Alicia Vikander on Taking Her Turn in the Metaverse with HBO’s ‘Irma Vep’
Vikander and director Oliver Assayas talk to IndieWire about life imitating art imitating life.
Ben Croll
‘Forever Young’ Review: Valeria Bruni Tedeschi’s Intimate Acting School Drama Is Her Best Film Yet
Cannes: The filmmaker and actress’ semi-autobiographical look at a tony French acting school eschews bigger questions for more pressing emotions.
‘Jerry Lee Lewis: Trouble in Mind’ Review: Ethan Coen’s Slim Doc Is at the Mercy of Its Wild Subject
Cannes: The rock doc is an amiable and easy watch that doesn’t dig too deeply into the darker corners of its indelible subject.
‘Brother and Sister’ Review: A Greatest Hits Retread Means a Lesser Effort from Arnaud Desplechin
Cannes: The beloved French director recycles themes from “Kings and Queen” and “A Christmas Tale” to disappointing effect.
‘This Much I Know to Be True’ Review: Andrew Dominik’s Second Nick Cave Doc Is a Joy from Start to Finish
Andrew Dominik returns to make a second documentary about Nick Cave, this one as joyous as the last one was filled with grief.
‘Leonora Addio’ Review: Paolo Taviani Honors His Brother, a Sicilian Poet, and Film Itself in Uneven Travelogue
Berlin: Taviani never stops finding new ways to evoke his loss, just as the film proper never stops reinventing itself.
‘Coma’ Review: Bertrand Bonello’s Destabilizing COVID Doodle Feels Like 80 Minutes of Doomscrolling
Berlin: The “Nocturama” director captures the anxiety of isolation in a sketchy film that features one of Gaspard Ulliel’s final roles.
‘Dark Glasses’ Review: Dario Argento’s Spiky Little Giallo Isn’t Exactly a Return to Form
Berlin: A film like this is not meant to pull on heartstrings; it’s meant to sever them.
‘Incredible but True’ Review: A Youth-Obsessed Time-Travel Farce That Knows Not to Overstay Its Welcome
Berlin: Quentin Dupieux returns with another singular, small-scaled achievement.
‘Peter von Kant’ Review: Francois Ozon Takes on Fassbinder in an Experimental Gender-Swapped Drama
Berlin: France’s most prolific contemporary filmmaker offers up a playful but reverent remake of Rainer Werner Fassbinder’s “The Bitter Tears of Petra von Kant.”
‘Another World’ Review: Vincent Lindon Stars in a Portrait of Ice-Cold Contempt
Venice: Stéphane Brizé follows up “At War” with a caustic, captivating performance unlike anything he has tried before.
‘The Last Duel’ Review: Forget the Bad Hair, Ridley Scott’s Epic Is Heir to a Tradition of Movies for Adults
A film that’s all too rare on the current field of Hollywood battle, Ridley Scott’s medieval epic more than survives its ghastly hairpieces.
Newswire
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‘Nude Tuesday’: Comedy Veteran Julia Davis on Craft of Subtitling Made-Up Language Film
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Hear Previously-Unreleased Live Version of Sleater-Kinney’s ‘Complex Female Characters’
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‘Modern Love’: Prime Video Relationships Format To Be Remade In Netherlands
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Better Call Saul Boss Breaks Down Gene's Ultimate Fate, Kim's Key Role in the Series Finale — Plus, Grade It!
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WWE Shares Up About 9% as Speculation of a Sale Swirls