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All the Details on Andrew Dominik’s NC-17 Marilyn Monroe Portrait ‘Blonde,’ Starring Ana de Armas

Ana de Armas stars as Marilyn Monroe in Andrew Dominik's "Blonde."

Blonde, Ana de Armas



Andrew Dominik’s “Blonde” has already been attached to a few bombshells — and that’s not even counting its subject, Marilyn Monroe.

Ana de Armas is set to play the “Some Like It Hot” star in the adaptation of Joyce Carol Oates’ 2000 book. The film stirred controversy surrounding de Armas’ casting as the iconic actress, as well as the material of Oates’ fictionalized telling of Monroe’s journey through a series of abusive relationships.

De Armas was announced to play Norma Jeane (Monroe’s real first name purposefully misspelled by Oates with an extra “e” at the end of Jean) in 2019, with the film originally set for a 2021 release. The Netflix film has since been pushed to September 28, 2022 release.

Director Dominik selected de Armas after almost a decade of trying to cast the lead role. Jessica Chastain and Naomi Watts had reportedly been attached to the film, which was in development since 2010. De Armas snagged the role in 2019. Adrien Brody, Bobby Cannavale, and Julianne Nicholson also co-star as real-life figures in Monroe’s life.

“Blonde” has made waves with rumors of NC-17 rated sex scenes and the physical transformation of “No Time to Die” Bond girl de Armas into silver screen legend Monroe. The NC-17 rumors are true, as Netflix has confirmed the film’s rating due to “for some sexual content.”

Keep reading to see everything we know so far about “Blonde.”

Writer-Director Andrew Dominik Saw ‘Blonde’ as a ‘Sympathetic’ Serial Killer Saga

Blonde, Ana de Armas



Andrew Dominik was determined to make a serial killer movie prior to reading Joyce Carol Oates’ “Blonde” portrait of Marilyn Monroe. “I had always wanted to do a story about childhood trauma and how that shapes an adult’s perception of the world; to make a film from within a person’s mythology,” Dominik told Deadline. “My original idea was to do that for a serial killer, but when I read ‘Blonde’ I thought, well, I could do this with an actress and it should be slightly more sympathetic. So, that’s where it came from.”

The writer-director also utilized experiences with former girlfriends to shape Ana de Armas as Monroe’s “mythological” worldview onscreen. “The experience of life that was described reminded me of the sort of things my girlfriends would say when they would describe their lives and their mythological take on their lives,” Dominik said. “It was very similar to ‘Blonde.’ So, it was sort of easy to become obsessed with it. Through that I got interested in Marilyn Monroe.”

Ana de Armas Still Dreams of Marilyn Monroe

Blonde, Ana de Armas



After wrapping production on “Blonde,” Ana de Armas still can’t shake the sensation that Marilyn Monroe is with her.

“I felt that I was living that, I felt that heaviness and that weight in my shoulders and that sadness that was hard to shake off, but I don’t think I wanted to either. I didn’t want to protect myself from that,” de Armas explained at the Venice Film Festival premiere for the Netflix film, via Deadline.

De Armas added that she sought to be “understanding, empathizing, and connecting with her pain and her trauma” portraying Norma Jeane in the portrait of late film icon Monroe. “I knew I had to let myself open and go to places that I knew were going to be uncomfortable, dark, and vulnerable. That’s where I found the connection with this person.”

And according to de Armas, Monroe even was part of production.

“She was all I thought about, she was all I dreamed about, she was all I could talk about,” de Armas shared. “She was with me and it was beautiful. I think she was happy.”

The “Blonde” Cast Felt Marilyn Monroe’s Ghost on Set

Blonde, Ana de Armas



Lead star Ana de Armas mused on the legacy of Marilyn Monroe during a press conference for the Venice Film Festival world premiere of the Netflix film. “I truly believe that she was very close to us, she was with us,” de Armas said of late Monroe’s presence on set, via Deadline. “Being in the same places that she was, filming in her house, it was a very strong sensation there was something in the air and I think she was approving of what we were doing.”

Writer-director Andrew Dominik added, “We were kind of chasing her ghost around. Her dust is everywhere in Los Angeles.”

