Reese Witherspoon transforming into a giant piece of kale is only the beginning of what this strikingly unique blockbuster has in store.
Who came out ahead at the exhibitors convention in Las Vegas?
With critical support, “Hell or High Water” has the potential to be this year’s little indie that could.
During uncertain times, the Hollywood community came together Saturday at the Academy’s annual honorary awards dinner in order to give and chase Oscars, as well as an inclusionary forward agenda.
Cinematographer Giles Nuttgens finds a Texas trapped in time and hopelessness in the contemporary Western directed by fellow Scotsman David Mackenzie.
A life spent as a TV actor on “Sons of Anarchy” and “CSI” prepared this screenwriter to write the biggest indie hit of 2016.
Chris Pine and Ben Foster are clearly “up to no good.”
Western “Hell or High Water” expands well as several Sundance hits, including Werner Herzog’s latest doc, “Lo and Behold,” go multi-platform.
Studios throw gobs of cash at tentpoles that don’t always pay off, while low-budget genre flicks like ‘Lights Out” can be huge moneymakers.
Justin Lin brought a family feel and focus on characters to his “deconstruction” of “Star Trek,” as he did on the “Fast and Furious” franchise.
Justin Lin’s sci-fi odyssey is lighter and funnier than previous installments, which is the best thing it has going for it.
