Lineup
2019 Cannes Film Festival Lineup: Terrence Malick, Xavier Dolan, Almodóvar Compete for Palme d’Or
2019 Cannes Critics’ Week Lineup Revealed, Including Jesse Eisenberg in ‘Vivarium’
Cannes Classics 2019: Alfonso Cuarón to Present ‘The Shining’ in 4K
Pre-Festival Announcements and News
Quentin Tarantino’s ‘Once Upon a Time in Hollywood’ Not Ready for Cannes Yet, But There’s Still Hope
Nicolas Winding Refn Will Deliver Cannes Masterclass on Working in Film and TV — Exclusive
Cannes Jury Announced: Elle Fanning, Yorgos Lanthimos, Kelly Reichardt Join Iñárritu
Quentin Tarantino to Compete for Cannes Palme d’Or With ‘Hollywood,’ 25 Years After ‘Pulp Fiction’
Pre-Festival Analysis
20 Shocks and Surprises From the 2019 Cannes Lineup, From Werner Herzog to Xavier Dolan
Film Reviews
‘The Dead Don’t Die’ Review: Jim Jarmusch’s Sluggish Zombie Comedy Targets Trump — Cannes
‘Bull’ Review: ‘The Rider’ Meets ‘The Wrestler’ in Striking Portrait of Black Rodeos — Cannes
‘Bacurau’ Review: ‘Seven Samurai’ Meets ‘Hostel’ in Delirious Brazilian Western — Cannes
‘Les Misérables’ Review: Director Ladj Ly Sets Fire to Modern Paris in Kinetic Debut
‘The Climb’ Review: A Brilliant Reinvention of the Buddy Comedy — Cannes
‘Rocketman’ Review: Elton John Biopic Is a Cheesy Jukebox Musical
‘Sorry We Missed You’ Review: Ken Loach Delivers Another Working-Class Tearjerker — Cannes
‘Beanpole’ Review: A Brutal and Achingly Beautiful Drama About Post-War Trauma — Cannes
‘Atlantics’ Review: Mati Diop’s Dazzling Ghost Story About the Refugee Crisis — Cannes
‘The Staggering Girl’ Review: Luca Guadagnino’s Star-Studded Love Letter to Valentino Wears Thin
‘Diego Maradona’ Review: A Gripping Saga of Soccer Legend’s Fall From Grace — Cannes
‘Portrait of a Lady on Fire’ Review: Céline Sciamma Unveils a Painterly Masterpiece — Cannes
A Hidden Life’ Review: Terrence Malick’s Best Movie Since ‘The Tree of Life’ — Cannes
Gaspar Noe’s Psychedelic Mockumentary ‘Lux Æterna’ Might Give You Seizures — Cannes Review
‘Zombi Child’ Review: Bertrand Bonello Proves that the Past Is Undead — Cannes
‘The Whistlers’ Review: A Delightful Romanian Twist on ‘Ocean’s 11’ — Cannes
‘The Best Years of a Life’ Review: A Corny Sequel to ‘A Man and a Woman’ — Cannes
‘The Wild Goose Lake’ Review: Diao Yinan Delivers a Ravishing but Unfocused Chinese Noir
Martin Scorsese-Produced Trans Drama ‘Port Authority’ Is Quietly Progressive — Cannes Review
‘First Love’ Review: Takashi Miike Delivers a Violently Hilarious Yakuza Romp
‘Tommaso’ Review: Willem Dafoe Stars in Abel Ferrara’s Microbudget ‘Birdman’ — Cannes
‘Frankie’ Review: Isabelle Huppert Delivers Her Most Vulnerable Performance Ever
‘Young Ahmed’ Review: Dardenne Brothers Deliver a Suspenseful Terrorist Coming-of-Age Tale
Interviews
Cannes’ Thierry Fremaux on Quentin Tarantino, Netflix, and the Future of Cinema
Cannes Artistic Advisor Stephanie Lamome: ‘We Never Have a Discussion About a Filmmaker’s Gender’
Bill Murray Says He’s Ready to Do Another ‘Ghostbusters’: ‘It Paid For My Son’s College’
Dexter Fletcher Says ‘Rocketman’ Is the R-Rated Musical ‘Bohemian Rhapsody’ Couldn’t Be
‘The Lighthouse’ Ignites Cannes, Along With Robert Pattinson and Willem Dafoe Oscar Talk
Asif Kapadia Says ‘Diego Maradona’ Is Bigger Than ‘Senna’ and ‘Amy’ Combined
Five Things Tilda Swinton Loves About Cannes
Features
Cannes: Meet the Directors Competing for the Palme d’Or in 2019
Cannes 2019: 15 Most Anticipated Films At This Year’s Festival
Cannes 2019: Meet the 15 Female Filmmakers Premiering Films at the Festival
Cannes Has Plenty of Titles for Sale, But Fewer of the Ones That Buyers Want
Cannes Cinematography Survey: Here’s the Cameras and Lenses Used to Shoot 54 Films
The 20 Craziest Movie Posters at Cannes 2019
Cannes 2019 Palme d’Or Contenders: Here’s a Look at the Likely Winners
20 Cinematographers You Should Know at Cannes 2019
Podcasts
Cannes 2019: Why This Year’s Lineup Holds a Lot of Potential — IndieWire’s Movie Podcast
Cannes 2019: Why Elton John Wasn’t the Only Big Story at the Start of the Festival
Press Conferences, Panels, and Events
Selena Gomez Says Social Media Is ‘Terrible’ For Younger Generations
Cannes: Jim Jarmusch Confronts the End of the World Amid Faint Praise for His ‘The Dead Don’t Die’
Taron Egerton Reacts to Crying After ‘Rocketman’ Cannes Premiere and Going Viral
Elton John’s ‘Rocketman’ Rocks Cannes and Embarks on Its Road to Awards
Miles Teller: Nicolas Winding Refn ‘Lost His Mind’ Making TV Series ‘Too Old To Die Young’ — Cannes
Nicolas Winding Refn on His Alejandro Jodorowsky-Endorsed Move to Streaming: ‘This Is the Future’
Festival News, Clips, Trailers, Posters, and More
‘And Then We Danced’ Trailer: First Look at Georgian Gay Dance Romance Ahead of Cannes Debut
‘Family Romance, LLC’ Trailer: Werner Herzog’s Secretive Japan Project Is Here
‘For Sama’ Trailer: Syria’s Ongoing Conflict Gets a Female Face
‘The Dead Don’t Die’ Official Trailer: Jim Jarmusch’s Wild, Star-Studded Zombie Romp Opens Cannes
Cannes: ‘Frankie’ Filmmaker Ira Sachs Introduces His Sprawling Family Dramedy Cast
A Hidden Life’ First Reactions: A Return to Form for Terrence Malick
Acquisitions
HBO Lands Asif Kapadia’s Hot Cannes Documentary ‘Diego Maradona’
Amazon Studios Acquires Ladj Ly’s ‘Les Misérables’ — Cannes
With Fox Searchlight Behind It, Terrence Malick’s ‘A Hidden Life’ Could Go Far
Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.