Ana de Armas Got ‘Uncomfortable’ Playing Marilyn Monroe

Blonde. Ana de Armas as Marilyn Monroe. Cr. Netflix © 2022

Ana de Armas as Marilyn Monroe in “Blonde”

2022 © Netflix

While Ana de Armas remains baffled by the NC-17 rating for Netflix’s “Blonde,” the actress opened up about the intensity of taking on Marilyn Monroe’s legacy for the Andrew Dominik-directed feature.

“I didn’t grow up knowing Marilyn or her movies,” de Armas opened up to L’Officiel. “I am proud to have Andrew’s trust and the chance to pull it off. I feel like whether you’re a Cuban or an American actress, anyone should feel the pressure. My job wasn’t to imitate her. I was interested in her feelings, her journey, her insecurities, and her voice, in the sense that she didn’t really have one.”

As for the rating, de Armas admitted, “I didn’t understand why that happened. I can tell you a number of shows or movies that are way more explicit with a lot more sexual content than ‘Blonde.’ But to tell this story it is important to show all these moments in Marilyn’s life that made her end up the way that she did. It needed to be explained.”

She continued, “Everyone [in the cast] knew we had to go to uncomfortable places. I wasn’t the only one.”

And while de Armas is leading “John Wick” spin-off “Ballerina,” “Ghosted,” and starred in “The Gray Man,” she added, “Not everything is superhero movies and action films. I’m happy to be a part of them, but there’s something else that I yearn for, and that’s other films with directors like Andrew.”

Andrew Dominik Was Originally “Concerned” About Ana de Armas’ Accent

Blonde, Ana de Armas



Ana de Armas recently told The Los Angeles Times that she practiced her Marilyn Monroe accent three hours per day with a vocal coach on the set for “Knives Out.”

“Someone’s voice is more than just a specific accent. It says so much more about a person,” de Armas shared, citing she was observing how Monroe spoke, not just what she sounded like. Writer-director Andrew Dominik noted that he initially had “concerns” over whether Cuban actress de Armas could master Monroe’s accent.

“I had concerns, until I saw her act, then I forgot what I was supposed to be concerned about,” Dominik explained. And while first teaser for the film launched a social media debate about de Armas’ take on the late “Some Like It Hot” star, Dominik clarified: “We felt that we were dealing with Norma Jeane and Norma should sound less like a cartoon of Marilyn Monroe.”

Marilyn Monroe Estate Stands By Ana de Armas’ Casting

Blonde, Ana de Armas



While “Blonde” is an unauthorized portrait of the late Marilyn Monroe, the official Marilyn Monroe Estate issued a statement applauding de Armas’ portrayal of the screen icon. De Armas’ Cuban accent drew controversy over the first trailer released, prompting the estate to weigh in.

“Marilyn Monroe is a singular Hollywood and pop culture icon that transcends generations and history,” Marc Rosen, president of entertainment at Authentic Brands Group (ABG), which owns the Marilyn Monroe Estate, said in a press statement. “Any actor that steps into that role knows they have big shoes to fill. Based on the trailer alone, it looks like Ana was a great casting choice as she captures Marilyn’s glamour, humanity, and vulnerability. We can’t wait to see the film in its entirety!”

Producer Brad Pitt Praises de Armas’ “Phenomenal” Tenacity as Monroe

Blonde, Ana de Armas



Plan B producer Brad Pitt gushed to Entertainment Tonight over how Ana de Armas transformed the “Blonde” production. “She is phenomenal in it,” Pitt explained. “That’s a tough dress to fill.”

In fact, it was de Armas’ take on Monroe that led to “Blonde” being made in the first place. “It was 10 years in the making,” Pitt revealed. “It wasn’t until we found Ana that we could get it across the finish line.”

The Film Is Based on Joyce Carol Oates’ Novel

THE SEVEN YEAR ITCH, Marilyn Monroe, Tom Ewell, 1955, TM & Copyright (c) 20th Century Fox Film Corp. All rights reserved."

“The Seven Year Itch”

©20thCentFox/Courtesy Everett Collection

Joyce Carol Oates’ “Blonde” is a fictionalized narrative of Monroe’s life, starting with her relationship with her father and ending in her alleged assassination. Per Vogue, Oates first conceived of the novel after seeing a photograph of a 15-year-old Norma Jean Baker winning a beauty contest in California in 1941.

