How David Mackenzie Salvaged ‘Outlaw King’ After the Netflix Oscar Hopeful Crashed and Burned
After a brutal TIFF premiere, “Outlaw King” director David Mackenzie went back into the editing room to save the biggest film of his life.
Archives | Chris Pine
‘Outlaw King’ Review: Netflix’s Lame ‘Braveheart’ Spinoff Will Force You to Admit that Mel Gibson Did It Better — TIFF
David Mackenzie and Chris Pine re-team for a gritty “Braveheart” spinoff that will reluctantly make you concede Mel Gibson did it better.
‘A Wrinkle in Time’ Review: Ava DuVernay’s Eye-Popping Spectacle Proves that a Little Imagination Can Go a Long Way
Reese Witherspoon transforming into a giant piece of kale is only the beginning of what this strikingly unique blockbuster has in store.
CinemaCon 2017: From Jack Sparrow to VOD Debates, Here Are the Winners and Losers From This Year’s Gathering
Who came out ahead at the exhibitors convention in Las Vegas?
‘Hell or High Water’ Stars Jeff Bridges and Chris Pine Reveal Why the Film Hits Hard in 2016 — Video Interview
With critical support, “Hell or High Water” has the potential to be this year’s little indie that could.
Governors Awards: Inside Hollywood’s Attempt to Clear Post-Election Fog and Kickstart Oscar Race
During uncertain times, the Hollywood community came together Saturday at the Academy’s annual honorary awards dinner in order to give and chase Oscars, as well as an inclusionary forward agenda.
‘Hell or High Water’: How David Mackenzie Shot the Indie Hit of the Year
Cinematographer Giles Nuttgens finds a Texas trapped in time and hopelessness in the contemporary Western directed by fellow Scotsman David Mackenzie.
‘Hell or High Water’ Is The Indie Box-Office Hit of 2016, and Here’s How Taylor Sheridan Wrote It
A life spent as a TV actor on “Sons of Anarchy” and “CSI” prepared this screenwriter to write the biggest indie hit of 2016.
‘Hell or High Water’ Director David Mackenzie Breaks Down the Film’s Tense Opening Scene — Watch
Chris Pine and Ben Foster are clearly “up to no good.”
Arthouse Audit: Natalie Portman’s ‘A Tale of Love and Darkness’ Tops Limited Openers
Western “Hell or High Water” expands well as several Sundance hits, including Werner Herzog’s latest doc, “Lo and Behold,” go multi-platform.
Weekend Box Office Takeaways: What’s Smarter Bet? Costly Franchise ‘Star Trek Beyond’ or Low-Budget Horror Flick ‘Lights Out’?
Studios throw gobs of cash at tentpoles that don’t always pay off, while low-budget genre flicks like ‘Lights Out” can be huge moneymakers.
‘Star Trek Beyond’ Director Justin Lin Finds the Human in the Epic
Justin Lin brought a family feel and focus on characters to his “deconstruction” of “Star Trek,” as he did on the “Fast and Furious” franchise.
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Final Trailer for ‘Star Wars: Rise of the Skywalker’ Brings Back Luke, Leia and Palpatine
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‘The Deuce’ Recap: A Bitter End
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Donald Trump Tells Sean Hannity He’ll “Terminate” New York Times, Washington Post (Subscriptions, That Is)
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The Good Doctor Recap: [Spoiler] Pays Shaun a 'Visit' Before His First Surgery — Is It an 'Easy-Peasy' Procedure?
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‘The Voice’ battle: Choosing between Marina Chello and Ricky Duran is ‘literally awful’ for Blake Shelton [WATCH]
