The Oscar-winning prosthetic makeup artist is the frontrunner again this year for multiple feats of makeup mastery and pushing the limits of his craft.
“Rocketman,” “Jojo Rabbit,” “Parasite,” and “Toy Story 4” also took home prizes. But the Oscar race heats up between “1917” and “Ford v Ferrari.”
It’s a period piece visual feast led by “1917,” “Once Upon a Time in Hollywood,” “The Irishman,” “Joker,” and “The Lighthouse.” Updated 1/19/20.
As always, period rules the day in costume design, from Quentin Tarantino’s “Once Upon a Time in Hollywood” to Todd Phillips’ “Joker.” Updated 1/18/20
Many of the shorts address topical issues or lingering social or political traumas. Updated 1/18/20.
It’s a VFX race between Disney’s “The Lion King” and “Avengers: Endgame,” with the “The Irishman” as the dark horse. Updated 1/18/20.
Period production design dominates the Oscar race, with Bong Joon Ho’s “Paradise” as the impressive outlier. Updated 1/18/20.
The animated shorts Oscar race emphasizes stop-motion and 2D with stories about families and friendship. Updated 1/18/20.
“Parasite” editor Jinmo Yang now becomes the Oscar frontrunner. Could the film’s ACE win be a Best Picture harbinger as well?
The two-time Oscar winner was surprised that director Greta Gerwig turned his score into a ballet.
“Ford v Ferrari” and “Jojo Rabbit” are the sleepers in a race marked by unconventional characters and demanding stories.
Big-budget studio movies are competing for slots with Netflix’s dramatic epic “The Irishman” in a category that often presages the strongest Best Picture contenders. Updated 1/16/20.
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