As in Oates’ 700-page book, the players in Monroe’s life are all identified only by nicknames. Dominik’s film adaptation is similarly steering clear of actual names, with Bobby Cannavale playing “The Ex-Athlete” Joe DiMaggio, Adrien Brody is “The Playwright” Arthur Miller, and Caspar Phillipson stars as “The President” John F. Kennedy.

Brad Pitt Reunites with Andrew Dominik to Produce

THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD, director Andrew Dominik, on set, 2007. ©Warner Bros./Courtesy Everett Collection

Andrew Dominik

©Warner Bros/Courtesy Everett Collection

After collaborating on “The Assassination of Jesse James by the Coward Robert Ford” and “Killing Them Softly,” Brad Pitt teams up once more with director Dominik for “Blonde,” albeit their time behind the camera. Pitt’s Plan B production company officially is producing the movie.

Ana de Armas Is a “Groundbreaking” Marilyn Monroe

Ana de Armas attends the 'Hands of Stone' premiere at SVA Theatre on August 22, 2016 in New York. | Verwendung weltweit Photo by: Dennis Van Tine/Geisler-Fotopress/picture-alliance/dpa/AP Images

Ana de Armas

Dennis Van Tine/Geisler-Fotopress/picture-alliance/dpa/AP Images

Director Dominik knew that Cuban actress de Armas was “the one” to play Monroe after just a single audition. De Armas gushed to Vanity Fair that the opportunity to take on the legendary star is a career-making task.

“I knew I could do it. Playing Marilyn was groundbreaking, a Cuban playing Marilyn Monroe,” de Armas said in 2020. “I wanted it so badly. You see that famous photo of her and she is smiling in the moment, but that’s just a slice of what she was really going through at the time.”

De Armas’ “Knives Out” co-star Jamie Lee Curtis, whose father Tony Curtis starred opposite Monroe in “Some Like It Hot,” praised de Armas’ portrayal, saying, “I dropped to the floor. I couldn’t believe it. Ana was completely gone. She was Marilyn.”

The Transformation into Marilyn Was “Exhausting”

Ana de Armas arrives at the KNIVES OUT Los Angeles Premiere held at the Barker Hangar in Santa Monica, CA on Sunday, ​November 10, 2019. (Photo By Sthanlee B. Mirador/Sipa USA)(Sipa via AP Images)

Ana de Armas

Sipa USA via AP

De Armas revealed to Byrdie that she wore a bald cap to conceal her natural brunette shade while starring as the titular blonde bombshell.

“[Marilyn] went through different shades of blonde from golden to really platinum, so for these wigs that are beautifully made, you can’t have anything dark underneath, so we had to make a bald cap every single day from my forehead to [around] my whole head,” de Armas said.

The hairstyle was only part of the three-and-a-half hours of makeup every day.

The “Disturbing” Film Gets Joyce Carol Oates’ Stamp of Approval

This Nov. 16, 2019 photo shows actress Ana de Armas posing for a portrait to promote her film "Knives Out" at The Four Seasons Hotel in Los Angeles. (Photo by Rebecca Cabage/Invision/AP)

Ana de Armas

Rebecca Cabage/Invision/AP

Author Oates shared her reaction to the film after watching a rough cut in August 2020. “It is startling, brilliant, very disturbing and perhaps most surprisingly an utterly ‘feminist’ interpretation,” Oates tweeted. “Not sure that any male director has ever achieved anything [like] this.”

By September 2021, Oates tweeted that the presumably final film is “an exquisite portrait of Marilyn Monroe by Ana de Armas & director Andrew Dominic; one without the other could perhaps not have worked this magic. The tone of the film is hard to classify, not surreal but not totally realistic, not ‘horror’ but suffused with the dread of horror.”

Andrew Dominik Shut Down Rumors of Graphic Sex Scenes, but Confirmed NC-17 Content

THE ASPHALT JUNGLE, Louis Calhern, Marilyn Monroe, 1950

“The Asphalt Jungle”

Courtesy Everett Collection

While Dominik has described “Blonde” as an “emotional nightmare fairy-tale type movie,” he did clarify that some rumors around assault scenes are inaccurate. The writer-director previously said the NC-17 rating rumor was “horseshit,” but during an interview with Screen Daily in February 2022, Dominik confirmed the mature content.

