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‘Room 104’ Review: Season 2 Is Such Remarkable, Refreshing Television That Even When It’s Bad, It’s Good

The variety of storytelling on display builds such tingly anticipation, each new episode is worth it even when the narrative disappoints.

Room 104 Season 2 Michael Shannon

Michael Shannon in “Room 104”

Tyler Golden / HBO

Michael Shannon raps in a Russian accent in the fourth episode of “Room 104” Season 2. There. Now you know it’s coming, and believe me, the Oscar nominee and Chicago bar legend’s skilled rhyming — accompanied by gyrating dancers and a brass marching band — well, it’s worth getting excited about.

These are the miniature delights of Jay and Mark Duplass’ episodic anthology series, which abides by only one rule: Each story takes place in the same dingy motel room. With every half-hour sporting a new cast, story, and creative team, the genre-bending HBO experiment can be any kind of show on any given night. Of course, that also means each installment can be very good or very bad — more so than serialized programs, where odds are if you liked something last week, you’ll like something this week. (Imagine an ongoing series where Shannon raps each week. Gosh, that would never not be awesome.)

For some, the risk vs. reward profile for “Room 104” may prove less enticing than something familiar and reliable. (CBS, these are your people.) Worse yet, the irregularity can create a lack of conviction; viewers may admire the theme and appreciate select episodes without feeling the urge to check out every installment. And given the timeslot (Fridays at 11:30 p.m.), this may very well be what’s been happening. (Ratings are less indicative; it’s a play for streaming subscribers, anyway.)

But anyone who liked an episode or two last year — or finds themselves enticed by the premise, creators, and/or fresh talent — should make a note to fully engage with “Room 104” in Season 2. Even if you’re disappointed, the weekly suspense is electric like few other offerings on television, and the show’s power has only grown since its debut. To say “Room 104” thrives on the unknown is nothing new, but its sustainability, focus, and transportive viewing experience are fresh developments that offer unique value to today’s TV fans.

Room 104 Season 2 Brian Tyree Henry

Brian Tyree Henry in “Room 104”

Tyler Golden / HBO

Other episodic series can’t compete with the anticipation that builds prior to and during episodes. Whether you’re waiting to watch one per week or wondering what’s next during a binge, the Duplass brothers’ format frees them from any presumed reality. One episode is a grounded character study; the next is a futuristic horror show. (Believe it or not, Shannon rapping is as real as it gets.) The knowledge that anything can happen often pays off with unexpected twists or affecting straightforward stories, and the variety of storytellers only lends more depth to the adventure.

If anything, Season 2 could use a few more voices. Mark Duplass writes or co-writes nine of the 12 episodes, and though many of his pieces are great — varying in subject matter and utilizing different directors for diverging perspectives —  a pattern starts to emerge, and anything regular in “Room 104” is poison. Belief becomes a big motif, with multiple episodes setting up a climax where someone is right and someone is wrong. The reveals can be fun — like “Ralphie,” the Duplass-penned first episode of Season 1 — but the better entries all find more substance elsewhere. They’re surprising for more than their twists, upending expectations by playing off the audience’s lack of prior knowledge. In other words, you may think you know where a story is going, but each creator finds a different way to take you out of your comfort zone.

This point means it’s probably best if onlookers enter into each episode knowing nothing about it. If you’re warned this episode may not be as good as the next or told who stars, directs, or writes, then bias comes into play and the intoxicating spell of uncapped imagination is broken. But for those short on time, who watch a lot of TV, or feel uneasy with the unknown, the below list should cover the essentials. These episodes deliver equivalent delights to the thrill of discovering them, but read on at your own risk.

Room 104 Season 2 Katie Aselton

Katie Aselton in “Room 104”

Tyler Golden / HBO

Can’t Miss Episodes: 

“Swipe Right” (Episode 3)
written & directed by Liza Johnson

  • Michael Shannon plays a Russian author with a thick accent and crazy rap skills in Liza Johnson’s inventive exploration of faux intimacy.

“Hungry” (Episode 4)
directed by Patrick Brice
written by Mark Duplass

  • Kent Osborne and Mark Proksch star in a weird, wild episode that’ll have you scouring Google for answers.

“Arnold” (Episode 6)
directed by Julian Wass
written by Mark Duplass and Julian Wass

  • Brian Tyree Henry is the titular Arnold, who’s trying to remember what happened to him on an unprecedented night of partying the evening prior. Oh, and it’s a musical.

“Artificial” (Episode 10)
directed by Natalie Morales
written by Mark Duplass

  • A textured turn from Katie Aselton — as a robot trying to convince a reporter she really is a robot —  builds to nuanced surprises.

“Josie & Me” (Episode 12)
directed by Lila Neugebauer
written by Lauren Budd

  • “Star Trek: Discovery” star Mary Wiseman leads an exploration of memory and maturity that’s imaginative and sincere enough to be much more than a #MeToo moment.

Grade: B+

“Room 104” Season 2 premieres Friday, November 9 at 11:30 p.m. ET on HBO.

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