Alicia Vikander on Taking Her Turn in the Metaverse with HBO’s ‘Irma Vep’
Vikander and director Oliver Assayas talk to IndieWire about life imitating art imitating life.
Vikander and director Oliver Assayas talk to IndieWire about life imitating art imitating life.
Cannes: The filmmaker and actress’ semi-autobiographical look at a tony French acting school eschews bigger questions for more pressing emotions.
Cannes: The rock doc is an amiable and easy watch that doesn’t dig too deeply into the darker corners of its indelible subject.
Cannes: The beloved French director recycles themes from “Kings and Queen” and “A Christmas Tale” to disappointing effect.
Andrew Dominik returns to make a second documentary about Nick Cave, this one as joyous as the last one was filled with grief.
Berlin: Taviani never stops finding new ways to evoke his loss, just as the film proper never stops reinventing itself.
Berlin: The “Nocturama” director captures the anxiety of isolation in a sketchy film that features one of Gaspard Ulliel’s final roles.
Berlin: A film like this is not meant to pull on heartstrings; it’s meant to sever them.
Berlin: Quentin Dupieux returns with another singular, small-scaled achievement.
Berlin: France’s most prolific contemporary filmmaker offers up a playful but reverent remake of Rainer Werner Fassbinder’s “The Bitter Tears of Petra von Kant.”
Venice: Stéphane Brizé follows up “At War” with a caustic, captivating performance unlike anything he has tried before.
A film that’s all too rare on the current field of Hollywood battle, Ridley Scott’s medieval epic more than survives its ghastly hairpieces.