“It’s an NC-17 movie about Marilyn Monroe, it’s kind of what you want, right? I want to go and see the NC-17 version of the Marilyn Monroe story,” Dominik said.

However, the “Mindhunter” director clarified that the rumor of a scene featuring menstrual cunnilingus is just “hilarious.” Meanwhile, a rape scene involving a studio executive, played by David Warshofsky, is confirmed, and comes from Oates’ book.

“It’s a demanding movie,” Dominik said. “If the audience doesn’t like it, that’s the fucking audience’s problem. It’s not running for public office.”

The Release of “Blonde” Depends on Netflix

HOW TO MARRY A MILLIONAIRE, Marilyn Monroe, David Wayne, 1953, TM and Copyright (c) 20th Century-Fox Film Corp. All Rights Reserved

“How to Marry a Millionaire”

©20thCentFox/Courtesy Everett Collection

In 2021, Netflix reportedly declined to screen “Blonde” at the Cannes Film Festival, along with Jane Campion’s “The Power of the Dog,” due to the strict theatrical release laws in France.

“[Netflix] said, ‘We’ll put the movie in theaters for eight months before we bring it out on the platform,’” Dominik told Screen Daily.

The streaming platform has to adhere to a 15-month window between a film’s release on its French arm of Netflix and a theatrical release. Cannes also requires all films screening in Competition to commit to a full theatrical release in France.

Per Dominik, Cannes festival director Thierry Frémaux “loves” the Joyce Carol Oates adaptation. Frémaux previously told Deadline that “Blonde” could have been part of 2021 Cannes.

“It’s beautiful, I saw it, and I invited those films Out of Competition,” Frémaux said in June 2021. “Netflix doesn’t want to come to Cannes, but I invited them anyway and alas…It’s important, it’s not us refusing Netflix movies, it’s Netflix who doesn’t want or can’t…They want to come in Competition but films that are part of the Competition must be released [theatrically] in France.”

This year, “Blonde” also will not premiere at 2022 Cannes.

Additionally, Dominik noted that streaming giant Netflix “insisted” on hiring “Tenet” editor Jennifer Lame “to curb the excesses of the movie,” which has delayed its release. Regardless, Dominik noted that he has “nothing but gratitude for Netflix” overall.

“Blonde” Teaser Goes Viral

Blonde, Ana de Armas

The first look at Ana de Armas as Marilyn Monroe sent the Internet into a tizzy when the teaser trailer dropped on June 16. “Blonde” will officially debut September 23 on Netflix. The first footage shows Monroe (de Armas) being attacked by paparazzi and quickly turning from crying to laughing before going onstage.

Adrien Brody Promises “Controversy” Over Netflix Film

Blonde, Ana de Armas



“Blonde” star Adrien Brody, who plays Marilyn Monroe’s ex-husband playwright Arthur Miller, revealed to Deadline that the upcoming Netflix film will be sure to challenge audiences’ perceptions of Monroe.

“There will be some controversy with that one, I’m sure,” Brody said during the “Actor’s Side” podcast.

Joyce Carol Oates Hints Film Shows Marilyn Monroe Dying of “Extreme Despair”

Blonde, Ana de Armas



The “Blonde” author told audiences while at the 21st Neuchâtel Intl. Fantastic Film Festival in Switzerland that writer-director Andrew Dominik fully “immersed himself” in the perspective of a fictionalized Marilyn Monroe. Joyce Carol Oates praised Dominik for straying away from a “male gaze” of the blonde bombshell and for a “wonderful” Ana de Armas to embody Monroe’s endurance in the spotlight. According to Oates, via Variety, De Armas underwent four hours of makeup to transform into Monroe, much like how Norma Jeane Baker in Oates’ portrait of Monroe similarly had to turn into her stage persona for the public.

“It’s like a fantastic image, but to make it a livelihood is to endure a good deal of anguish,” Oates explained. “As Marilyn got older, she was still being given these roles a young starlet would play, and she was feeling humiliated. You can’t keep playing this dumb blonde nearing the age of 40. Some people say she committed suicide. I don’t necessarily think that. I think she may have died of something like extreme despair.

