Despite lengthy COVID delays and a seemingly cursed cast, “Death on the Nile” turns out to be the best Kenneth Branagh movie of the last six months.
Waltz casts himself as an obsequious political grifter in a modest directorial debut that loses interest in itself by the end.
Brie Larson has all the right stuff, but she can’t save this generic Avengers prequel from being among the most disappointing Marvel movies.
Adam Driver and Annette Bening carry a dry and rigorous investigation of CIA torture that makes “Spotlight” feel like a Fellini movie, but that’s why it works.
Mike Mills started writing about his mother and sister, but trusted two powerful actresses to bring new characters to life on film.
Less twee and more textured than “Beginners,” Mills’ new film is a densely layered delight that’s topped off with killer performances.
A24 chose a December 25 release for awards candidate “20th Century Women,” making it one of nine limited-release awards titles in a two-week period.
Oscar trackers: A24 will shepherd another likely fall festival contender.
