Timothée Chalamet and Elle Fanning show up onscreen swaddled in tweed and smelling of mothballs in Allen’s antiquated comedy, which has no U.S. distributor but opens this week in Paris.
Venice: Mark Rylance, Robert Pattinson, and Johnny Depp lead Guerra’s first English-language film, an adaptation of J.M. Coetzee’s novel.
Last year, it launched “Killing Eve.” Now, Canneseries is growing its ambition.
The 68-year-old one-time critic faces a lot of controversy this year, but he’s ready to face the hard questions.
Venice: Minervini’s verité-influenced film leans hard on its lush black and white cinematography in its attempt to offer a snapshot of African-American life in the Deep South.
The expansive, exhaustive, and extraordinarily thorough portrait of early 19th-century political activism is also bloody well dull.
Taika Waititi also spoke about his ability to appreciate tragic films, even though he has a comedy background.
Claire Foy stars in this satisfying genre trip in which the boundary between reality and fantasy is suspect.
The “Crank” co-director is back with another wacky, boundary-pushing cinematic experience.
The movie may be a soft lob down the middle, but Close makes something more out of it.
The “Blue is the Warmest Color” director’s latest film is problematic beyond showing a lot of young skin.
The auteur’s super-secret new psychological horror is a nightmarish dreamscape. It does not disappoint.