Oates summed up, “She gained a fame in the world, but that’s not an identity you can live with. It is one that made a lot of money for a lot of men, but not much for herself. When she died, at 36, she didn’t own enough money for a proper funeral.”

“Blonde” Set to Debut at 2022 Venice Film Festival

Blonde, Ana de Armas



Andrew Dominik’s “Blonde” will be making its world premiere at Venice Film Festival this fall, as Variety first reported. “Don’t Worry Darling,” “White Noise,” “Bardo,” and “Bones and All” are similarly expected to debut during the festival.

“Blonde” will premiere In Competition for the 79th annual festival.

The news comes after Dominik alleged Netflix turned down two Cannes Film Festival premieres, one in 2021 due to editing delays mandated by the streamer, and the 2022 festival presumably due to the streaming policy in France.

“It’s beautiful, I saw it, and I invited those films Out of Competition,” Cannes head Thierry Fremaux said in June 2021. “Netflix doesn’t want to come to Cannes, but I invited them anyway and alas…It’s important, it’s not us refusing Netflix movies, it’s Netflix who doesn’t want or can’t…They want to come in Competition but films that are part of the Competition must be released [theatrically] in France.”

Netflix recently confirmed a deal that the streamer can show movies 15 months after their theatrical release in France on the streaming platform, ending the previous 36-month window between theatrical and streaming.

Fremaux later told IndieWire’s Eric Kohn that he had hoped to show both “Blonde” and Alejandro Iñarritu’s “Bardo” in competition this year. Kohn wrote, “Netflix continues to avoid Cannes even as Fremaux attempts to lure films from the streamer, striking a conciliatory tone — again, an extension of the festival’s industry-first mentality. In recent years, even the French industry has grown more comfortable with the supremacy of streaming platforms, and last year Netflix committed to investing $45 million annually in French productions.”

Fremaux stated, “I subscribe to all the platforms. It is an invention with formidable efficiency for the cinema. … Going to war with them would be a mistake.”

First Look at Adrien Brody as Arthur Miller

Blonde, Adrien Brody and Ana de Armas



Adrien Brody portrays Marilyn Monroe’s husband, playwright Arthur Miller, in the Netflix film. Monroe wed Miller in 1956 and later filed for divorce in 1961. The “Death of a Salesman” and “The Crucible” writer was 10 years Monroe’s senior. Monroe died two years after their split in 1962, with Miller famously refusing to attend her funeral.

“Instead of jetting [from New York] to the funeral to get my picture taken, I decided to stay home and let the public mourners finish the mockery,” Miller wrote in an essay, via The Independent. “Not that everyone there will be false, but enough. Most of them there destroyed her, ladies and gentlemen. Now as you stand there weeping and gawking, glad that it is not you going into the earth, glad that it is this lovely girl who you at last killed.” Miller died in 2005.

Netflix Unveils Behind-the-Scenes Production Images

Blonde, Andrew Dominik, Ana de Armas, Bobby Cannavale

Andrew Dominik directs Bobby Cannavale and Ana de Armas on the “Blonde” set


Netflix released two photos showcasing the luxe production behind “Blonde.” The first image captures writer-director Andrew Dominik behind the monitor to film Ana de Armas as Monroe and Bobby Cannavale as Joe DiMaggio on set.

Blonde, Choreographer Denna Thomsen and Ana de Armas as Marilyn Monroe

Choreographer Denna Thomsen and Ana de Armas as Marilyn Monroe on the “Blonde” set


The second image includes choreographer Denna Thomsen teaching de Armas how to perfect the “Diamonds Are a Girl’s Best Friend” song and dance number from “Gentlemen Prefer Blondes.”

Ana de Armas Poses as Marilyn Monroe for Vintage Pinup Posters







Ana de Armas showed off her transformation into blonde bombshell Marilyn Monroe for two press images channeling the vintage posters model-actress posed for.

Official Trailer Drops

Marilyn Monroe is forging her way through the “Asphalt Jungle” of Hollywood, one misstep at a time in the official trailer for the highly-anticipated film. Being told that “it’s time” to transform into her onstage persona, de Armas as Monroe stuns in the emotional trailer for Andrew Dominik’s epic period piece, releasing September 28.

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