeles-based producers Katy Haber and Benni Korzen.

Peckinpah had originally bought the movie rights to Pulitzer Prize winning author, James Gould Cozzens’ classic enigmatic 1934 novella in the late 1960’s. The story, “which Peckinpah saw as a metaphor of his own life, is the story of Mr. Lecky, an every-man who survives an unnamed catastrophe by hiding in a department store that has escaped destruction. While he is surrounded by everything that he might seem to need, he is haunted by his own paranoia and demons.”

– The Hamptons International Film Festival (HIFF) today announced that writer/director Sara Colangelo’s “The Kindergarten Teacher” will be the Opening Night Film of the 26th Hamptons International Film Festival on Thursday, October 4 at Guild Hall in East Hampton. The film stars Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, and Gael García Bernal, telling the story of a kindergarten teacher who seeks to cultivate the poetic talents of one of her students with questionable methods.

Colangelo is a 2013 alumna of HIFF’s annual Screenwriters Lab. Maggie Gyllenhaal & Colangelo will both be in attendance at the festival.

Maggie Gyllenhaal and Parker Sevak appear in <i>The Kindergarten Teacher</i> by Sara Colangelo, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute. All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or 'Courtesy of Sundance Institute.' Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited.

“The Kindergarten Teacher”

Sundance

– YouTube has partnered with Roadside Attractions to release “Viper Club,” Maryam Keshavarz’s new drama starring Susan Sarandon, Matt Bomer, Lola Kirke, Adepero Oduye, Sheila Vand, and Edie Falco. The film will debut at the Toronto International Film Festival (TIFF) and will be released in theaters on October 26, 2018. VIPER CLUB will be available on YouTube Premium in 2019.

The film, co-written by Iranian-American filmmaker Maryam Keshavarz and Jonathan Mastro, tells the story of Helen (Susan Sarandon), a veteran ER nurse secretly struggling to free her grown son, a foreign war correspondent, from capture by a terrorist group. After running into roadblocks with government agencies, she discovers a clandestine community of journalists, philanthropists and advocates who might be able to help her.

YouTube Premium is a subscription service that offers access to YouTube Original series and movies, a streaming music platform, and an uninterrupted, ad-free experience across all of YouTube. YouTube Premium is currently available in the United States, Australia, New Zealand, Mexico, Austria, Canada, Finland, France, Germany, Ireland, Italy, Norway, Russia, Spain, Sweden, and the United Kingdom.

– Grasshopper Film has acquired North American distribution rights to “Distant Constellation,” Shevaun Mizrahi’s beautifully composed and magical documentary on the residents of a Turkish retirement home comprised of pranksters, historians, artists and would-be Casanovas. “Distant Constellation” will open theatrically at the Metrograph in New York City on November 2, 2018 before expanding to other markets, followed by a release on VOD and home video in early 2019.

Tuesday, August 14

– Kino Lorber announces has acquired all North American rights to Bi Gan’s sophomore feature, “Long Day’s Journey Into Night,” which had its world premiere at Un Certain Regard section at Cannes Film Festival earlier this year. The film will have its North American premiere at the upcoming Toronto International Film Festival next month and its US premiere at the New York Film Festival in October. The film will be rolled out in theaters in Spring 2019, followed by VOD and home video releases.

Bi’s previous film, “Kalili Blues,” had an acclaimed run worldwide in 2015, winning China’s Golden Horse Award for Best New Director and an emerging director award at the Locarno International Film Festival.

Per its official synopsis, “‘Long Day’s Journey Into Night’ follows a drifter named Luo Hongwu (Huang Jue) who returns to Kaili, the Chinese hometown from which he fled several years ago. He begins a search for the woman he once loved (Tang Wei) and whom he has never been able to forget.” The film wowed audiences and critics at Cannes with an ambitious 59-minute, single 3D extended take that plunged viewers into the main character’s dreamy perspective when he dons glasses in a cinema to watch a 3D film.

“Long Day’s Journey Into Night”

Thursday, August 9

– SFFILM announced today the winner of its inaugural SFFILM Environmental Fellowship. Together with its partners at Paul G. Allen’s Vulcan Productions, the organization awarded $25,000 to filmmaker Christi Cooper and her documentary “Youth v. Gov.”

Cooper will also receive a year of mentorship and services to support the development, production, and impact campaign for the film. The announcement comes at a critical time, and this program will nurture filmmakers committed to creating dynamic storytelling and encourage environmental stewardship.

The SFFILM Environmental Fellowship is geared towards mid-career filmmakers with a feature documentary project in development or early production that focuses on pressing environmental or conservation issues. Cooper is an Emmy Award-winning cinematographer with a passion for transforming complex issues into compelling storytelling.

Youth v. Gov” will chronicle a landmark lawsuit brought by 21 youths who are suing the U.S. government and fossil fuel industry for creating a climate emergency and endangering their futures. The film was selected from a field of 70+ submissions by a committee of film and environmental experts from SFFILM, Vulcan Productions, Sierra Magazine, EarthX and the Redford Center.

