‘Maniac’ Review: Emma Stone Is as Brilliant as the Worlds Around Her in Netflix’s Imperfect But Intrepid Limited Series
Ambitious and messy, obtuse and on-the-nose, Cary Joji Fukunaga directs a visual spectacular handcuffed by its own big ideas.
Ben Travers
‘American Horror Story: Apocalypse’ Review: The End of the World Is a Campy Delight in Ryan Murphy’s Return-to-Form
Rather than critiquing the state of the world (like in “Cult”), “American Horror Story” finds more fun in nuking it all to hell.
‘American Horror Story: Apocalypse’ Cast Prepares For the World’s End in First-Look Photos
The stars of “Murder House” and “Coven” come together for “American Horror Story: Apocalypse,” and boy does everyone look sharp.
‘Castle Rock’ Review: Season 1 Finale Smartly Fuses Stephen King’s Most Disparate Work for a Haunting End
In a finale likely to be divisive, Sam Shaw and Dustin Thomason craft an ideologically charged ending that’s more thoughtful than terrifying.
‘Black Mirror’ Won the Wrong Emmy Award: Why the TV Academy Needs to Revise Its TV Movie Standards
For the third year in a row, the Emmys’ pick for best TV movie isn’t a movie at all. When will it end?
‘Viper Club’ Trailer: Susan Sarandon and Matt Bomer Go Rogue to Save Her Son in TIFF Hostage Thriller — Watch
Do you trust Edie Falco with $20 million and your son’s life? Of course you do.
‘Black Mirror: USS Callister’ Wins Emmy for Outstanding TV Movie
The Netflix anthology series has won best TV movie in back-to-back years.
‘Rick and Morty’ Wins Emmy for Outstanding Animated Program
Dan Harmon and Justin Roiland’s animated series upset the defending champion “Bob’s Burgers” in its first year nominated at the Emmys.
‘Sorry for Your Loss’ Review: Elizabeth Olsen Is a Grieving Widow With Nothing to Do in Facebook’s Plodding Drama — TIFF
Even with half-hour episodes, “Sorry For Your Loss” can’t find much to say beyond the platitude in its title.
‘Homecoming’ Review: Julia Roberts Shines in Sam Esmail’s Exciting and Eerie Homage to Classic Conspiracy Thrillers — TIFF
Sam Esmail directs the hell out of Amazon’s new series, crafting a gleeful throwback to Hitchcockian cinema that connects with modern Americans’ justified paranoia.
‘The Deuce’ Season 2 Review: Maggie Gyllenhaal Is Operating on a Whole Other Level in the Hypnotic HBO Drama
The producer and star of “The Deuce” is so at one with her story, character, and the series overall that every moment — every movement — carries surprising significance.
Fall TV Preview: The 20 Most Anticipated Returning Shows, and What to Expect This Season
Mark your calendar: “The Deuce,” “Shameless,” “Big Mouth,” “This Is Us,” “House of Cards,” and other favorites have big returns in store.
