Milla Jovovich | Actors

Film

Dane DeHaan and Cara Delevingne in "Valerian."

Luc Besson Movies Ranked from Worst to Best

From disasters like “The Family” to modern classics like “The Fifth Element,” the “Valerian” auteur has forged quite the unique filmography.

Jul 20, 2017 10:54 am /

Emmys: Donald Glover and Rachel Brosnahan Appear to Be Comedy Locks, But Spoilers Lurk — Screen Talk Emmy Edition

Episode 11: Don’t count out Bill Hader, Tracee Ellis Ross and other strong contenders in the comedy performer races, however.

‘Insatiable’: Gauging the Odds for Season 2 After What Looked Like a Disastrous Debut

By all measurable metrics, “Insatiable” was a disaster for Netflix, but that doesn’t mean Season 2 is off the table. — Very Good TV Podcast

Best Popular Film Oscar: Why the Academy Can Do Better Than This — IndieWire’s Movie Podcast

Screen Talk, episode 209: The announcement about the new Oscar for “Best Popular Film” has mortified the film industry. But what’s really at stake here?

Jennifer Lopez on Why ‘Shades of Blue’ Is Ending, and What Convinced Her to Become a TV Judge Again — Turn It On Podcast

“Shades of Blue” is over, but Lopez’s “World of Dance” continues as a big hit for NBC. As she winds down three years of both her drama series and her Vegas residency, here’s what’s next for the superstar.

Emmys 2018: 19 Beautiful Shots From Every Best Cinematography Nominee

This year, 19 cinematographers received Emmy nominations for their work in one of three categories: Outstanding Cinematography for a Single-Camera Series (Half-Hour), Single-Camera Series (One Hour), and Limited Series or Movie.

Solange Saves the Day: Indie Filmmakers Break Down Their Approaches to Engaging Audiences in Unexpected Places

Find out how Solange changed Yance Ford’s approach to using social media, Flavio Alves raised over $100,000 on eBay, and Eliza Hittman laid meaningful roots through college campus screenings.

‘BlacKkKlansman’: Spike Lee Sought Out the Radical Cinematographer Who Shot Beyoncé’s ‘Lemonade’

Cinematographer Chayse Irvin's free-form approach to images is unconventional, but it was a perfect fit for Lee's timely film.