Wednesday, August 8

– Sundance Selects has acquired U.S. rights to “Non-Fiction,” written and directed by Olivier Assayas, starring Juliette Binoche and Guillaume Canet. The film will have its World Premiere at the Venice FIlm Festival followed by screenings at the Toronto International Film Festival and the New York Film Festival.

In “Non-Fiction,” Assayas “gives a light-hearted and ironic look at the rapidly-changing world of book publishing through the relationship between an editor (Guillaume Canet) and an author (Vincent Macaigne) who are both in over their heads, struggling to cope with their middle-age crisis, the digital transformation of the publishing industry and their wives’ (Juliette Binoche, and Nora Hamzawi, respectively) changing desires.”

Monday, August 6

– Glenn Close will be honored by Museum of the Moving Image at its 32nd annual Salute on December 3 in New York. The news was announced today by Ivan L. Lustig, Co-Chairman of the Museum’s Board of Trustees and Carl Goodman, the Museum’s Executive Director. The evening will feature cocktails, dinner, and an award presentation, featuring clips from Close’s career introduced by her friends and colleagues.

Lustig said in an official statement, “Glenn Close is one of the most acclaimed actresses of our time, with nominations for six Academy Awards, twelve Golden Globes, twelve Emmys, and four Tonys. Whatever the role, from her star-making performances in ‘The Big Chill’ and ‘Fatal Attraction’ to her unforgettable portrayal of Patty Hewes in ‘Damages,’ she commands our attention through the brilliance and emotional power of her work.”

Close joins the ranks of past honorees who have received the Museum’s Salute including: Annette Bening, Warren Beatty, Tom Cruise, Clint Eastwood, Robert DeNiro, Robin Williams, Goldie Hawn, Dustin Hoffman, Tom Hanks, Hugh Jackman, Steve Martin, Julianne Moore, Al Pacino, Sidney Poitier, Julia Roberts, Martin Scorsese, Steven Spielberg, and Jimmy Stewart.

– The 2018 Traverse City Film Festival wrapped over the weekend, and concluded its latest edition with a slew of award winners, including Win Wenders’ “Pope Francis: A Man of His Word” (Grand Prize for Best Film), a tie for Best U.S. Fiction film between Scott Cooper’s “Hostiles” and Brett Haley’s “Hearts Beat Loud,” the Best U.S. Nonfiction Film winner “Jane Fonda In Five Acts” from Susan Lacy, and a special Lifetime Achievement Award to Jane Fonda. You can see the full list of winners right here.

“Pope Francis – A Man of HIs Word”

Focus Features

– The Woods Hole Film Festival, the oldest film festival on Cape Cod and the Islands, concluded its 27th year over the weekend with the announcement of this year’s winners at the Captain Kidd Restaurant in Woods Hole. With 170 films, an increase of 40 from last year, this year’s festival experienced unprecedented competition with three awards presented in each category. More than 100 filmmakers, the majority of whom were making their directing debuts, and over 6000 audience members attended this year’s Festival.

Jury winners included: “Funny Story” for Best Narrative Comedy Feature, Henry Barrial’s “Driver X” for Best Narrative Dramatic Feature and and “Dawnland,” directed by Adam Mazo for Best Documentary Feature.

Friday, August 3

– Cinema Guild has announced the acquisition of all U.S. distribution rights to Hong Sangsoo’s “Grass.” The film premiered at the Berlin International Film Festival in February and fall festival dates will be announced soon. “Grass” will open in theaters in 2019.

Per the official press release, “for his 22nd feature as director, Hong delivers a delicious cinematic riddle only he could concoct. In the corner of a small café, Areum (Kim Minhee) sits typing on her laptop. At the tables around her, other customers enact the various dramas of their lives. A young couple charge each other with serious crimes, an old man tries to rekindle a flame with a younger woman, a narcissistic filmmaker works to put together his next project—all while Areum types. Is she merely writing what she hears? Or is she hearing what’s been written? As the dramas inside the café unfold, the plants outside grow taller.”

Thursday, August 2

– IFC Films has announced that it is acquiring U.S. rights to “Diane,” a film written and directed by Kent Jones, executive produced by Martin Scorsese and starring Mary Kay Place. The film will have its international premiere this week at the Locarno Film Festival and won the top prize for Best Narrative Film at the 2018 Tribeca Film Festival along with Best Screenplay and Cinematography. IFC plans to theatrically release the film in early 2019.

Diane Mary Kay Place

“Diane”

– Grasshopper Film has picked up US distribution rights to “Asako I & II,” with a plan to release the film in theaters early next year, followed by a VOD and home video release. Based on a novel by Tomoka Shibasaki, the film premiered in competition at the 2018 Cannes Film Festival. The news was first reported by Deadline.

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