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‘Briarpatch’ Stars Discuss USA Network’s Upcoming Murder Mystery Series

TCA: An eclectic crime show full of roving zoo animals, and the show's cast is acutely aware of how strange it all seems.

Andy Greenwald, Rosario Dawson, Jay R. Ferguson and Kim Dickens of USA Network's 'Briarpatch'NBC Universal TCA Winter Press Tour, Panels, Los Angeles, USA - 11 Jan 2020

Andy Greenwald, Rosario Dawson, Jay R. Ferguson and Kim Dickens discuss “Briarpatch” at the Television Critics Association 2020 Winter Press Tour in Pasadena Saturday.

Michael Buckner/Variety/Shutterstock

Briarpatch” follows Allegra Drill (Rosario Dawson), who works to uncover her assassinated sister’s murderers. It’s a murder mystery — simple enough — but it’s also a show where giraffes, kangaroos, and other zoo animals roam the streets while an increasingly eccentric cadre of characters butt heads with the no-nonsense heroine. It’s pretty strange, and the “Briarpatch” cast is keenly aware of that.

Dawson joined “Briarpatch” showrunner Andy Greenwald and series costars Kim Dickens and Jay R. Ferguson to discuss the upcoming USA Network 10-episode anthology series during NBC’s final panel at the Television Critics Association 2020 Winter Press Tour in Pasadena Saturday evening.

“This is the town that will respond to something inexplicable and wild and maybe beautiful with brutality,” Greenwald said during the “Briarpatch” TCA panel.

A cursory glance at the anthology series series makes its violent and occasionally surreal influences clear. The show is unapologetically pulpy: The TCA trailer was full of giant, excitable yellow text that screams Quentin Tarantino; Dawson strides through gritty corridors and meets all manner of presumably unscrupulous individuals.

Although “Briarpatch” doesn’t lack for violence, Greenwald said he aimed to create a nuanced, character-driven series that offered a contemporary adaptation on the 1984 novel of the same name. For example, Dawson replaces the original novel’s male protagonist, and though the series’ plot still hinges on the “dead girl” trope, Dawson stressed that its characters were fully-fleshed out and subverted typical character stereotypes.

“It’s a learning experience for Allegra to have to come to terms with her culpability and what unfolded with her sister,” Dawson said. “I think everyone becomes a very well-rounded human being who is complex and nuanced. We don’t often get a chance to do that in a short-form story, but having the time to really make choices, make a conclusion and get answers to our questions was a compelling experience for my character.”

Although the series promises a variety of twists, turns, and deceit, Dawson added that the series tells a complete story and does not end on a cliffhanger.

Critics had the opportunity to review the show’s first two episodes several months ago; IndieWire’s Ben Travers praised the series’ eclectic blending of genres in his September review.

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